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Richard Ayres: NONcertos, No. 37b, No. 36, No.31

 
Richard Ayres: NONcertos, No. 37b, No. 36, No.31-Orchestra-Orchestral Works
ID: NMCD162 (EAN: 5023363016223)  | 1 CD | DDD
Released in: 2010
LABEL:
NMC
Collection:
Orchestral Works
Subcollection:
Orchestra
Composers:
AYRES, Richard
Interprets:
BLAUUW, Marco (trumpet) | TIMMERMANS, Wim (horn)
Ensembles:
Asko Ensemble | Frankfurt Radio Symphony Orchestra | Musik Fabrik
Conductors:
MATEI, Alexandro
Other info:

This colourful disc showcases Richard Ayres’s melodic, eclectic and theatrical style, which owes as much to the exuberance of Janacek as Kagel’s experiments: Ayres explains “I want to use consonance, dissonance, melody, texture, elephants, clouds, snowballs, anything, from any time and whenever it is needed.”

1 - 4 Frankfurt Radio Symphony Orchestra / Roland Kluttig, conductor
5 - 17 Wim Timmermans, horn / ASKO Ensemble / Roland Kluttig, conductor
18 - 20 Marco Blauuw, trumpet / Musik Fabrik / Roland Kluttig, conductor
Tracklist
 
AYRES, Richard ( b.1965) 
1. No. 37b for Orchestra: I Alfred Wallis (in paradise)7:34 
2. No. 37b for Orchestra: II Sjonnie Kurzak (a broken soul)4:08 
3. No. 37b for Orchestra: III … but when Gippy Dixon opened his eyes …4:08 
4. No. 37b for Orchestra: IV Exit 7:10 
5. No. 36: NONcerto for Horn: Valentine Tregashian dreams … of the Swiss Girl6:02 
6. No. 36: NONcerto for Horn: Valentine Tregashian dreams … of Jan Snaegl5:36 
7. No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 11:32 
8. No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 23:24 
9. No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 30:21 

Review:
 

GRAMOPHONE EDITOR'S CHOICE
'There’s an exuberance, a craziness but also a real sense of an emotional rather than purely intellectual engagement that makes it such a terrific listen.' James Jolly, Gramophone

'Some of the wackiest music this side of Charles Ives on acid.' NZ Herald

'There's no doubting that his music ­demands a response ... It's very strange, very quaint and in its way charmingly engaging.' The Guardian

'Would that all musical postmodernism were as intriguing and provocative as this!' Gramophone


 

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