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MUNDRY, Isabel - Composers

   Found CDs: 2
 

Composer: MUNDRY, Isabel ((b. 1963))

In Nomine - The Witten in Nomine Broken Consort Book

In Nomine - The Witten in Nomine Broken Consort Book
ID: KAI0012442
CDs: 2
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

The method of composition, which has recourse to existing musical material, reworking it into a new composition, figures as a central principle of occidental music history. This applies particularly to the mass and motet compositions of the Renaissance, when this method of adopting and reworking existing music represented one of the key features of musical production. An especially vivid example - which however remains singular in its appearance - for the continuous engagement with a certain musical “theme” is the English “In Nomine“ genre dating back to the 16th and 17th centuries.
This tradition started out with the six-voice mass Gloria tibi Trinitas by John Taverner (around 1495-1545), composed no later than around 1528. To the words “In nomine Domini” the section of the Benedictus (the lyrics are: “Benedictus qui venit in nomine Domini” - “blessed is he who comes in the name of the Lord”) has a salient four-voice section, which, as cantus firmus in the alto part, contains the antiphon “Gloria tibi Trinitas” quoted in its entirety.

Includes booklet with text by Torsten Blaich
28.00 eur Buy

Isabel Mundry - Dufay-Bearbeitungen . Traces des Moments . Sandschleifen

Isabel Mundry - Dufay-Bearbeitungen . Traces des Moments . Sandschleifen
ID: KAI0012642
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

Isabel's music doesn't evade making the process of its genesis audible, if not the doubts and hesitations during composition, then the traces of ways of deciding, which in their complexity form the special identity of her world of sound. We are not dealing with constructed music, triumphant algorithms conjuring up at any cost the plummet of incontestable certainties. On the contrary this is about the constant invention of certitudes to which the music lends its ear in coming into being, which accepts that a brief-sounding space of time can convey a vaster space of time and its decisions, and bring forth just that unique music adapted to the context of history - our history.
(Brice Pauset)

Includes booklet with text by Isabel Mundry and Brice Pauset
21.00 eur Buy

 
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