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World music CD DVD shop and Classic distribution
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ID: RCD19101
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: HarpsichordRecorded in the Presence-chamber of Count Sheremetyev Palace (Moscow) in 1986
Catalogue RCD:
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| 15.00 eur Buy |
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ID: RCD19102
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: HarpsichordThe numeration of the pieces is in accordance with the publication by A. Curtis (Heugel, Paris 1970) / Recorded in 1985. harpsichord Zuckerman, Ravdonikas, after one-manual A. Ruckers original (1645) / Alexej LUBIMOV, harpsichord
Catalogue RCD:
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ID: MKM101
CDs: 1
Type: CD
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Subcollection: KeyboardRecorded in 1986 |
| 15.00 eur Temporarily out of stock |
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ID: MKM124
CDs: 1
Type: CD
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Subcollection: ViolinRecorded in 1964(1-3), 1972(4-15) |
| 15.00 eur Temporarily out of stock |
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ID: MKM125
CDs: 1
Type: CD
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Subcollection: ViolinRecorded in 1972 in Munich, Germany |
| 15.00 eur Temporarily out of stock |
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ID: MKM102
CDs: 1
Type: CD
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Subcollection: KeyboardRecorded in 1984 *Recorded in 1986
4-6 - Susan Millan, Lenor Smith, flutes |
| 15.00 eur Temporarily out of stock |
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ID: LIR006
CDs: 1
Type: CD
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Collection:
Instrumental
Subcollection: Harpsichord17th & 18th century French harpsichord music on a Ruckers reproduction instrument.
On this CD David Pollock has chosen a programme that reveals much of the evolution of the French tradition of harpsichord music. It is recorded on a copy of a harpsichord made in 1636 by Andreas Ruckers and given a characteristic ravalement by Henri Hemsch in 1763. It was built by Anne and Ian Tucker, and as well as the characteristic sound of the instrument, it recreates the decorative scheme: the pastoral scene on the interior of the lid dates from before the ravalement, while the mythological scenes painted on the exterior are eighteenth century. The original - still playable - is thought to have belonged to the House of Savoy until 1900, and now forms part of the Cobbe Collection at Hatchlands.
For the music David has chosen a programme that reveals much of the evolution of the diverse French harpsichord tradition, beginning with Jacques Champion de Chambonnières, one of the most important early French harpsichordists, whose influence spread beyond Paris, and moving through his protegés Couperin (Louis) and D’Anglebert, whose music synthesised the various musical styles spreading across the continent, helping to create a definitive French sound. Le Roux and Francois Couperin further developed the style, exploring the harpsichord’s emotional and sonorous capabilities, and Royer, who “brings up the rear” shows that the style had become refined and distinctive in its ornamentation, its expressiveness, its structure and its technique. |
| 15.00 eur Buy |
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