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Baroque, page 8

   Les titres retrouvé: 435
 

Vivald: Gloria in D major / Bach: Magnificat in D major - The Sixteen - H. Christophers

Vivald: Gloria in D major / Bach: Magnificat in D major - The Sixteen - H. Christophers
ID: COR16042
CDs: 1
Type: CD
Collection:
Baroque

About this title: The small British chorus called the Sixteen and director Harry Christophers have delivered consistently popular recordings of Renaissance and Baroque music, maintaining very high standards of performance. Here they couple two of the most popular Baroque works of all, Vivaldi's Gloria in D major, RV 589, and Bach's Magnificat in D major, BWV 243, and the results are handsome indeed. The tenor of the performances flows from the conceptions of each work that Christophers expresses in one of the little personal essays that appears at the beginning of each booklet in this series: Vivaldi, he said, is "effective," and even operates in places here "at his simplest," while Bach is "complex." Some would use other words first, for each composer -- daring or kinetic for Vivaldi, devotional or a dozen other words for Bach. There are recordings that give Vivaldi in general and the Gloria in particular more of an edge; there are recordings of Bach that seem warmer, or more rooted in the sacred texts.
13.00 eur Buy

Ribbing, Stig: Gustaviansk Klavermusik

Ribbing, Stig: Gustaviansk Klavermusik
ID: CDA1654-2
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Piano

13.00 eur Buy

Privilege du roy - "ARS CONSONI" - Artistic director - Vladimir Fedotov

Privilege du roy - "ARS CONSONI" - Artistic director - Vladimir Fedotov
ID: CR036
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Flute

13.00 eur Buy

Bach, Marcello, Vivaldi - Concertos for Cello and Organ - Alexander Zagorinsky, Alexey Shmitov

Bach, Marcello, Vivaldi - Concertos for Cello and Organ - Alexander Zagorinsky, Alexey Shmitov
ID: CR012
CDs: 1
Type: CD
Subcollection: Organ

This is one of my best discs.
Edisson Denisov about the CD recorded by Alexander Zagorinsky

…One of the best interpretations I have heard.
American Record Guide

The soloist Alexander Zagorinsky can be compared with Mstislav Rostropovich. It was the best performance I have ever heard. The last part demonstrated virtuosity and expression of the performer.
Berndt Haggbom, "Halsinge Kuriren"


He is a marvelous and highly professional cellist.
Edisson Denisov
13.00 eur Buy

Buxtehude, Scheidemann, Bach, Vivaldi - Feodor Stroganov - organ

 Buxtehude, Scheidemann, Bach, Vivaldi - Feodor Stroganov - organ
ID: CR027
CDs: 1
Type: CD
Collection:
Organ Collection

Feodor Stroganov, one of the most interesting young Russian organists and composers, was born in Moscow in 1968. In 1984-88 he was the student of the musical college under the Moscow Conservatoire in the classes of theory of music, composition and organ.
In 1988, Feodor Stroganov entered the Moscow State Tchaikovsky Conservatoire as a composer in the class of professor Albert Leman. He also continued his studies as an organist. In 1992 - 1993 he worked on probation at the Paris National Conservatoire as organist and composer under the guidance of Michel Shapuis and Olivier Latry.
In 1993 Feodor Stroganov graduated from the Moscow Conservatoire and started a post-graduate course at the department of composition (under professor Leman); later, in 1995, he became a postgraduate as an organist under the guidance of professor Natalia Gureeva.
Feodor started his career of a soloist when he was still a student. He took part in many concerts, playing works of baroque and romantic music as well as his own compositions. He participated in many famous festivals like "Moscow autumn", "Musicarte", Haydn Festival in Esterhaz, Mozart Festival in Wurzburg, “Viret Strings” in San Francisco and others. Feodor Stroganov was awarded a diploma at the International Mikhael Tariverdiev Organ Contest (2001), the Moscow Composition Contest (2002) and became a prize-winner of the International Organ Competition in Volgograd (2002).
Feodor Stroganov gives concerts in Moscow's most important and prestigious concert halls, tours extensively in Russia and abroad.
13.00 eur Buy

Itzhak Perlman - A. Vivaldi - The Four Seasons

Itzhak Perlman - A. Vivaldi - The Four Seasons
ID: MKM139
CDs: 1
Type: CD
Subcollection: Orchestre

Recorded in1976,1984
13.00 eur Buy

Dietrich Buxtehude - Membra Jesu Nostri

Dietrich Buxtehude - Membra Jesu Nostri
ID: COR16082
CDs: 1
Type: CD
Collection:
Sacred Music

Buxtehude’s cantata cycle, Membra Jesu Nostri, is a unique work. Based on texts from a medieval Latin hymn, ‘Salve mundi salutare’, the cycle contains seven cantatas each dedicated to a different part of Christ’s crucified body. The texts are based on the concept of an observer contemplating Christ’s body on the cross starting with his feet and moving up to his knees, hands, side, breast, heart and finally his head. Buxtehude plays cleverly with musical colours and textures and changes the mixture of voices and instruments to dramatic effect as the work develops.

Recording information: St Jude's Church, Hampstead Garden Suburb, London, Engl (02/07/2000-02/09/2000)

Originally recorded for and released on Linn Records.
13.00 eur Buy

Giuseppe Torelli - Sinfonie a tre e Concerti a guattro - Giorgio Sasso

Giuseppe Torelli - Sinfonie a tre e Concerti a guattro - Giorgio Sasso
ID: STR11003
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Chamber Orchestra

13.00 eur Temporarily out of stock

Giovanni Battista Bassani - La Tromba della Divina Misericordia (1676) - Oratory in two parts, with violins, Ensemble StilModerno - Ensemble Magnificat

Giovanni Battista Bassani - La Tromba della Divina Misericordia (1676) - Oratory in two parts, with violins, Ensemble StilModerno - Ensemble Magnificat
ID: CNT2044
CDs: 1
Type: CD
Collection:
World Premiere Recording

World Premiere Recording
24 bit recording, 96 kHz

Booklet: Italiano/English

Performed for the first time in Ferrara on the 8th of November 1676, and again in 1682 in Bologna on the 2nd of November, "La tromba della divina misericordia", was Bassani's third oratory (the others being "L'Esaltazione di Santa Croce" and "L'epulone"), but this one is the only one of the three for which an original score exists. Therefore it represents his oldest surviving composition, especially given the fact that his first opus was published only in the following year.
The work was commissioned by the Accademia della Morte in Ferrara (where Bassani, who was born in Padua, resided from at least 1667 on). This organization was part of the brotherhood of the same name, one of the city's most prominent religious institutions. From this perspective, "La tromba" represents an example of an oratorio morale, very different from those oratories widely diffused in courts of the time. In fact, here the term "oratorio" indicates an opera with a biblically inspired - or hagiographic - libretto, and it was a common substitute of melodramas during Lent or other periods when theaters were closed. (Carlo Centemeri). This recording would like to contribute to the rediscover of such a composer, Bassani, who is today above all remembered for his Trio sonatas (one of which is here recorded together with a Toccata for Organ), but who was a celebrated violinist and composer in his own time. (Bach himself knew Bassani's Acroama missale, which consisted of six Masses).
13.00 eur Buy

Giovanni Platti - Complete Works: Vol. 4, F. E. Ravizza, harpsichord

Giovanni Platti - Complete Works: Vol. 4,  F. E. Ravizza, harpsichord
ID: CNT2032
CDs: 1
Type: CD
Subcollection: Historical Instruments

World Premiere Recording

Harpsichord J.D. Dulcken 1742, copy

Historical instruments

DDD 32 bit recording, 64 bit remastering
10 pages booklet, Italian, English, Francias, Deutsch


We are herewith presenting the fourth and last CD of the complete harpsichord work (18 Sonatas in total) by Giovanni Benedetto Platti (Padua 1697 - Wuerzburg 1763). We have therefore the chance to listen from Sonata XV up to Sonata XVIII. All of Platti's work demonstrates his intention to broaden the stylistic horizon of the time, starting from a quintessential Baroque foundation and evolving to touch in edge of Classicism. Fausto Torrefranca, one of the major Italian critcs and the first one to study Platti, wrote in his fundamental and monumental publication "Giovanni Benedetto Platti e la Sonata moderna": "How to portray Giovanni Benedetto Platti […] He was a true artist, it's undoubtly, but he was also a great artist and must take his place in history among the most important authors of instrumental music. […] As far as music for harpsichord is concerned […] his style stands out over that of his contemporaries. To have a clear idea, just choose and read one after another, those works in which he had been able to instill his true personality in the most concise and brilliant way and he conquered a place in the world of the indisputable, the highest sphere of art."
13.00 eur Buy

 
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