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World music CD DVD shop and Classic distribution
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ID: STR33868 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Guitar |
18.00 eur Temporarily out of stock |
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ID: SIGCD007 CDs: 1 Type: CD |
Collection: Baroque Subcollection: String instrumentsTwo Upon a Ground explores the peculiarly English approach to writing instrumental variations known as 'divisions'. The style is principally known for the way it enables a player to demonstrate both a virtuosic command of the instrument and an imaginative understanding of the musical possibilities inherent in a short musical phrase.
The repertoire heard here is begins with the undisputed ,aster of the genre, Christopher Simpson, and continues with further virtuosic duets and divisions by Jenkins, Lawes, Tomkins and Purcell. |
18.00 eur Buy |
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ID: SIGCD033 CDs: 1 Type: CD |
Collection: Baroque The emergence of the basso continuo (or “figured bass”) was one of the critical moments in this history of music. Figured bass, upon which a keyboard player or lutenist could improvise harmony, meant that a single musician could provide the necessary harmonies which would previously have needed several players. In the early part of the seventeenth century, large numbers of extremely virtuosic solo motets and sonatas started to appear. The combination of solo voice with one instrument and continuo was quite common, and pieces with violin were the most common of all.
This new collection from Cordaria features cantatas for soprano, violin and basso continuo, written by composers including Samuel Capricornus, Dietrich Buxtehude, Antonio Vivaldi , Georg Phillipp Telemann and Georg Frederic Handel. |
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ID: SIGCD024 CDs: 1 Type: CD |
Subcollection: Harpsichord It is not difficult to discern many of the elements that render Bach’s three sonatas for viola da gamba and harpsichord so remarkable by the standards of their age: a mixing of virtually every conceivable genre, form, style, medium and gesture of the late German Baroque; a forging of connections that had not hitherto been made; a penetrating insight into the multi-dimensional potentialities of each motive, theme and polyphonic complex.
Composing for the viol in this way was by, the early eighteenth century, archaic, yet what has made J.S.Bach a summit for many is his apparent ability to transcend historical contingency, somehow to stop the clock of outward progress and to rearrange and recreate the world as he knew it.
On this disc we hear the three sonatas for the Viola da Gamba and three Preludes and Fugues from the Well Tempered Clavier. |
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ID: SIGCD037 CDs: 1 Type: CD |
Subcollection: HarpsichordPellegrina’s Delight celebrates Vivaldi’s contribution to oboe repertoire in the early eighteenth century. Vivaldi wrote at least 16 concerti for solo oboe, but in this recording we offer an overview of Vivaldi’s prominent use of the solo oboe in his chamber music. The disc also provides a fascinating illustration of Vivaldi’s stylistic development between c.1705 and c.1720.
The Quartet Sonata in C major (RV 779) was written during the first decade of Vivaldi’s activity as a composer, when he was serving as a violin teacher at the Ospedale della Piet in Venice. Selected girls were admitted - after audition - to the musical establishment. Vivaldi made a note in this manuscript of the names of the four female musicians who were chosen to perform the sonata. They are Pellegrina (oboe), Prudenza (violin), Lucietta (organ) and Candida (chalumeau).
Other works featured on this disc are the Sonata for oboe and continuo in C minor, RV 53, the Sonata in G minor, RV 28 the Trio-sonata in E minor, Op. 1 no. 2, RV 67, the Concerto for flute, violin and bassoon in G minor, RV 106 (presented with the oboe taking the part of first treble instrument, the Sonata in B-flat major, RV 34 and the Sonata a 4 in C major, RV 801. |
18.00 eur Buy |
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ID: ACDHD024-2 CDs: 1 Type: SACD |
Collection: Baroque SACD Hybrid Disc (SACDH) = CD Digital Audio + Super Audio CD
Girolamo Frescobaldi’s chamber music has been somewhat neglected in favor of his more famous keyboard compositions. This recording presents a selection Frescobaldi’s music for small ensembles as it could have been heard in performance at, for example, an early 17th century salon.Perhaps the best known pieces on this disc are the canzonas for bass instrument and continuo, which are among the earliest published repertoire for solo bass instrument. Like the discant and the discant and bass canzonas, they show a composer exploring the new instrumental conventions of the early 17th century. |
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