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RUSSELL, Lynda - Interprets

   Found CDs: 6
 

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eur Temporarily out of stock

Samson - Handel -The Sixteen

Samson - Handel -The Sixteen
ID: COR16008
CDs: 3
Type: CD
Collection: Oratorio

Samson - Thomas Randle (tenor)
Israelite man, Philistine man - Mark Padmore (tenor)
Dalila - Lynda Russell (soprano)
Israelite woman, Philistine woman, Virgin - Lynne Dawson
Micah - Catherine Wyn-Rogers (alto)
Messenger - Matthew Vine (tenor)
Manoa - Michael George (bass)
Harapha - Jonathan Best (bass)
36.00 eur Buy

Teixeira - Te Deum

Teixeira - Te Deum
ID: COR16009
CDs: 1
Type: CD
Collection: Sacred Music
Subcollection: Choir

18.00 eur Buy

Weihn Weihnachts Oratorium Christmas Oratorio - J. S. Bach

Weihn Weihnachts Oratorium Christmas Oratorio - J. S. Bach
ID: COR16017
CDs: 2
Type: CD
Collection: Sacred Oratorios

The Christmas Oratorio is one of Bach's greatest masterpieces and this recording is one of The Sixteen's finest.

Lynda Russell (soprano), Catherine Wyn-Rogers (contralto), Mark Padmore (tenor, Evangelist), Michael George (bass, Herod), Libby Crabtree (angel, Echo)
29.00 eur Buy

Esther - George Frideric Handel

Esther - George Frideric Handel
ID: COR16019
CDs: 2
Type: CD
Collection: Sacred Oratorios
Subcollection: Choir

SOLOISTS
Lynda Russell, Nancy Argenta, Michael Chance, Tom Randle, Mark Padmore, Matthew Vine, Simon Berridge, Michael George, Robert Evans, Simon Birchall, Anthony Robson
29.00 eur Buy

Vivald: Gloria in D major / Bach: Magnificat in D major - The Sixteen - H. Christophers

Vivald: Gloria in D major / Bach: Magnificat in D major - The Sixteen - H. Christophers
ID: COR16042
CDs: 1
Type: CD
Collection: Baroque

About this title: The small British chorus called the Sixteen and director Harry Christophers have delivered consistently popular recordings of Renaissance and Baroque music, maintaining very high standards of performance. Here they couple two of the most popular Baroque works of all, Vivaldi's Gloria in D major, RV 589, and Bach's Magnificat in D major, BWV 243, and the results are handsome indeed. The tenor of the performances flows from the conceptions of each work that Christophers expresses in one of the little personal essays that appears at the beginning of each booklet in this series: Vivaldi, he said, is "effective," and even operates in places here "at his simplest," while Bach is "complex." Some would use other words first, for each composer -- daring or kinetic for Vivaldi, devotional or a dozen other words for Bach. There are recordings that give Vivaldi in general and the Gloria in particular more of an edge; there are recordings of Bach that seem warmer, or more rooted in the sacred texts.
18.00 eur Buy

 
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