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Opera Live, page 13

   Found CDs: 139
 

MOZART - DON GIOVANNI - Provence 1950 - Hans Rosbaud

MOZART - DON GIOVANNI - Provence 1950 - Hans Rosbaud
ID: GM6.0016
CDs: 3
Type: CD
Collection: Opera Collection

Renato Capecchi (Don Giovanni), Carla Castellani (Donna Anna), Léopold Simoneau (Don Ottavio), Suzanne Danco (Donna Elvira), Marcello Cortis (Leporello), Raffaele Ariè (Il Commendatore), Eraldo Coda (Masetto), Emmy Loose (Zerlina)

Recorded in Aix-en-Provence in 1950
23.00 eur Buy

VERDI - LA FORZA DEL DESTINO - Edinburgh Festival 1951 - Fritz Busch

VERDI - LA FORZA DEL DESTINO - Edinburgh Festival 1951 - Fritz Busch
ID: GM6.0015
CDs: 3
Type: CD
Collection: Opera Collection

David Poleri (Tenor - Don Alvaro) Walburga Wegner (Soprano - Leonora) Bruce Dargavel (Baritone - Padre Guardino) Stanley Mason (Bass - Marchese di Calatrava) Bruna Maclean (Mezzo Soprano - A Surgeon) Philip Lewtas - UnChirurgo, Mildred Miller (Mezzo Soprano - Preziosilla) Marko Rothmuller (Bass Baritone - Don Carlo) Owen Brannigan (Bass Baritone - Fra Melitone) Robert Thomas (Tenor - Trabuco) Dennis Wicks (Bass - Alcalde)

Recorded at the Edinburgh Festival on 20th August, 1951
23.00 eur Buy

MOZART - DON GIOVANNI - Lisboa 1960 - Gielen

MOZART - DON GIOVANNI - Lisboa 1960 - Gielen
ID: GM6.0013
CDs: 3
Type: CD
Collection: Opera Collection

Eberhard Wächter (Don Giovanni), Teresa Stich-Randall (Donna Anna), Waldemar Kmentt (Don Ottavio), Montserrat Caballé (Donna Elvira), Erich Kunz (Leporello), Hans Hoffmann (Il Commendatore), Albrecht Peter (Masetto), Lisa Otto (Zerlina)

Recorded in Lisbon in 1960
23.00 eur Temporarily out of stock

MOZART - DON GIOVANNI - Napoli 1955 - Karl Böhm

MOZART - DON GIOVANNI -  Napoli 1955 - Karl Böhm
ID: GM6.0010
CDs: 3
Type: CD
Collection: Opera Collection

Giuseppe Valdengo (Don Giovanni), Birgit Nilsson (Donna Anna), Anton Dermota (Don Ottavio), Sena Jurinac (Donna Elvira), Sesto Bruscantini (Leporello), Gottlob Frick (Il Commendatore), Walter Berry (Masetto), Alda Noni (Zerlina)

Recorded in Naples on 5th February, 1955
23.00 eur Temporarily out of stock

R. STRAUSS - DER ROSENKAVALIER - Salzburg 1953 - Clemens Krauss

R. STRAUSS - DER ROSENKAVALIER - Salzburg 1953 - Clemens Krauss
ID: GM6.0005
CDs: 3
Type: CD
Collection: Opera Collection

Maria Reining (Marschallin), Lisa Della Casa (Octavian), Hilde Güden (Sophie), Kurt Böhme (Ochs), Alfred Poell (Faninal), László Szemere (Valzacchi), Sieglinde Wagner (Annina), Karl Terkal (Italian Tenor), Judith Hellwig (Marianne)

Recorded in Salzburg in 1953
23.00 eur Temporarily out of stock

WAGNER - LOHENGRIN - Bayreuth 1968 - Alberto Erede

WAGNER - LOHENGRIN - Bayreuth 1968 - Alberto Erede
ID: GM1.0063
CDs: 3
Type: CD
Collection: Opera Collection

James King (Lohengrin), Heather Harper (Elsa), Ludmilla Dvoráková (Ortrud), Donald McIntyre (Friedrich von Telramund), Karl Ridderbusch (König Heinrich), Thomas Stewart (Herald)
23.00 eur Temporarily out of stock

WAGNER - TANNHÄUSER - San Francisco 1973 - Otmar Suitner

WAGNER - TANNHÄUSER - San Francisco 1973 - Otmar Suitner
ID: GM1.0082
CDs: 3
Type: CD
Collection: Opera Collection

Jess Thomas (Tannhäuser), Leonie Rysanek (Elisabeth), Thomas Stewart (Wolfram von Eschenbach), Marita Napier (Venus), Clifford Grant (Landgraf), William Neill (Walther von der Vogelweide), Harry Dworchak (Biterolf), James Atherton (Heinrich der Schreiber), Philip Booth (Reinmar von Zweter), Jacquelyn Benson (Hirt)
23.00 eur Temporarily out of stock

R. Strauss - Der Rosenkavalier, Opera, Op. 59

R. Strauss - Der Rosenkavalier, Opera, Op. 59
ID: GFO01065
CDs: 3
Type: CD
Subcollection: Opera

Recorded live at Glyndebourne on 30 May 1965.
Includes 3 discs in a 175 page hard-bound book.


This recording of Der Rosenkavalier captures the intimacy of the Glyndebourne opera house preserving what is, without doubt, an engrossing performance with notable contributions from key soloists at poignant stages of their careers.
This 1965 production, first staged by Glyndebourne in 1959, was not without its casting complications. Baron Ochs was to be Manfred Jungwirth but only sang two performances due to ill health and was replaced by Otto Edelmann.
Miss Caballé was ill for the first week of rehearsals and Edith Mathis arrived at Glyndebourne announcing that she was pregnant and was not be able to sing her August performances.
Many considered Der Rosenkavalier too big a production for Glyndebourne’s intimate house. Artistic director Carl Ebert, and conductor Fritz Busch, had entertained the possibility of mounting Der Rosenkavalier pre-war, using Strauss’ own reduced orchestral version but by 1959 the volume of the theatre had been increased considerably, and this production, was hailed as one of his finest achievements, in what was Ebert’s final year at Glyndebourne.
The recording captures a stellar cast. Not only is this Caballé’s sole recording as the Marschallin on disc but preserves her Glyndebourne debut, in the same year also singing the role of the Countess in Le nozze de Figaro. The Finanical Times observed: ‘‘First praise should perhaps go to the Marschallin of Montserrat Caballé... a beautiful voice... And an eloquent presence. The role lived in her.’’ Edith Mathis as Sophie was her second appearance at the Festival, the New Statesman lauding her role as ‘‘my own favourite is Edith Mathis’ wonderfully fresh Sophie’’.

Montserrat Caballé (Die Marschallin), Teresa Żylis-Gara (Octavian), Otto Edelmann (Baron Ochs auf Lerchenau), Edith Mathis (Sophie), David Hughes (Valzacchi), John Andrew (A Singer) & John Modenos (Herr von Faninal)

The London Philharmonic Orchestra, John Pritchard

Track list:
CD: 1
Der Rosenkavalier, opera, Op. 59 (TrV 227)
1. Act 1. Einleitung
2. Act 1. Wie du warst! Wie du bost!
3. Act 1. Du bist mein Bub', du bist mein Schatz!
4. Act 1. Der Feldmarschall sitzt im crovatischen Wald
5. Act 1. Quinquin, es ist ein Besuch
6. Act 1. Selbstverständlich empfängt mich Ihro Gnaden
7. Act 1. Hat Sie schon einmal mit einem Kavalier
8. Act 1. Geben mir Euer Gnaden den Grasaff' da
9. Act 1. I komm glei... Drei arme, adelige Waisen
10. Act 1. Di rigori armato il seno
11. Act 1. Als Morgengabe - ganz separat im jedoch
12. Act 1. Mein lieber Hippolyte
13. Act 1. Da geht er hin, der aufgeblas'ne, schlechte Kerl
14. Act 1. Ach! du bist wieder da!
15. Act 1. Die Zeit, die ist ein sonderbar' Ding
16. Act 1. Mein schöner Schatz
17. Act 1. Ich werd' jetzt in die Kirchen geh'n
18. Act 1. Ich hab' ihn nicht einmal geküßt!
CD: 2
1. Act 2. Einleitung
2. Act 2. Ein ernster Tag, ein großer Tag
3. Act 2. In dieser feierlichen Stunde der Prüfung
4. Act 2. Mir ist die Ehre widerfahren
5. Act 2. Ich kenn' Ihn schon recht wohl
6. Act 2. Jetzt aber kommt mein Herr Zukünftiger
7. Act 2. Brav, Faninal, Er weiß, was sich gehört
8. Act 2. Wird kommen über Nacht
9. Act 2. Hab' nichts dawider
10. Act 2. ...was Sie ist. Mit Ihren Augen voll Tränen
11. Act 2. Eh bien, Mamsell, was hat Sie mir zu sagen?
12. Act 2. Mord! Mord! Mein Blut, zu Hilfe!
13. Act 2. Er muß mich pardonieren
14. Act 2. Sie heirat' ihn!
15. Act 2. Da lieg' ich!
16. Act 2. Ohne mich, ohne mich jeder Tag dir so bang
17. Act 2. Herr Kavalier! Den morgigen Abend hätt'i frei
CD: 3
1. Act 3. Einleitung, Pantomime
2. Act 3. Hab'n Euer Gnaden noch weitre Befehle?
3. Act 3. Nein, nein, nein, nein! I trink kein Wein
4. Act 3. Die schöne Musi!
5. Act 3. Wie die Stund' hingeht
6. Act 3. Er ist es! Er ist ein Mann!
7. Act 3. Halt! Keiner rührt sich!
8. Act 3. Zur Stelle! Was wird von mir gewünscht?
9. Act 3. Sind desto eher im Klaren!
10. Act 3. Muß jetzt partout zu ihr!
11. Act 3. Bin von so viel Finesse charmiert
12. Act 3. Luopold wir geh'n!
13. Act 3. Eh bien, hat Sie kein freundlich' Wort für mich?
14. Act 3. Heut' oder Morgen oder
15. Act 3. Marie Theres'! Hab' mir's gelobt
16. Act 3. Ist ein Traum... Spür' nur dich
28.00 eur Buy

Dvořák - Rusalka, opera, B. 203 (Op. 114)

Dvořák - Rusalka, opera, B. 203 (Op. 114)
ID: GFO00709
CDs: 3
Type: CD
Subcollection: Opera

Recorded live at Glyndebourne August 2009.
Includes 3 discs in a 76 page hard-bound book.

Lyric fairy tale in three acts: Libretto by Jaroslav Kvapil after Friedrich Heinrich Carl de la Motte Fouque's tale Undine. Dvorak's opera Rusalka reaches extraordinary heights of melodic eloquence. Rusalka is also the most consciously 'through-composed' of Dvorak's operas but this does not prevent Czech opera's most famous aria the ineffably beautiful 'Song to the Moon', being frequently extracted from the score and sung as a stand alone aria. Sometimes
thought of as a 'one aria opera', this is just one of many glorious arias for Rusalka, among them the moving first act plea, 'Your ancient wisdom everyone knows' ('Staleta moudrost tva vsechno vi'), made to the witch Jezibaba asking her to make her human, and her desolate lament 'Robbed of my youth' ('Mladosti sve pozbavena') at the start of Act 3. Rusalka is by no means a mainstay in the operatic oeuvre but this new 2009 production and recording from Glyndebourne is destined to put this much overlooked masterpiece to the forefront of romantic repertory.

The recording is aided by a stellar cast. Ana María Martínez's astonishing humanity shines through in her heart rending portrayal of Rusalka, burly tenor Brandon Jovanovich is
a handsome Prince, with real Slavic flavour added with Mischa Schelomianski as Rusalka's wise old father Vodnik, and Larissa Diadkova as the evil witch Jezíbaba, both
giving exemplary performances, with Czech conductor Jirí Belohlávek and the London Philharmonic Orchestra, giving the music a wonderful emotional intensity at all the right moments.


Ana María Martínez (Rusalka), Brandon Jovanovich (Prince), Tatiana Pavlovskaya (Foreign Princess), Mischa Schelomianski (Vodnik), Larissa Diadkova (Ježibaba), Natasha Jouhl (1st Nymph), Barbara Senator (2nd Nymph), Élodie Méchain (3rd Nymph), Diana Axentii (Kitchen Boy), Alasdair Elliott (Gamekeeper)

London Philharmonic Orchestra & The Glyndebourne Chorus, Jirí Belohlávek


Track list:
CD: 1
Rusalka, opera, B. 203 (Op. 114)
1. Prelude
2. Act 1. Hou, hou, hou
3. Act 1. I pekne vitám
4. Act 1. Hastrmánku, taticku
5. Act 1. Sem casto prichází a v objeti mé stoupé
6. Act 1. Mesícku na nebi hlubokém
7. Act 1. Ta voda studi! Jezibabo, Jezibabo
8. Act 1. Staletá moudrost tvá vsechno ví
9. Act 1. Tvoje moudrost vsechno tusí
10. Act 1. Cury mury fuk
11. Act 1. Jel mladý lovec
12. Act 1. Vidino divná, presladká
CD: 2
1. Act 2. Járku, jáku, kluce milé
2. Act 2. U nás v lese strasi
3. Act 2. Jiz týden dlís mi po boku
4. Act 2. Zda na chvili princ vzpomene si prec
5. Act 2. Festive music - Ballet
6. Act 2. Celý svet nedá ti, nedá
7. Act 2. Kvetiny bilé po ceste
8. Act 2. Rusalko, znás mne, znás?
9. Act 2. Vidís je vidís? Jsou tu zas
CD: 3
1. Act 3. Necitelná vodni moci
2. Act 3. Aj, aj? Uz jsi se navrátila?
3. Act 3. Vyrvána zivotu v hlubokou samotu
4. Act 3. Ze se bojis? Tresky, plesky
5. Act 3. Mám, zlaté vlásky mám
6. Act 3. Bilá moje lani!
7. Act 3. Milácku, znás mne, znás?
8. Act 3. Líbej mne, líbej, mir mi prej
28.00 eur Buy

Mozart: Le nozze di Figaro, K492

Mozart: Le nozze di Figaro, K492
ID: GFO00162
CDs: 3
Type: CD
Subcollection: Opera

Recorded live at Glyndebourne on 9 June 1962. A rare recording of a Glyndebourne signature piece from the 1962 Festival with a vintage cast.

3 discs in 300-page hard-bound book.


Mirella Freni (Susanna), Heinz Blankenburg (Figaro), Gabriel Bacquier (Il Conte), Leyla Gencer (La Contessa), Edith Mathis (Cherubino), Carlo Cava (Bartolo), Hugues Cuénod (Basilio), John Kentish (Curzio), Derick Davies (Antonio), Maria Zeri (Barbarina)

Royal Philharmonic Orchestra & The Glyndebourne Chorus, Silvio Varviso

Product Description
Le nozze di Figaro has been Glyndebourne's `signature' opera since the company was founded in 1934. To the social satire of Beaumarchais's original play da Ponte added the sparkling bustle of Italian intrigue, and Mozart a miraculous, fizzing score whose music rings variations on the pains, pleasure and follies of the human heart. This recording of the 1962 Glyndebourne production features a vintage cast with Heinz Blankenburg in the title role, Mirella Freni as Susanna, who had made her international breakthrough at Glyndebourne the previous summer.
**Rare recording of a Glyndebourne signature piece from the 1962 Festival with a vintage cast. **Le nozze di Figaro opened the first Glyndebourne Festival in 1934 and continues to be one of the most performed works at Glyndebourne. **Libretto translated from original Italian into English, French and German. **Extensive accompanying booklet including a commissioned article about the opera and a synopsis in English, French and German. **3 discs in 300-page hard-bound book.

Track list:
CD1
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492
1. Overture
2. Act 1. No. 1. Duettino. Cinque... dieci... venti...
3. Act 1. Recitative. Cosa stai misurando
4. Act 1. No. 2. Duettino. Se a caso madama la notte ti chiama
5. Act 1. Recitative. Or bene; ascolta e taci!
6. Act 1. Recitative. Bravo, signore padrone!
7. Act 1. No. 3. Cavatina. Se vuol ballare, signor contino
8. Act 1. Recitative. Ed aspettaste il giorno fissato alle sue nozze
9. Act 1. No. 4. Aria. La vendetta, oh, la vendetta
10. Act 1. Recitative. Tutto ancor non ho perso
11. Act 1. No. 5. Duettino. Via, resti servita, madama brillante
12. Act 1. Recitative. Ah! Son perduto!
13. Act 1. Recitative. Susanna, il ciel vi salvi...
14. Act 1. No. 7. Trio. Cosa sento! Tosto andate
15. Act 1. Recitative. Basilio, in traccia tosto di Figaro volate
16. Act 1. No. 8. Chorus. Giovani liete, fiori spargete
17. Act 1. No. 9. Chorus. Giovani liete, fiori spargete
18. Act 1. Recitative. Evviva!
CD2
1. Act 2. No. 11. Cavatina. Porgi, amor
2. Act 2. Recitative. Vieni, cara Susanna
3. Act 2. Recitative. Quanto duolmi, Susanna
4. Act 2. No. 12. Canzona. Voi, che sapete
5. Act 2. Recitative. Bravo! Che bella voce!
6. Act 2. No. 13. Aria. Venite, inginocchiatevi
7. Act 2. Recitative. Quante buffonerie!
8. Act 2. No. 14. Trio. Susanna, or via sortite
9. Act 2. Recitative. Dunque, voi non aprite?
10. Act 2. No. 15. Duettino. Aprite, presto, aprite
11. Act 2. Recitative. Oh guarda il demonietta!
12. Act 2. No. 16. Finale. Esci omai, garzon malnato
13. Act 2. No. 16. Finale. Scene 9. Susanna!... Susanna!... Susanna!
14. Act 2. No. 16. Finale. Scene 12. Voi signor, che giusto siete
CD3
1. Act 3. Recitative. Via, fatti core...
2. Act 3. Recitative. Ehi Susanna, ove vai?
3. Act 3. No. 19. Sextet. Riconosci in quest'amplesso
4. Act 3. Recitative. Eccovi, oh caro amico
5. Act 3. Recitative. Andiam, andiam, bel paggio
6. Act 3. Recitative. E Susanna non vien!...
7. Act 3. No. 20. Aria. Dove sono i bei momenti
8. Act 3. Recitative. Io vi dico, signor
9. Act 3. Recitative. Cosa mi narri!
10. Act 3. No. 21. Duettino. Sull'aria
11. Act 3. Recitative. Piegato è il foglio...
12. Act 3. No. 22. Chorus. Ricevete, o padroncina
13. Act 3. Recitative. Eh cospettaccio!
14. Act 3. Recitative. Signor... se trattenete tutte queste ragazze...
15. Act 3. No. 23. Finale. Ecco la marcia, andiamo!
16. Act 3. No. 23. Finale. Scene 14. Amanti costanti
17. Act 4. No. 24. Cavatina. L'ho perduta, me meschina!
18. Act 4. Recitative. Barbarina, cos'hai?
19. Act 4. Recitative. Madre! Figlio!
20. Act 4. Recitative. Presto, avvertiam Susanna
21. Act 4. Recitative. Ha i diavoli nel corpo!
22. Act 4. Recitative. Tutto è disposto
23. Act 4. No. 27. Aria. Aprite un po' quegli occhi
24. Act 4. Recitative. Signora, ella mi disse che Figaro verravi
25. Act 4. Recitative. Madama, voi tremate
26. Act 4. Recitative. Giunse alfin il momento...
27. Act 4. No. 28. Aria. Deh vieni, non tardar
28. Act 4. Recitative. Perfida! E in quella forma meco menti?
29. Act 4. No. 29. Finale. Pian pianin, le andrò più presso
30. Act 4. No. 29. Finale. Scene 12. Ecco qui la mia Susanna!
31. Act 4. No. 29. Finale. Scene 14. Non la trovo
32. Act 4. No. 29. Finale. Final Scene. Gente, gente, all'armi, all'armi!
28.00 eur Buy

 
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