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Instrumental, page 101

   Found CDs: 1115
 

Zemlinsky - Bruch - Chamber Music - Trio Zemlinsky

Zemlinsky - Bruch - Chamber Music - Trio Zemlinsky
ID: CLAVES509217
CDs: 1
Type: CD
Subcollection: Trio

16.00 eur Temporarily out of stock

Gerd Kühr - Revue instrumentale et électronique

Gerd  Kühr - Revue instrumentale et électronique
ID: KAI0012622
CDs: 1
Type: SACD
Collection: Instrumental

16.00 eur Temporarily out of stock

Heinrich Wilhelm Ernst - Ingolf Turban - Giovanni Bria

Heinrich Wilhelm Ernst - Ingolf Turban - Giovanni Bria
ID: CLAVES509613
CDs: 1
Type: CD
Collection: World Premiere Recording
Subcollection: Piano

16.00 eur Temporarily out of stock

Traditional Swiss Musical Instruments

Traditional Swiss Musical Instruments
ID: CLAVES509621
CDs: 1
Type: CD
Collection: Instrumental

16.00 eur Temporarily out of stock

Tibor Varga, violin - Collllection, Vol.IV - Historic Recordings

Tibor Varga, violin - Collllection, Vol.IV - Historic Recordings
ID: CLAVES509314
CDs: 1
Type: CD
Subcollection: Piano

16.00 eur Temporarily out of stock

An Italian Ground - Baroque Instrumental Music in the Italian Style - M. Steger, recorder

An Italian Ground - Baroque Instrumental Music in the Italian Style - M. Steger, recorder
ID: CLAVES509407
CDs: 1
Type: CD
Collection: Baroque
Subcollection: Organ

Division Flute: 'A Division to a Ground'
The Division Flute: Readings Ground

Carr, R: Divisions upon an Italian Ground

Chédeville, N: Sonata for musette & continuo in G minor (attrib. To Vivaldi Op. 13/6)

Cima: Sonata in D minor

Fontana, G B: Sonata 6 from Sonata 1, 2, 3 Op. post.

Hume, T: A Souldiers Resolution

Locke: Suite No.3 in D minor-major - For Several Friends, suites (12) for trumpet, viol (or violin), bass viol & continuo

Piccinini: Toccata VI

Rognoni: Divisions on Vestiva I Colli

Sammartini, G: Sonata for Recorder and Continuo in G major, Op. 13, No. 4

Scarlatti, D: Keyboard Sonata K87 in B minor
16.00 eur Temporarily out of stock

Virtuosi Of The Camerata Lysy Gstaad - Alberto Lysy

Virtuosi Of The Camerata Lysy Gstaad - Alberto Lysy
ID: CLAVES509411
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: String Orchestra

The Camerata Lysy Gstaad is composed of string virtuosos from all parts of the world; it is the performing division of the International Menuhin Music Academy. These highly talented musicians, many of whom have won prestigious international competitions, appear as soloists as well as members in the chamber orchestra. The ensemble was founded in 1977 by Alberto Lysy, who is also its director. One of South America’s most famous artists, Lysy has earned a reputation as one of Europe’s most important violin pedagogues at the International Menuhin Music Academy.


Bartók: Romanian Folk Dances for orchestra, Sz. 68, BB 76

Bazzini: La Ronde des lutins, Op. 25

Bloch, E: Vidui (Baal Shem No. 1)

Dinicu: Hora Staccato

Falla: 5 popular Spanish songs for orchestra

Halvorsen:Passacaglia for Violin & Cello/Viola (after Handel)

Lysy: Tango for Violin and Orchestra Variations on a Theme by Corelli

Paganini: Andante con Variazioni

Sarasate: Navarra, Op. 33

Schule: Elegie for Strings Op. 127

Sibelius: Romance in C major for strings, Op. 42

Tchaikovsky: Andante Cantabile (from String Quartet No. 1 in D Op. 11)
16.00 eur Temporarily out of stock

Dvorak - Duo Crommelynck - Complete Works for Piano 4 Hands, Vol. II.

Dvorak - Duo Crommelynck - Complete Works for Piano 4 Hands, Vol. II.
ID: CLAVES509107
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Piano

16.00 eur Temporarily out of stock

COMPLETE BRAHMS TRIOS - Gould Piano Trio with R. Plane - clarinet, D. Pyatt - horn

COMPLETE BRAHMS TRIOS - Gould Piano Trio with R. Plane - clarinet, D. Pyatt - horn
ID: QTZ2067
CDs: 3
Type: CD
Subcollection: Piano

CD 1
Piano Trio No 1 in B major, Op 8 (revised version)
Piano Trio No 2 in C major, Op 87
CD 2
Trio in E flat for piano, violin and horn, Op 40
Piano Trio No 3 in C minor, Op 101
Trio in A minor for piano, clarinet and cello, Op 114
CD 3
Piano Trio in A major, Op. Post
Piano Trio in B major, Op 8 (original version)
17.00 eur Buy

Britten: Six Metamorphoses after Ovid for solo oboe, Op. 49 -Anatomy of a Masterpiece

Britten: Six Metamorphoses after Ovid for solo oboe, Op. 49 -Anatomy of a Masterpiece
ID: CC2017
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Oboe

The 52-page CD booklet (DVD-size) has a 20,000 word programme note in English, including performance considerations for each movement. Britten's compositional sketches are reproduced in the booklet.
There are many illustrations.

This recording sets out to provide a complete overview of Benjamin Britten’s masterpiece for solo oboe, Six Metamorphoses after Ovid, Op 49. Not only is this work unique in the oboe repertoire but it is also one of the most distinctive examples of solo single-line instrumental writing from any age. It is hoped that performers, listeners, students and teachers will find it a useful resource for the understanding or preparation of such a wonderful work. The Metamorphoses is, though, complex in vision and detail and there is much to discover about the work. From its enigmatic title and colourful movements to its remarkable instrumental writing and technical demands on the player, it holds a certain mystique and can even be baffling to understand. This recording has based itself on an investigation of the literary and artistic background that lies behind the work’s creation, at the primary written sources in its composition and to suggest the reasons for Britten’s interest in writing such a work. In addition, these notes will offer performance suggestions based on Britten’s own remarks on the work, views and performances of players from its dedicatee, Joy Boughton, onwards and the shared experience of teachers and aficionados. My performances on this CD take all the original and subsequent evidence into account. They do not aspire to be definitive in any way but they do seek to be as true to Britten’s intentions as possible. Joy Boughton’s 1952 recording is an important source for all aspects of interpretation, and other recordings by artists whose playing Britten knew, including Sarah Francis, Janet Craxton and Heinz Holliger, are valuable sources. Evidence that Britten was very keen on accuracy to what he wrote influences this interpretation, but there is also an acceptance that Britten’s own views on the work may have changed over time as he came into contact with performers. Perhaps most significantly, this recording presents for the first time the sketch from Britten’s pocket diary in March 1951, most of the material from his manuscript sources, and the original Boughton recording as a point of reference. To complete this study of the work, a recent recording by Nicholas Daniel provides a third performance for comparison.

1. General
Introduction
Background
A work for unaccompanied oboe
Literary influences
Ovid
The visual arts
2. Sources and Interpretations
The printed edition
Metronome marks
The Krebs letter
CD tracks 1-6: George Caird's performance:
Pan (1:48), Phaeton (1:29), Niobe (2:26),
Bacchus (1:53), Narcissus (3:04), Arethusa (2:49)
CD track 7: The Diary Sketch (1:52)
CD tracks 8-29: Performances by George Caird
from the Composition Sketch and Fair Copy
CD tracks 30-35: Joy Boughton's 1952
performance: Pan (2:09), Phaeton (1:30),
Bacchus (2:02), Niobe (2:16),
Narcissus (2:26), Arethusa (2:53)
CD tracks 36-41: Nicholas Daniel:
Pan (2:20), Phaeton (1:20), Niobe (2:36),
Bacchus (1:38), Narcissus (3:12), Arethusa (2:42)
Biographies
3. References
Bibliography
Discography
Picture references
17.00 eur Buy
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