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Russian and World music CD DVD shop and Classic distribution

 
 

Band

   Found CDs: 19
 

Rushobo ‎- Secret Tales From The Inner World

Rushobo ‎- Secret Tales From The Inner World
ID: CDMAN314-07
CDs: 1
Type: CD
Collection: Contemporary Jazz
Subcollection: Band

Contemporary Jazz, Romantic, Trip Hop
12.00 eur Buy

Baraka - Tribute To Nargis

Baraka - Tribute To Nargis
ID: SKMR099
CDs: 1
Type: CD
Collection: Ethno
Subcollection: Band

Digipack
Genre: Jazz, Folk, World, & Country
Style: Smooth Jazz, Fusion

Performens:
Baraka - ethno- jazz band
Bass [Fretless Bass] - Andrey Markin
Daf [Daff], Goblet Drum [Darbuka], Bongos [Bongo], Kanjira, Ghatam, Tabla - Dmitry Evsikov
Flute, Tenor Saxophone - Denis Pashkevich
Guitar - Egor Kovaikov
Piano, Electric Piano [Rhodes Piano] - - Artem Sarvi
Vocals - Devika Evsikova
Bass - Andrey Orlov
Soprano Saxophone - Raivo Stašans
Double Bass - Stanislav Judin
Guitar - Egor Kovaikovaikov
Electric Piano [Rhodes Piano] - Madars Kalniņš
Tenor Saxophone - Vilnis Kundrats
Acoustic Guitar - Egor Kovaikov
Double Bass - Stanislav Judin
Bass - Zigmund Zukovsky
Bass [Fretless Bass] - Andrey Markin
Flugelhorn - Normunds Piesis
13.00 eur Buy

Algambra

Algambra
ID: SKMR110
CDs: 1
Type: CD
Collection: Ethno
Subcollection: Band

Digipack

"ALGAMBRA" is russian (Moscow-based) world music band. From different ethnic influences (middle-eastern, indian, mediterranean) to modern fusion and minimalism in bands composition, based on melodies, played on hang (with it's variations).

Yuri Rubin - hang (spb), caisa, percussions, project idea Alina Ikva - cello, metallophone Karam - electric guitar Andrey Filatov - bass Philipp Barsky - celtic harp (3,4,9) Misha Finogenov - acoustic guitar (3,9) Andrey Tanzu - percussions (2) Amir Khan (India) - tabla, vocals (10)
13.00 eur Buy

Alexey Kruglov - Krugly Band - Altissimo - Tribute to Anton Grigoriev

Alexey Kruglov - Krugly Band - Altissimo - Tribute to Anton Grigoriev
ID: ART327
CDs: 1
Type: CD
Collection: Jazz and Blues
Subcollection: Band

Krugly Band - Musicians:
Alexey Kruglov - alto saxophone
Anton Grigoriev - alto saxophone
Oleg Grymov - alto saxophone
Svyatoslav Tekuchyev- alto saxophone
Anna Korolyeva - alto saxophone
Alex Bekker - Piano
Sergey Vasiliev - bass
Peter Talalay - drums
13.00 eur Buy

Vechnaya merzlota - DEEPFROZEN SOIL - Igor Volodin and Igor Volodin Group

Vechnaya merzlota - DEEPFROZEN SOIL - Igor Volodin and Igor Volodin Group
ID: CDMAN563-14
CDs: 1
Type: CD
Collection: Jazz
Subcollection: Band

14.00 eur Buy

Attila László Band - Smart Kid

Attila László Band - Smart Kid
ID: BMCCD034
CDs: 1
Type: CD
Collection: Jazz
Subcollection: Band

The group, whose members are leading Hungarian jazz musicians, has played with world-famous artists like Randy Brecker and Tommy Campbell. To define their music, they prefer the expression of "organic jazz".


01. Bridal Dance 5:53
02. Smart Kid 5:38
03. Doctor Q 6:13
04. Sounds Of My Heart 4:00
05. Once Upon A Time 6:14
06. Dr q 2:40
07. Native 9:15
08. Tale From The Waltz 5:37
09. Jezzy 5:46
10. The Way home 3:14
11. Five In One 7:02

Total time: 60:01

Performers
Attila László - electric and acoustic guitars
Kálmán Oláh - piano, keyboards
Béla Lattman - electric and acoustic bass
Kornél Horváth - percussions
Péter Szendőfi - drums

Featuring:
Zoltán Lantos - violin (1,7)
Kornél Fekete-Kovács - trumpet (3)
Ferenc Magyar - trumpet (3)
Gyula Csepregi - tenor saxophone (3)
István Elek - alto saxophone (3)
Ferenc Schreck - trombone (3)
Katalin Kunovics - vocal (4)
Péter Szolnoki - vocal (4)
15.00 eur Temporarily out of stock

Bubamara Brass Band - Ja Volim Bubamaru

Bubamara Brass Band - Ja Volim Bubamaru
ID: SKMR114-1
CDs: 1
Type: CD
Collection: Brass Collection
Subcollection: Band

"I think this album of all previous most interesting and tear. Work on it very carefully and long, picking up a note to the note in every solo and every stroke by asking the dynamics and "breath" songs. We remembered the old hits, as "Vasya, pour rakia!" and "Jasna Dance" and performed them in new arrangements! Song about Vasya now sounds with vocals! Now on the album we sing two girls. Nastyona (the name of the second vocalist) and peerless Natasha sing something like Serbian rap! And redesigned one of our old song "Song from the sky", she now has a new name and new words. The album includes a song dedicated to the Marc Chagall, inspired by the movie "Chagall, Malevich". In this regard, and the cover is framed painting by Marc Chagall. As we see it - the boy loves a girl sitting on the horse, the horse chews violin, violinist and drank away and leaned ... More would like to mention the song "Darbukinya" in which all the percussion recorded by our friend Artem Uzunov. I think this song is a perfect gift for all tribal dancers, belly dancing and oriental dance. We connected the drums, percussion and horns - turned out very colorful! So listen and enjoy! "
Nataliya Zherenkova - vocal (1, 3, 5, 6, 7, 9, 11), violin Nastёna Bad’ina - vocal (1, 3, 5, 7, 9, 11) Aleksandar Kashtanov - a.sax, flute solo (8, 9), whistle (10), tambourine, scat (6), drums & bass prog. (6) Oleg Grymov - s.sax solo (4, 5, 7) Konstantin Safyanov - s.sax solo (3, 11) Artem Koryapin - trumpet (solo 2) Vatslav Brazhichek - trumpet (solo 1, 7, 10) Roman Zharskiy - tenor-horn Sergey Serov - trumpet Ramil Mulikov - trombone (solo 1, 2, 3, 9) Arhip Samsonov - baritone-horn Dmitriy Karev - accordion (solo 4, 10) Andrey Timofeev - helicon, tuba (6) Iliya Lipatov - snare drum & percussion (ex. 6, 8), (solo 4) Alexandr Vtorov - bass drum & percussion (ex. 6, 8), (solo 4) Artem Uzunov - (8) darbuka, dohola, bendir, riq, zills, claps
15.00 eur Buy

Michael Nyman - Nyman / Greenaway Revisited - The Composers Cut Series - Vol. 2

Michael Nyman - Nyman / Greenaway Revisited - The Composers Cut Series - Vol. 2
ID: MNRCD106
CDs: 1
Type: CD
Subcollection: Film Music

Recorded in April 2005
The pictures in the CD, including the one of the CD cover are all taken by Michael Nyman.

Music composed, conducted and produced by Michael Nyman
Performed by the Michael Nyman Band

"The purpose of the Composer's Cut series is to present music from my soundtracks in a state of continuous evolution. As I transferred particular cues from film to concert hall both musical structures changed and performance styles developed, enabling the music, perhaps, to realise its true potential. So these recordings represent the Michael Nyman Band's state-of-performance as of spring 2005." - MN August 2005

Nyman/Greenaway revisited is a collection of the most popular music from the five soundtracks provided by the composer for Peter Greenaway's feature films from 1982 - 1991. Music from The Draughtsman's Contract, A Zed and Two Noughts, Drowning By Numbers, The Cook The Thief His Wife And Her Lover, & Prospero's Books is included.

Greenaway & Nyman had a very different relationship from that of most directors/composers, with Greenaway giving Nyman immense scope for the music. Nyman responded in kind with some of the best film music of the last quarter century. The working methods even varied from film to film. While the score of Zed and Two Noughts was composed without the composer even having seen a single frame of the film, the climactic scene of The Cook The Thief His Wife and Her Lover was quite deliberately choreographed to the pre-existing piece Memorial. The music for these films became widely known & hugely influential on a succeeding generation of composers and directors.

One of Nyman's most recently completed film scores (for The Libertine) returns the composer to a film with a 17th century setting, with director Laurence Dunmore claiming it was the memory of hearing the music to A Zed and Two Noughts many years ago that led him to commissioning Nyman for this film, while Michael Winterbottom (a director who has also worked extensively with Nyman), used music from The Draughtsman's Contract for his newest film A Cock and Bull Story. This collection of music has also become immensely well known to a wide public audience. Among the most frequently performed contemporary music, whether on classical radio stations, or through use in film, TV programming or advertising use, these pieces are as familiar to a mainstream audience as many contemporary pop and rock songs.
16.00 eur Temporarily out of stock

Michael Nyman- VertovSounds - A Sixth Part of the World, The Eleventh Year- The Composers Cut Series - Vol.4

Michael Nyman- VertovSounds - A Sixth Part of the World, The Eleventh Year- The Composers Cut Series - Vol.4
ID: MNRCD118
CDs: 1
Type: CD
Subcollection: Film Music

Michael Nyman has now completed scores for the three major films that the pioneering Soviet filmmaker Dziga Vertov made in the late 1920s. To ‘Man with a Movie Camera’ he has added ‘The Eleventh Year’ and ‘A Sixth Part of the World’ and as a unique experiment for MN Records he has created a new Michael Nyman Band work - by making a montage of material from both of the soundtracks into a single, continuous piece which runs for 77 minutes.
I wrote the score for Man with a Movie Camera in 2002 and now, with A Sixth Part of the World and The Eleventh Year, I am in the privileged position of having written soundtracks for the three major films that Dziga Vertov made at the end of the 1920s and on which his reputation is based in the west. In the same way as I avoided reading Vertov’s background notes to the music he designated for Man with a Movie Camera when I wrote my score, so with A Sixth Part and The Eleventh Year research was deliberately limited and most of my interest seemed to focus on the similarities and differences between those two films and Man with a Movie Camera (and had me musing on an interesting trio of self-borrowers -Handel, Laurence Sterne and Vertov, with whom I have a strong affinity!) My reaction was to Vertov’s images and the process of their organisation - to the two interrelated, but dissimilar worlds that he presented and promoted in these two films.
Subsequent research, with the help of Barbara Wurm and other archivists from the Austrian Film Institute (which has released a DVD of the two films with the new soundtracks), has allowed me to appreciate differently the content and the context (both cinematic and political) of these two films. And my discovery of the book ? Lines of Resistance: Dziga Vertov and the Twenties, edited by Yuri Tsivian (2004) has thrown up some wonderful supplementary texts like the critic Izmail Urazov's appraisal of A Sixth Part of the World. He writes very powerfully about the musicality of Vertov’s film, which instinctively had influenced my score:

‘Vertov edits sequences like a composer’

That is the cause of the emotion which the film arouses. You cannot relate it; there is no plot, no intensification of the action, but there is an intensification of emotion. Like in music. That is where the emotion comes from. Vertov leads the 'melody', returning to it, playing with dissonances, using the exoticism of the polar snows and the burning hot sands, almost like something beyond sense, almost like a composer using the texture of the sounds.

And within Vertov’s sequences there is a rhythm, with which he infects the viewer: 'a Negress with a child on her back, hammering into your consciousness the tempo and rhythm of the montage of dancing legs, linked to the rhythm of a dance, of the movement of machines...' (Tsivian, p 187)

VERTOV SOUNDS represents a very different approach to the way of processing a soundtrack album: since the music for both films is sectional but continuous and, like Vertov, constantly refers back on itself, there are no ?named tracks' that can be separated out in the way that, say, ?Chasing Sheep is Best Left to Shepherds' from The Draughtsman's Contract has become an independent concert work. So the music for the films is presented as a non-stop montage of alternating sequences (sometimes quite complex in themselves) from each film.
16.00 eur Buy

Michael Nyman- Musique à Grand Vitesse - The Piano Concerto

Michael Nyman- Musique à Grand Vitesse - The Piano Concerto
ID: MNRCD115
CDs: 1
Type: CD
Subcollection: Piano

1- 6 Michael Nyman Band and Orchestra
6 - 9 Kathryn Stott, solo piano / Royal Liverpool Philharmonic Orchestra, Michael Nyman

MGV (Musique à Grand Vitesse)
was commissioned by the Lille Festival, France. It was first performed on 26th September 1993 for the inauguration of the TGV North-European line. The rhythm, melody, harmony, motives and texture are constantly changing and is therefore one of the most exciting and inspiring pieces Michael Nyman has written.

Leading international choreographer Christopher Wheeldon was gripped by MGV’s energy, dynamism and emotion. He was so inspired that he made new choreography to the music of MGV for The Royal Ballet in 2006. Due to popular demand, the resultant work, DGV (Dance a Grande Vitesse), will be revived by The Royal Ballet at Covent Garden, London, on the following dates: 31st January, 6th, 9th, 20th and 21st February 2009.

The Piano Concerto
is based entirely on material selected from the soundtrack for Jane Campion’s film The Piano. It is a single movement work in four phases. 3 of them feature 18th and 19th century popular Scottish song tunes, which formed the basis of Ada’s music in the film. It is a wonderfully powerful and evocative score and there are planned performances of the Piano Concerto in the UK in 2009.
16.00 eur Buy

 
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