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Baroque, page 39

   Les titres retrouvé: 429
 

J.S. Bach - Markuspassion BWV 247 - Volker Bräutigam: Evangelienmusik zu Bachs Markuspassion

J.S. Bach - Markuspassion BWV 247 - Volker Bräutigam: Evangelienmusik zu Bachs Markuspassion
ID: RK2307
CDs: 2
Type: CD
Subcollection: Voices

Leipziger Vocalensemble
Leipziger Barockorchester
Ulrike Staude - Sopran/soprano
Klaudia Zeiner - Alt/alto
Martin Petzold - Tenor/tenor
(Leitung/direction: David Timm)

cantores lipsienses
Hermann Oswald - Tenor/tenor
Wolf Matthias Friedrich - Bass/bass
Christiane Bräutigam - Orgel/organ
Stephan Stopora - Schlagzeug/percussion
(Leitung/direction: Volker Bräutigam)
19.00 eur Buy

J. S. Bach, Clavierübung III and Sei gegrüsset - David Ponsford - Organ

J. S. Bach, Clavierübung III and Sei gegrüsset - David Ponsford - Organ
ID: GMCD7262_3
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Organ

David Ponsford - Organ
20.00 eur Buy

J.S. Bach: French Suites and French Overture - Paul Parsons, harpsichord

J.S. Bach: French Suites and French Overture - Paul Parsons, harpsichord
ID: GMCD7258_9
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Harp

20.00 eur Buy

Agostino Steffani -Chamber Sonatas, Quartetto Erasmus, I. Taccagni, harpsichord

Agostino Steffani -Chamber Sonatas, Quartetto Erasmus, I. Taccagni, harpsichord
ID: CNT2038-2
CDs: 2
Type: CD
Collection:
Chamber Music

World Premiere Recording
20 pages booklet Italiano / English

The Chamber Sonatas by Agostino Steffani were published in the early 1700's by the Dutch editor, Estienne Roger.
Steffani's Sonatas are usually classified as "instrumental music". Really there are elements in these pieces that make them blatantly different from that which is currently called "instrumental." The six suites are in fact taken from overtures, from the refrains, and from the dances of
Steffani's six musical dramas. Each one of the six sonatas bears an opening quote that refers to the six titles author's theatrical operas:
Ouverture de l'Opera d'Orlando (1691), Ouverture de l'Opera Henricus Leo (1689), Ouverture de l'Opera d'Alexander (1690), Ouverture de l'Opera Gli Rivali Concordi (1692), Ouverture de l'Opera d'Alcibiades (1693) and Ouverture de l'Opera Gli Triomphi del Fato (1695). Most of the parts of the Sonatas have been found to be contained in each of the works cited, but some are not, probably because they refer to the music of the dances in Steffani's six musical dramas, ballets that often were not included in the scores of the operas. Agostino Steffani (1654 - 1728) was the composer who, more than anyone else, was responsible for the diffusion of the musical taste for musical drama and
Venetian chamber music throughout Europe and, in particular, in the German speaking countries. He had a considerable influence on Georg Friedrich Händel, who owed him quite a bit both in terms of the music he wrote as well as in terms of his career.
20.00 eur Buy

Giovanni Battista Pescetti - Sonatas for Harpsichord (London, 1739) - F.E. Ravizza, harpsichord

Giovanni Battista Pescetti - Sonatas for Harpsichord (London, 1739) - F.E. Ravizza, harpsichord
ID: CNT2062-2
CDs: 2
Type: CD
Subcollection: Historical Instruments

Booklet: Italiano / English

Filippo Emanuele Ravizza, harpsichord - copy Pascal Taskin, Paris 1769

According to scholars and critics, it is Pescetti's compositions for harpsichord that have the most merit, especially when considering their stylistic innovation. His compositions that survived to today are his six Sonate per Clavicembalo, which remained in manuscript form, and his Sonate per Gravicembalo, which were published in London in 1739, and are presented in this recording.
These compositions are representative of the transition from the Baroque style to the Galante Style. Generally speaking, their movements vary in number from two to four and typically are written in contrasting styles. Among the notable aspects that successfully distinguish Pescetti's music, we can highlight the clarity of its exposition, its elegance, its essentiality, its ephemeral but incisive inspiration as well as the uncommon spontaneity and fluidity of its language.
These Sonatas for Harpsichord represent a splendid example of 18th century Italian music in the sense of art as an act communicating sound, images, feelings and impressions.
Pescetti's music requires a harpsichord with a full and deep tone that can hold a note for a long time, but also has a precise and penetrating attack. Indeed for this recording an extraordinary historical instrument has been used, i.e. copy Pascal Taskin (Paris 1769), whose original instrument is safely kept at the well known Russell Collection in Edinburgh.
20.00 eur Buy

Pietro Domenico Paradisi - Copmplete Harpsichord Sonatas - Filippo Emanuele Ravizza, harpsichord

Pietro Domenico Paradisi - Copmplete Harpsichord Sonatas - Filippo Emanuele Ravizza, harpsichord
ID: CNT2008
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Harpsichord

20.00 eur Buy

J.S. Bach - Flute Sonatas Nos. 1-6, BWV1030-1035 - A. Korneyev (flute) - A.Bakhchiev (harpsichord)

J.S. Bach - Flute Sonatas Nos. 1-6, BWV1030-1035 - A. Korneyev (flute) - A.Bakhchiev (harpsichord)
ID: MELCD1002154
CDs: 2
Type: CD
Subcollection: Harpsichord

Firma Melodiya presents recordings by Alexander Korneyev, an outstanding flutist, People’s Artist of the RSFSR and laureate of the State Prize of Russia.

A world known soloist, Korneyev won the recognition primarily as a concert musician. He performed with well-known musicians such as Lev Oborin, Ivan Kozlovsky, Sviatoslav Richter, Emil Gilels, Mstislav Rostropovich and the Beethoven Quartet. A soloist of the Big Symphony Orchestra of All-Union Radio for many years, he played under the leadership of some of the most prominent maestros and at times performed as a symphony and chamber conductor himself. Also, he realized performing versions of a number of flute compositions.

The musician’s concert repertoire was extraordinary extensive, from early baroque to contemporary composers. He made dozens of recordings released on vinyl and CD. This album features one of the gems performed by Korneyev, a peak of baroque flute - six sonatas for flute and harpsichord, and the partita for solo flute by J.S. Bach.

Most evidently, Bach composed his flute works along with other chamber opuses in Köthen during 1717 to 1723. At the time, the composer focused on solo and ensemble instrumental music. Arguably, two of the six sonatas (BWV 1031, 1033) were penned by his son Carl Philipp Emanuel who later served at the court of Crown Prince Frederick of Prussia, a big lover of the flute.

The part of harpsichord was performed by a remarkable ensemble musician, People’s Artist of Russia, Alexander Bakhchiev. The recordings were made in 1971 and 1974.
20.00 eur Buy

J.S. Bach - Works for Organ - Leonid Roizman (organ)

J.S. Bach - Works for Organ - Leonid Roizman (organ)
ID: MELCD1002109
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Organ

A double-disc set of recordings of J.S. Bach's organ works performed by Leonid Roizman. This set includes recordings made in the 1960s when the organist's performing activity was in its prime. Roizman's performing style was distinguished by virtuoso organ technique (his teacher Alexander Goedicke is considered a founder of the Russian organ school), expressive performance imagery and noble interpretative austerity.

J.S. Bach
1. Toccata and Fugue in D minor,BWV 565
2. Chorale Prelude in G major, BWV 641
3. Chorale Prelude in A major, BWV 633
4. Chorale Prelude in A minor, BWV 691a
5. Chorale Prelude in G major,BWV 711
6. Chorale Prelude in B minor, BWV 727
7. Chorale Prelude in G major, BWV 734
8. Chorale Prelude in F minor, BWV 39
9. Chorale Prelude in D minor, BWV 614
10. Chorale Prelude in E major,BWV 732
11. Chorale Prelude in C minor, BWV 610
12. Chorale Prelude in A major, BWV 601
13. Chorale Prelude in C major, BWV 631
14. Chorale Prelude in D minor, BWV 629
15. Passacaglia and Fugue in C minor, BWV 582
CD2
1. Chorale Partita 'O Gott, du frommer Gott!' in C minor, BWV 767
2. Fugue in G minor, BWV 578
3. Prelude and Fugue in E flat major, BWV 552
4. Prelude and Fugue in C minor, BWV 549
5. Prelude and Fugue in E minor, BWV 533
6. Little Harmonic Labyrinth,BWV 591
7. Prelude and Fugue in C minor, BWV 546
20.00 eur Temporarily out of stock

Well-Tempered Clavier Book II. - S. Richter Plays J.S. Bach

Well-Tempered Clavier Book II. - S. Richter  Plays J.S. Bach
ID: MELCD1002030
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Piano

Johann Sebastian Bach’s cycle of preludes and fugues The Well-Tempered Clavier takes a very special place in the world of music. It is not just one of the immortal masterpieces of the world music literature. It literally is an encyclopedia of polyphonic art, its Alpha and Omega; it is a desk book of every thinking musician, a necessary manual for life, and at the same time an inexhaustible source of pleasure. Bach finished the second part of The Well-Tempered Clavier in 1744, twenty years after he created the first part. The reason for composing the send part was his wish to collect in one book the preludes and fugues he wrote at different time and lost among old papers. Bach also wanted to substantially rework these preludes and fugues, give them their final form applying the experience he gained through the years. And that was a truly all-bracing experience. Bach’s Well-Tempered Clavier gives plenty of play to very different performer’s interpretations. None of the significant music works has caused as many difficulties and debates about the way it should be interpreted. Such a deep, comprehensive and truly artistic approach to the cycle is typical of Sviato- slav Richter. “When I set to The Well-Tempered Clavier, I get always consumed with desire not to exclude any sides for the sake of one narrow and dogmatic position… I am convinced that Bach can be played differently, with different articulation and different dynamics. So long as the whole is preserved, so long as the strict contours of style are not distorted, so long as the performance is convincing enough”, Richter said.
20.00 eur Temporarily out of stock

J.S. BACH - 18 Leipzid Chorales - Alexander Knyazev The Pipe Organ of the Riga Cathedral

J.S. BACH - 18 Leipzid Chorales - Alexander Knyazev The Pipe Organ of the Riga Cathedral
ID: MELCD1002397
CDs: 2
Type: CD
Collection:
Baroque
Subcollection: Organ

20.00 eur Buy

 
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