鐺s | eng | fra | deu
 
Google Translate of English 
 
 
 
 
 
 
 
 
 

Russian and World music CD DVD shop and Classic distribution

 

Chamber Music, page 30

   Found CDs: 958
 

Ildebrando Pizzetti - Sonata in A for piano and violin - Sonata in F for piano and cello

Ildebrando Pizzetti - Sonata in A for piano and violin - Sonata in F for piano and cello
ID: CNT2057
CDs: 1
Type: CD
Subcollection: String instruments

Not even three years stand between the two Sonatas presented together in this CD. In this short period of time the composer's personal life was turned completely upside down by the sudden and unexpected death of his wife.
We can feel just the same dramatic tension animates the Sonata in A from beginning to end; "Tempestoso", a dialogue between two characters - the piano and the violin - opens the first movement and the dramatic tension, riddled with a suffering humanity. Pizzetti's dualism between dramatic excitement and soothing meditation is strongly reinforced in the second movement: entitled by the composer "Preghiera per gli Innocenti" [Prayer for the Innocents. Here, too, is the echo of a distant polyphonic response. In the end comes the catharsis, through the gentleness of the prayer, the final, liberating movement where Pizzetti opens to a different, but just as basic, sensibility, one enlivened by hints of the rustic life, riddled with popular whims.
Finished in March 1919 and published by the English editor Chester, the Sonata was first performed in July 1919 played by Ernesto Consolo and Mario Corti and was to become part of the repertoire of many famous performers.
The emotional circumstances surrounding the creation of the Sonata for Cello can be seen in the very structure of the piece in the arch drawn by the three movements. When Pizzetti began to compose the Sonata in F on July 27th, 1921, only a few months had passed since his wife, a young pianist had tragically died. The composer introduces the Cello in the opening "Largo", which is clearly a dialogue between the two instruments. The piano evokes and talks of things, while the cello is suffering personified. It is a dialogue infused with a secret restlessness. This gentleness however does not stop the grief from erupting violently in the second movement "Molto concitato e angoscioso" with the piano's tumultuous, unisonous quadruplets over which the various, harsh notes of the cello are introduced: ephemeral moments of suspense, interrupted by the plundering return of the quadruplets. It is only in the final bars of the soul's torment seems to abate. With the beginning of the third movement, the cello has melted, and becomes "stanco e triste" in an anxious monologue where it gradually evolves into sweet melodic whisper. The piano enters discretely with arpeggiated sequences to slowly, gently, "con crescente emozione" arrive at a delicate embrace that lets comforting light shine through to the "perdendosi" finale.
The Sonata was first performed at the Società del Quartetto in Milan in December 1921 by Ernesto Consolo and Enrico Mainardi.
13.00 eur Temporarily out of stock

Ildebrando Pizzetti - Trio di Parma, piano, violin, cello

Ildebrando Pizzetti - Trio di Parma, piano, violin, cello
ID: CNT2056
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Historical Instruments

Booklet: Italiano / English

The works presented by the Trio di Parma in this first CD are paying homage to the great Italian composer Ildebrando Pizzetti. However lately he hasn't been performed so much anymore and therefore his works remained quite unexplored, especially as far as the chamber instrumental production is concerned. And yet the Trio has been performed for the first time in '25 by some exceptional artists like George Enesco, playing the violin and Hans Kindler the cello. Even Tre Canti , just one year before, had been first executed at Palazzo Pitti in Florence by a prodigy of performing like Mario Castelnuovo-Tedesco and Enrico Mainardi. We may then enjoy listening to some really precious works for violin and piano which are well completing the CD (i.e. two Arias and a Colloquio) among which a worldpremiére written for cello: an extemporaneous homage to a very young cellist (just seven years old) named Amedeo Baldovino, who has then turned to be one of the major cello interpreter at that time.
The notes which introduce this recording are well written by Gian Paolo Minardi, while the Trio di Parma is herein giving us a fascinating interpretation of some works written by his renowned fellow citizen, coming from the beautiful town of Parma as well.
13.00 eur Temporarily out of stock

J.Hoffmann, G.F. Giuliani - Music for violin and mandolin from the 18th century, Ensemble Baschenis

J.Hoffmann, G.F. Giuliani - Music for violin and mandolin from the 18th century, Ensemble Baschenis
ID: CNT2059
CDs: 1
Type: CD
Subcollection: Historical Instruments

Booklet: Italiano / English

* Performing instruments: violin, Lombard mandolin, cello, theorbo
** Performing instruments: violin, Neapolitan mandolin, cello, theorbo

The Violin and the Mandolin, accomplices and rivals: in the field of musical literature of XVIII and XIX centuries, many violinists and composers who knew the mandolin - such as Vivaldi, Van Hall, Beethoven, Calace, Giuliani, Hoffman and many others - transposed their knowledge from one instrument to the other: the bow's beats turned into strokes of the plectrum, while arpeggios, double string chords and virtuosities began to be used very frequently. Asort of expressive complicity or even a strong rivalry between the violin and the mandolin can be due to many factors: the simple possibility of passing from one instrument to another, the use of a similar virtuoso technique and the presence of an analogous instrumental idiom. Complicity comes from the rules of their common language, while rivalry is caused by the attempt to take the lead and to fascinate the listener.
Giovanni Francesco Giuliani was a violinist, a harpist, master of harpsichord and singing; what is clearly evident is that the composer had a particular skill and a rich inspiration in making the instruments talk together, thus obtaining the most of their timbre's variety and their technical and expressive possibilities. This recording proposes the even numbered Quartets no. 2, no.4 and no.6.
Very little is known about Giovanni Hoffmann, but it's sure that at the end of XVIII century he was one of the top virtuosi upon the mandolin. Herewith performed the Divertimenti number 3 and 4.
The Ensemble Baschenis took the manuscripts of the Quartets directly from Gesellschaft der Musikfreunde in Vienna and edited them directly from the microfilm.
13.00 eur Temporarily out of stock

IVANA GAVRIĆ - IN THE MISTS - Janáček - Schubert - Liszt - Rachmaninov

IVANA GAVRIĆ - IN THE MISTS - Janáček - Schubert - Liszt - Rachmaninov
ID: CHRCD009
CDs: 1
Type: CD
Collection: Chamber Music

A stunning new solo release from young pianist, Ivana Gavric, taking its title from the featured Janáček work, In The Mists.

Mid-2010 marks a double debut for Sarajevo-born In The Mists pianist, Ivana Gavrić, who will play at the Wigmore Hall for her first solo recital there, and in association with Champs Hill Records, release her first CD, In The Mists.

Moving to London in 1992 at the start of the Bosnian War, Ivana, the daughter of a pianist and then aged 12, studied at the Guildhall School of Music & Drama, Cambridge University, and the Royal College of Music.

About her, Musical Opinion recently wrote: ‘Outstandingly successful in every regard… flawless performance... a young artist who is destined for the highest rank.’

This new CD, recorded recently in the Music Room at Champs Hill (from where the label takes its name), takes its title from the featured Janáček work.

About the programme, Ivana says: "The Schubert is a core around which I have constructed the programme - I have always felt comfortable playing works of Classical construction, and the A minor Sonata (D784) opens with a Slavic tint which, to me, foretells Mussorgsky. I find it important to create a journey for both the audience, and myself, that shows all the aspects of my musical personality; the introspective and haunting images in Janáček’s ‘In the Mists’ conveys this, while the Rachmaninov pieces add passion and lyricism.”

Also featured on this CD, are Liszt’s stunningly melodic Petrarch Sonnets, bringing the playing time to just over 73 minutes.
13.00 eur Buy

Johannes Brahms - Chamber Music - The Schubert Ensemble - William Howard

Johannes Brahms - Chamber Music - The Schubert Ensemble - William Howard
ID: CHRCD011
CDs: 1
Type: CD
Subcollection: Piano

“As with so much in Brahms' life, the genesis of his Piano Quintet, op.34, was fraught with indecision and introspection...” Brahms first wrote this work scored for string quintet, and after taking to heart criticism from Joachim, he not only re-scored the work for two pianos, but destroyed the original string quintet manuscript. Published in 1874, this new du version was not without problems, and it was Clara Schumann who pointed these out, causing Brahms to set about re-arranging the music once more, this time for piano quintet.
This was no simple re-scoring, for the piano quintet medium has unique demands, but, at last, “Brahms had found the medium through which his material could speak most eloquently.” It is the quintet in this final guise that we know it best, and that the Schubert Ensemble deliver here on this recording in an assured and expressive performance, allowing the sophisticated detail of Brahms' writing to throw us into the depths of emotion he conjures up.
13.00 eur Buy

PIERNÉ- LOEFFLER - DURUFLÉ- William Dazeley - London Conchord Ensemble

PIERNÉ- LOEFFLER - DURUFLÉ- William Dazeley - London Conchord Ensemble
ID: CHRCD010
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

The London Conchord Ensemble are joined on this disc by the baritone William Dazeley, presenting a seductive collection of fascinating chamber works and songs written by three major 20th Century French chamber music composers.Sensual and intimate, these works epitomise these works epitomise the music of early 20th-century France, with their fluid lines and unusual textures, sensitively captured here by Conchord.

Though born in Berlin, Charles Loeffler claimed to hail from Alsace, so strongly did he identify with the French aesthetic. His Five Songs set poetry by French poets Baudelaire and Verlaine, and his musical style recalls Franck, Chausson and Debussy. Add to this a Russian sense of instrumental colour, and the result is a fascinating concoction of expressive and of expressive and evocative musical elements. Pierné's Sonata Da Camera is reminiscent of Debussy's seminal Sonata for Flute, Viola and Harp in its poignant colours and intricatetextures, while Duruflé's Prélude Recitatif et Variations reveals a different style from that of his Variations reveals a different style from that of his famous Requiem in writing that recalls Ravel.
Throughout this disc, Conchord plays with an effortless grace and flair, a finesse that perfectly, a finesse that perfectly communicates this exquisite selection of music.
13.00 eur Buy

Favoured Fantasies - David W.Bowerman

Favoured Fantasies - David W.Bowerman
ID: CHRCD015
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Piano and Cello

Champs Hill Records is delighted to release this disc of some of the best works by David Bowerman; chamber music recorded in the intimate & refreshing atmosphere of the Music Room at Champs Hill.

Collated from compositions written over the last five years, this CD features a number of well-known and up-and-coming artists. The flautist Daniel Pailthorpe is well known as a key part of the London Conchord Ensemble as well as the Principal Flute of the BBC Symphony Orchestra, Ittai Shapira is a well-respected violinist and regular concerto soloist in the USA and the UK, and Diana Galvydyte is fast establishing a secure reputation as an exceptional young violinist.

David Bowerman (b. 1936) is one of the most recent cause célébres in British music. He gave up early dreams of being involved in music in order to run the family farm, returning to his first love after his retirement. Coming late to the world of composition, he nonetheless demonstrates most original and inventive thoughts, written in a tonal style akin to a range across Dvorak, Elgar and Delius; English composers forming much of his inspiration.
13.00 eur Temporarily out of stock

Mikhail Voskresensky, piano - W. A. Mozart, Vol. 10

Mikhail Voskresensky, piano - W. A. Mozart, Vol. 10
ID: CR143
CDs: 1
Type: CD
Subcollection: Piano

Recorded live at the Great Hall of the Moscow Conservatoire on April 19, 2010

1 - 6 Mikhail Voskresensky, piano
1 - 6 Stanislav Igolinsky, piano
4 - 6 Anastasia Gamaley, piano
13.00 eur Buy

Mikhail Voskresensky, piano - W. A. Mozart Vol. 8

Mikhail Voskresensky, piano - W. A. Mozart Vol. 8
ID: CR141
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Piano

Mikhail Voskresensky is one of Russia's leading pianists. He is the winner of four international piano competitions (Schumann in Berlin, in Rio de Janeiro, George Enescu in Bucharest, and Van Cliburn in Fort Worth, Texas). In 1966 he was honoured with the Merited Artist of Russia award and in 1989, the People's Artist of Russia. Mikhail Voskresensky has extensive concert experience. His performances has been recorded and issued on more than 50 CDs. His performing art is well known and favored by the audiences worldwide. He is the only pianist in Russia to perform all of Chopin's piano compositions during one concert season (in 1982-83, in nine recitals in the Maly Hall of the Moscow Conservatoire). Mikhail Voskresensky graduated from the Moscow Conservatoire where he studied under Ilia Klyachko, Boris Zemliansky, Yakob Milstein, Lev Oborin (piano) and Leonid Roizman (organ). As student of the famous Lev Oborin, the winner of the First Chopin's Competition in 1927, Voskresensky adopted his teacher's refined romanticism, and perfect taste in harmony with the piano's splendid sound. The images evoked by his playing suggest contrasting musical colours, never out of harmony, with a charming legato inducing the instrument to sing. "His playing fascinates audiences with its artistry, cordiality and ingeniousness. Mikhail Voskresensky is a very talented and intelligent musician", Oborin wrote about his pupil. Voskresensky's repertoire includes Beethoven's 32 sonatas, all works of Chopin, and 64 piano concertos. He has performed with orchestras under the direction of more than 150 conductors, among them - Charles Dutoit, John Pritchard, Franz Konwitschny, Kurt Masur, Eugeny Svetlanov, Kirill Kondrashin etc. Since 2007, he is involved in a project of recording all Mozart piano concerti with Pavel Slobodkin Centre Symphony orchestra in cooperation with the conductor Leonid Nikolaev. After Mr. Nikolaev's death, the project was taken up by the conductor Konstantin Masliuk. On this CD, the eigth in this cycle, Concerti no. 3, 6, and 25 are represented (recorded live from a concert in Maly Hall of the Moscow Conservatory). Mikhail Voskresensky began his pedagogical activities at the Moscow Conservatoire in 1959. For 8 years, he was an assistant to Professor Lev Oborin; since 1963 he has his own class. At present, Professor Voskresensky is the Head of piano chair at the Moscow Conservatoire. His pupils have won 112 prizes in international competitions, among them 49 gold medals. He has participated as juror for many major international competitions. He continues to be Chairman of the Jury for the Scriabin International Competition in Moscow. Mikhail Voskresensky is the President of the Scriabin International Society, and Guest Professor in the Toho Gakuen School in Tokyo. Professor Voskresensky gives numerous master classes in Russia and abroad.
13.00 eur Buy

O. Respighi - Quartetto della Scala - Claudio Voghera, piano - Violin Sonata in B minor - Six piaces for violin and piano

O. Respighi - Quartetto della Scala - Claudio Voghera, piano - Violin Sonata in B minor - Six piaces for violin and piano
ID: CNT2060
CDs: 1
Type: CD
Subcollection: Quartet

This is the first CD our label Concerto dedicates to this great Italian composer, Ottorino Respighi, of international fame.
The String Quartet (Quartetto Dorico) was begun and finished in 1924; in that same year the composer was nominated Director of the Conservatorio di Santa Cecilia.
In a single tempo, the work is built around a single theme, which the string quartet introduces in unison. Within the movement, the traditional, four sections of a quartet can be discerned - Introduction, Scherzo, Adagio, Finale - in each, the theme is developed taking full advantage of the resources offered by counterpoint: from the choral of the Introduction, to the concluding fugato in the Scherzo up to the passacaglia in the Finale. Respighi's perfect quartet scripture certainly owes a lot to his experience as violist.
Even if the date in which the Sonata was begun is uncertain, it is known when it was completed: August 1917; in fact the composer wrote to his wife, his former pupil Elsa Olivieri Sangiacomo: «I have finished the Sonata for violin and piano and I am very pleased with it ».
The piece is articulated in three tempos: 1. Moderato; 2. Andante espressivo; 3. Passacaglia: Allegro moderato ma energico. Following the first movement in classic sonata form with two themes, the first in the tonic, and the second in the relative major, a slow tripartite tempo opens with two extreme sections which unwind in a singing style and with delicacy, in contrast to the agitated central section. But it is the concluding Passacaglia that stands out, shining the preceding sections thanks to a rythmic andamento, which "echoes" the Russian maestros of the end of the 19th century to whom Respighi was often attracted.
The CD is completed by the Six Pieces for Violin and Piano composed between 1901 and 1905, and being for the most part ‘adaptations' of works originally intended for other instruments, these pieces show their experimental nature in their genesis. For example the Aria, the first to appear, was composed in Saint Petersburg, where Respighi kept company with Rimskij Korsakov - and was originally a page written for strings and organ, while the Leggenda and the Berceuse were originally pieces for violin and orchestra and for string ensemble, respectively, and dated to 1902, when the composer was studying with Reger in Berlin. Melodia, also from 1902, is the only piece which right from the beginning was intended for violin and piano. As far as the Valse caressante and the Serenata (1904-1905) are concerned, the first refers to a work for piano and the second to a number from the opera Re Enzo.
13.00 eur Temporarily out of stock
Customer: not signed in

CD DVD SACD
Thematic search:
  • Titles
  • Composers
  • Interprets 
  • Ensembles
  • Conductors
  • Instruments
  • Genre
  • Labels
  • Collections
  • Numerical listing
 
We accept PayPal
facebook
With the purchase of more
than 5 CD - your discount
will be 10%. If more than 10 CD - 15%
© 2004 - 2020

RCD - Russian Compact Disk - Russian and World music CD shop and Classic distribution.

All rights reserved.