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Vocal Collection, page 6

   Found CDs: 608
 

Boris Tchaikovsky: Piano Quintet and The Last Spring

Boris Tchaikovsky: Piano Quintet and The Last Spring
ID: FRC9111
CDs: 1
Type: CD
Subcollection: Quintet

11.00 eur Buy

...AND LIFE, AND TEARS, AND LOVE - VOCAL MASTERPIECES

...AND LIFE, AND TEARS, AND LOVE - VOCAL MASTERPIECES
ID: MKM193
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Songs and Romances

Year of recording: 1978
12.00 eur Buy

Frederic Chopin - Annick Van de Walle, soprano -Kornelia Ogorkowna, piano

Frederic Chopin - Annick Van de Walle, soprano -Kornelia Ogorkowna, piano
ID: KNSA004
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

12.00 eur Buy

Annette Céline- Cantigas - Felicja Blumental, piano

Annette Céline- Cantigas - Felicja Blumental, piano
ID: BR0003
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

Brazilian soprano, Annette Celine performs a delightful collection of unusual and rarely recorded songs by two of the best known Brazilian composers - Waldemar Henrique de Costa Pereira and his mentor and advisor, Heitor Villa-Lobos.
12.00 eur Buy

Was It A Dream? - Christopher Gould, piano / Annette Celine, soprano

Was It A Dream?  -  Christopher Gould, piano / Annette Celine, soprano
ID: BR0011
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

Composers such as Sibelius and Tchaikovsky are more often than not, recognised as masters of larger scale works. This collection of songs expose their smaller masterpieces and demonstrates the art of the French masters; Fauré and Duparc.
12.00 eur Buy

Songs With and Without Words - Annette Celine, soprano / Christopher Gould, piano

Songs With and Without Words - Annette Celine, soprano  / Christopher Gould, piano
ID: BR0006
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

Soprano Annette Celine and pianist Christopher Gould perform a selection songs transcribed for voice and piano. Includes Percy Grainger’s solo piano arrangement of Fauré’s ‘Après un rêve’. Other composers on this disc include Cui, Granados and Obradors.
12.00 eur Buy

Bachianas Brasileiras No. 5 - Felicja Blumental, piano / Annette Celine, soprano

Bachianas Brasileiras No. 5 - Felicja Blumental, piano / Annette Celine, soprano
ID: BR0020
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

If you have never heard Moniuszko’s songs, rare Pergolesi arias or Villa-Lobos’ beautiful Bachianas No. 5, then this album is a must have. This beautiful collection of songs also features works by Niewiadomski, Scarlatti, Chopin, Strauss and Weill.

* Annette Celine (soprano) and the Rome Radio Symphony Orchestra conducted by Alberto Zedda.
** Annette Celine (soprano) and 8 Cellos
12.00 eur Buy

Carl Orff Chor- Robert Blank: Tempora · Alles hat seine Zeit

Carl Orff Chor- Robert Blank: Tempora · Alles hat seine Zeit
ID: OC531
CDs: 1
Type: CD
Collection: Vocal Collection

12.00 eur Buy

Kuhn: Songs and Instrumental Works / Anderson, Ager, et al

Kuhn: Songs and Instrumental Works / Anderson, Ager, et al
ID: GMCD7284
CDs: 1
Type: CD
Subcollection: Oboe

Recorded: St Paul’s Boy’s School, Hammersmith, London 12-13 June 2004

The composer Max Kuhn was born on 28 April 1896 - the year of Bruckner’s death, the year before Brahms’s - in Zurich, and he lived almost the whole of a long and active life in the vicinity of the city. After his school education he studied piano with Peter Fassbänder and organ with Fridolin Roth, and then from 1920 to 1921 was a student at the Zurich Conservatory. The influence of Ferruccio Busoni, who had spent a self-imposed exile in Zurich during World War I, was palpable at the Conservatory at this time. Kuhn studied conducting with Volkmar Andreae, a close friend of Busoni; counterpoint with Busoni’s pupil Philipp Jarnach; and composition with another Busoni pupil, Reinhold Laquai. Kuhn then spent five years, until 1926, in further studies in Vienna - becoming a pupil of Josef Hoffmann for piano, and of Richard Stöhr for counterpoint. By the time he returned to Switzerland, therefore, Kuhn was a highly qualified musician in several spheres; even so he went on in 1929 to take some conducting lessons from Felix Weingartner in Basel.

From the 1920s onward, Kuhn was based in Küsnacht, near Zurich, as organist and choir director at the Catholic church. In 1928 he founded the ‘Choir for modern Music’ - later to be known, under its subsequent conductor, as the Zurich Chamber Choir. In 1940 Max Kuhn helped to found the Mozart Society of Zurich, and he remained working in Zurich for many years as a conductor, pianist and organist. He also taught piano and music theory, not only privately but, from 1956 to until his retirement in 1972, at the Zurich Music Academy. Kuhn was spoken of as one of those Swiss composers who made a bridge in their work between Spanish and Swiss music, and between the Protestant North and the Mediterranean warmth of the South. He certainly had an attachment to the music of Spain, and especially the Canary Islands, which gave rise to his Piano Variations (1967) and the piano concerto entitled Concierto de Tenerife (1962), both available on other Guild recordings. In 1991, at the venerable age of 94, Kuhn moved to Ascona, on the Swiss shore of Lake Maggiore, where he died three years later.

According to the noted Swiss critic Willi Schuh, Kuhn’s was a ‘pronouncedly lyrical talent’, with songs and choral music occupying a place of importance in his output. Nevertheless he composed prolifically in a wide spectrum of genres, from operas to small piano pieces. Chris Walton has remarked that Kuhn ‘was rooted in the Swiss Protestant tradition’, but his musical language is an urbane synthesis of several 20th-century tendencies. Kuhn himself, in 1973, described the evolution of his musical language thus: ‘Before 1921, my works were rooted in traditional influences (Bach, Schubert, Wolf). The confrontation with Impressionism and the Second Viennese School and my encounter with Hindemith broadened my means of expression in matters of harmony and formal technique, and enabled me to go my own way (the use of extended tonality, polyphony, and linear counterpoint that takes into account the extended harmonic context)’.
12.00 eur Temporarily out of stock

The Low Bass - Great Art Songs from the Bass Repertoire- Music by Schubert, Wolf, Saint-Saëns, Flégier, Strauss etc...

The Low Bass  - Great Art Songs from the Bass Repertoire- Music by Schubert,  Wolf,  Saint-Saëns,  Flégier,  Strauss etc...
ID: GMCD7244
CDs: 1
Type: CD
Collection: Vocal Collection
Subcollection: Vocal and Piano

Recorded: Seltzer Sound, New York City 16 October and 18 December 2001
12.00 eur Buy
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