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World music CD DVD shop and Classic distribution
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ID: CLAVES508807
CDs: 1
Type: CD
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Collection: Chamber Music
Subcollection: Chamber Orchestra
A. Vivaldi
Concerto In D Major Op.10/3 - Il Gardellino RV 428
Concerto In A Minor RV 440
Concerto In F Major Op.10/1 - La Tempesta Di Mare. RV 433
Concerto In C Minor RV 441
Concerto In G Minor Op.10/2 'La Notte' RV 439
Concerto In G Major RV 436 |
| 16.00 eur Buy |
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ID: CDA1654-2
CDs: 1
Type: CD
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Collection: Baroque
Subcollection: Piano
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| 16.00 eur Buy |
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ID: CLAVES508912
CDs: 1
Type: CD
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Subcollection: Recorder
L. Colista
Trio Sonata IV in D
A. Corelli
Sonata a tre in D major, WoO 8
F. Mancini
Recorder Sonata No. 13 in G minor
Sonata No. 14 in G minor
A. Scarlatti
Suite in A Minor
Sonata No. 21 |
| 16.00 eur Buy |
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ID: CLAVES509110
CDs: 1
Type: CD
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Subcollection: Harpsichord
G. Tartini:
Violin Sonata in G minor 'Devil's Trill'
Violin Sonata in G minor, Op. 1 No. 10 'Didone abbandonata'
Violin Sonata in C Major from Op. 1
Pastorale in A Major
Violin Sonata in E Major from 12 Sonatas Op. 2 |
| 16.00 eur Buy |
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ID: MELCD1002411
CDs: 1
Type: CD
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Subcollection: Cello
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| 16.00 eur Buy |
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ID: MELCD1002132
CDs: 1
Type: CD
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Collection: Baroque
Subcollection: Organ
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| 16.00 eur Buy |
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ID: CLAVES509407
CDs: 1
Type: CD
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Collection: Baroque
Subcollection: Organ
Division Flute: 'A Division to a Ground'
The Division Flute: Readings Ground
Carr, R: Divisions upon an Italian Ground
Chédeville, N: Sonata for musette & continuo in G minor (attrib. To Vivaldi Op. 13/6)
Cima: Sonata in D minor
Fontana, G B: Sonata 6 from Sonata 1, 2, 3 Op. post.
Hume, T: A Souldiers Resolution
Locke: Suite No.3 in D minor-major - For Several Friends, suites (12) for trumpet, viol (or violin), bass viol & continuo
Piccinini: Toccata VI
Rognoni: Divisions on Vestiva I Colli
Sammartini, G: Sonata for Recorder and Continuo in G major, Op. 13, No. 4
Scarlatti, D: Keyboard Sonata K87 in B minor |
| 16.00 eur Buy |
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ID: CLAVES502908
CDs: 1
Type: CD
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Collection: Baroque
Subcollection: Organ
Organ of the Martinerk, Groningen
After her magnificent Buxtehude boxed-set in 2007 (CD 50-2704/06), Japanese organist Kei Koito pursues her collaboration with Claves Records by laying the foundation stone of a cycle dedicated to masterpieces by Johann-Sebastian Bach. Recorded in June 2009 on the organ of the Groningen Martinikerk in the Netherlands, she presents an anthology of - as ever - most carefully selected pieces. Original scores such as the Preludes and Fugues BWV 543, 548 et 743, the chorals "Liebster Jesu, wir sind hier" and "Schmücke dich, O liebe Seele", and the Partita "Sei gegrüsset, Jesu gütig", but also transcriptions by Bach (Adagio from the Sonata for violin and harpsichord BWV 1016) and by herself (Trio in G from the Sonata for viola di gamba and harpsichord BWV 1027). Kei Keito excels in them, showing to those who had not yet encountered it her very special affinity with the St-Thomas cantor. She founded a Bach Festival in 1997 in Lausanne (where she lives), Festival that has become a reference in the matter.
J.S. Bach
Prelude and Fugue in E minor, BWV548 'Wedge'
Prelude and Fugue in A major, BWV536
Prelude and Fugue in A minor, BWV543
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV743 'Ach, was ist doch unser Leben', transcribed for organ by Kei Koito
Viola da Gamba Sonata No. 1 in G major, BWV1027, transcribed for organ by J.S. Bach
Chorale Partita BWV768 'Sei gegrusset, Jesu gütig'
Chorale Prelude BWV654 'Schmücke dich, o liebe Seele' |
| 16.00 eur Buy |
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ID: CLAVES502907
CDs: 1
Type: CD
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Collection: Baroque
After a first album dedicated to polyphonic rarities by the Franco-Flemish composer Philippe de Monte (Claves CD 50-2712), the Ensemble Orlando de Fribourg and conductor Laurent Gendre, escorted for the occasion by the ensemble La Cetra from Basel, have set out to conquer the gigantic Johann-Sebastian Bach, and two of his four “Missa Breve”: Masses BWV 234 and 235. As Etienne Barilier, who wrote the booklet, points out, we know neither their precise destination nor the exact date of composition; we only know that they were written between 1735 and 1744. “If they remain relatively little known, even today, it is because they are not ex nihilo creations, says the author. Virtually all the pieces that make them up (six per mass: the Kyrie, followed by a Gloria subdivided into five parts) were borrowed from cantatas composed ten or twenty years previously, between 1723-1726. It may well even be that the very few “original” pieces of these masses were not in fact orginals, but came from cantatas that have since been lost”. And so what! The genius of the Thomaskirche Cantor is present and there is little chance that anyone listening to these Lutheran masses may get a feeling of déja-vu. As Barilier remarks, “the same pieces, transposed into different key signatures, with different orchestral colours and new texts, are no longer the same pieces.” |
| 16.00 eur Buy |
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