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ID: RRC1248
Disk: 1
Type: CD
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Kolekce: Organ CollectionBach, J S:
Toccata & Fugue in D minor, BWV565
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV622 'O Mensch, bewein' dein' Sünde groß'
Fantasia in G major, BWV572
Prelude & Fugue in C major, BWV545
Chorale Prelude BWV645 'Wachet auf, ruft uns die Stimme'
Chorale Prelude BWV649 'Ach bleib’ bei uns, Herr Jesu Christ'
Prelude & Fugue in E flat major, BWV552 'St Anne'
Sinfonia from Cantata BWV29
arr. Rawsthorne
Toccata & Fugue in D minor, BWV538 'Dorian'
Noel Rawsthorne (organ)
Willis Organ of Liverpool Anglican Cathedral |
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ID: RK9906
Disk: 1
Type: CD
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Kolekce: BaroqueMusicke & Mirth (»Musik und fröhlicher Schalk«) wurde 1997 von Jane Achtman und Irene Klein in Basel gegründet. Der Titel eines Stückes von Tobias Hume inspirierte das Ensemble, und die spannende Musik für zwei (und mehr) Gamben zu erforschen, ist sein erklärtes Ziel. Es widmet sich hauptsächlich der Wiederentdeckung unbekannteren Repertoires. Von ersten Notendrucken aus Nürnberg um 1440 über die englische Lyra-Viol-Musik des 17. Jahrhunderts bis hin zum galanten, »empfindsamen« Stil der Berliner Schule spannt sich der Bogen der verschieden besetzten Programme. Musicke&Mirth spielt dabei immer auf originalgetreuen Instrumenten und nach originalen Quellen. Mit seiner auf diese Weise geschulten Wahrnehmung, zugleich mit Virtuosität und Zusammenspiel auf höchstem Niveau, erschafft das Ensemble erfrischende und packende Darbietungen der »Alten« Musik und entzückt das Publikum und internationale Juroren. Auf mehreren Wettbewerben war das Gambenduo erfolgreich: 1997 gewann Musicke&Mirth den dritten Preis beim Dorian/EMA Recording Competition (USA), den zweiten Preis 1998 im Ensemblewettbewerb Premio Bonporti in Rovereto (Italien), und ebenso den zweiten Preis 2000 im Van Wassenaer Concours in Den Haag (Niederlande). Seit seiner Gründung konzertierte Musicke&Mirth mit seinen vielfältigen Programmen in Deutschland, Italien, der Schweiz und Tschechien und erhielt Einladungen zu internationalen Fernsehauftritten. 1999 nahm das Ensemble seine erste CD auf: »Musicke & Mirth, Music for Two Lyra Viols« Englische Musik des 17. Jahrhunderts (erschienen bei Raumklang). Ein neues CD-Projekt Deutsche Tenorlieder und Instrumentalmusik der Renaissance ist in Arbeit. »Geh, Philostrat, Berufe die junge Welt Athens zu Lustbarkeiten! Erweck' den raschen leichten Geist der Lust!« William Shakespeare, »A Midsummer Night's Dream«
Jane Achtman - Viola da gamba
Irene Klein - Viola da gamba
Silvia Tecardi - Diskant- und Bassgambe
01. Musicke of Sundrie Kindes Cate of Bardie - The Queenes Jig (Ford)
02. Musicke of Sundrie Kindes Paven IV - M. Maynes Choice
03. Lessons for 1, 2 and 3 viols: Almaine (Ferrabosco II)
04. Lessons for 1, 2 and 3 viols: Coranto
05. Musicke of Sundrie Kindes And if you do touch me ile crie - Sir Richard Tichbournes toy
06. Captain Humes Poeticall Musicke: A Spanish Humour - The Lord Hayes favores (Hume)
07. Captain Humes Poeticall Musicke: The Virgines muse - The Lady Arbellaes favores
08. Captain Humes Poeticall Musicke: Musicke and Mirth - The Lady Hattons delight
09. Musicke of Sundrie Kindes Paven I - M. Southcotes Paven (Ford)
10. Musicke of Sundrie Kindes Galiard II - M. Westovers farewell
11. Lessons for 1, 2 and 3 viols: Almaine (Ferrabosco II)
12. Musicke of Sundrie Kindes The wild goose chase - Sir John Philpots delight (Ford)
13. Musicke of Sundrie Kindes The Baggepipes - Sir Charles Howards delight
14. Captain Humes Poeticall Musicke: The pashion of Musicke - Sir Christopher Hattons choice (Hume)
15. Captain Humes Poeticall Musicke: A mery conceit - The Q, delight
16. Captain Humes Poeticall Musicke: The King of Denmarkes health
17. Musicke of Sundrie Kindes Paven VII - Sir Richard Westons delight (Ford)
18. Lessons for 1, 2 and 3 viols: Galiard (Ferrabosco II)
19. Musicke of Sundrie Kindes A Pill to purge Melancholie - M. Richard Martins Thumpe (Ford)
20. Musicke of Sundrie Kindes A Snatch and away - Sir John Paulets toy
21. Oh the bonny Christ - Church Bells (Anonymous) |
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ID: RK9904
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Voices and Chamber Ensemble
»Sächsische Musiklandschaften im 16. Und 17. Jahrhundert Nr. 5«
Herausgegeben von Wolfram Steude und Norbert Schuster
„Civitas Lipsiarum“ erkundet die Musikstadt Leipzig einmal anders - die CD begibt sich auf Spurensuche in „vorbachischer“ Zeit.
Im Gegensatz zum höfischen Musikleben anderer Städte war die Musik Leipzigs immer von der Civitas Lipsiarum - der Bürgerschaft Leipzigs- geprägt. Ausgehend vom klösterlichen Musikleben an St. Thomas erwecken Norbert Schuster und sein Ensemble "Alte Musik Dresden" vor allem die Kirchenmusik des 17. Jahrhunderts zu neuem Leben. Die glanzvollen Stücke der Thomaskantoren Seth Calvius, Johann Hermann Schein, Johann Schelle und Sebastian Knüpfer repräsentieren die unterschiedlichen Facetten dieser Musik - jubelnde Weihnachtsmusik, weiche, klangvolle Trauerklagen und ein motettenartiges Choralkonzert über das Tauflied Martin Luthers. Die ausdrucksstarken Stimmen des 6-köpfigen Vokalensembles ergänzen sich dabei wunderbar mit historischen Streichinstrumenten und Dulcian zu dem authentischen Klang der frühen Barockzeit. Aufgenommen wurden alle Stücke in der Lucaskirche in Dresden.
Track Listing
1. Freut euch und jubiliert, motet - Sethus Calvisius
2. Ein Tag in deinen Vorhöfen - Jacob Weckmann
3. Barmherzig und gnädig ist der Herr - Johann Schelle
4. Christ unser Herr zum Jordan kam, hymn for 4 voices (& continuo) (Cantional...) - Johann Hermann Schein
5. Welt ade, ich bin dein müde - Johann Rosenmuller
6. Siehe der Gerechte kömpt umb - Tobias Michael
7. O nomen Jesu, nomen dulce - Johann Rosenmuller
8. Paduana 17 zu fünf Stimmen - Werner Fabricius
9. Herr, strafe mich nicht in deinem Zorn - Sebastian Knupfer
10. Paduana Nr. 43 zu fünf Stimmen - Werner Fabricius
11. Proprium-Stücke zum Epiphaniasfest (from Thomaskirche Gradual, 14th cent.) - Anonymous, German
12. Work(s) - Heinrich Isaac |
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ID: DCD34057
Disk: 1
Type: CD
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Podkolekce: Harpsichord
St Cecilia’s Hall is the oldest purpose-built concert hall in Scotland, dating from 1763. In 1968 it became home to the Raymond Russell Collection of Early Keyboard Instruments. This already world famous collection was further enhanced in 2005 when the University of Edinburgh received the extraordinary gift of 22 historic keyboard instruments from Rodger and Lynne Mirrey; the galleries at St Cecilia’s Hall now house one of the two most comprehensive collections of early keyboard instruments in the world. John Kitchen’s demonstration recital couples music with instrument in a way that informs and entertains.
Track listing
Double-manual harpsichord (4478), Luigi Baillon, Cyteux, 1755
Louis Couperin (1626-1661) 1-5 Suite in C major
Triple-fretted clavichord (4486), possibly Flemish, c. 1620
Two Renaissance dances anon. Dutch 16th century 6 Almande prynce, anon. early 16th century 7 Fusi pavana piana
Grand pianoforte (4492), Johann Friedrich Kuhlbörs, Breslau, c. 1805
Joseph Haydn (1732-1809) 8 Adagio in G (Hob. XV/22) 9 Fantasia in C (Hob. XVII/4)
Single-manual harpsichord (4479), Thomas Barton, London, 1709
Henry Purcell (1659-1695) 10-14 Suit of Lessons in C , John Blow (1649-1708) 15 Mortlack's Ground
Unfretted clavichord (4487), possibly Dresden, c.1740
Johann Jacob Froberger (1616-1667) 16 Lamento sopra la dolora perdita della Real Msta. Di Ferdinando IV, Ré de Romani
J.S. Bach (1685-1750) 17-19 Suite in F minor BWV 823
Virginal (4484), Honofrio Guarracino, Naples, 1678
Bernardo Pasquini (1637-1710) 20 Alemanda 21 Corrente
Single-manual harpsichord (4471), Bernardinus de Trasuntinis, Venice, 1574
William Byrd (c. 1540-1623) 22 Pavan: Bray [MB XXVIII, 59a, b] 23 Galliard,
Girolamo Frescobaldi (1583-1643), 24 Toccata nona (1637)
Single-manual harpsichord (4473), Franciscus de Paulinis, Rimini, 1725
Alessandro Scarlatti (1660-1725) 25 Toccata decima in F
Grand pianoforte (4490), John Broadwood, London, 1793
Felix Mendelssohn (1809-1847) 26-28 Three Songs Without Words
Total playing time [75:48] |
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ID: VVCD-00135
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Piano a Fagot
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ID: SIGCD375
Disk: 1
Type: CD
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Kolekce: BaroqueMorley:
Second Dirge Anthem
Purcell:
Praise the Lord, O Jerusalem, Z46
To the Hills and the Vales (from Dido & Aeneas)
By beauteous softness (from Now does the glorious day appear, Z332)
O God, thou art my god, Z35
How Happy the Lover
What power art thou? (from King Arthur, Z628)
Behold, O Mightiest of Gods
My heart is inditing, Z30
Bid the virtues (from Come ye Sons of Art, Z323)
Hail! Bright Cecilia (Ode for St Cecilia's Day 1692), Z328
Strike the Viol (from Come Ye Sons of Art, Z323)
Thou knowest, Lord
Fairest Isle (from King Arthur)
Full Fathom Five (from The Tempest, Z631)
An invitation to stroll through the world of one of England’s greatest composers
The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output - there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers. |
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ID: SIGCD377
Disk: 1
Type: CD
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Podkolekce: Violin
With its vivid poetry and technical ingenuity, Vivaldi’s 'Four Seasons' was ground-breaking at the time of its composition and to this day remains as influential and transfixing as ever. In this recording, violinist Kati Debretzeni directs the Orchestra of the Age of Enlightenment based on the energetic, historically-informed performances given last February when, with renowned choreographer Henri Oguike, the OAE fused authentic performance with contemporary choreography.
The booklet includes a ‘Guided tour of the Four Seasons’, allowing listeners to follow the poetry that inspired Vivaldi as they hear the performances on the disc, including additional composer’s notes from Vivaldi’s own scores. Born in Transylvania, Kati Debretzeni studied with Ora Shiran and Baroque violin with Catherine Mackintosh and Walter Reiter at the Royal College of Music in London. Since the year 2000 she has led the English Baroque Soloists under Sir John Eliot Gardiner, and since 2008 is one of the leaders of the Orchestra of the Age of Enlightenment, which she has directed and lead in the UK, Europe and the US. Kati features as soloist on two versions of Bach’s Brandenburg concertos, with the European Brandenburg Ensemble under Trevor Pinnock (Gramophone Award, 2008), and again with the English Baroque Soloists. She has directed from the violin various ensembles in Israel, Poland, Norway, Iceland and the UK, and teaches the Baroque and Classical violin at the Royal Conservatory of Music in The Hague. |
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ID: RCD16029
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Sbor
Catalogue RCD:
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ID: ART319
Disk: 1
Type: CD
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Podkolekce: Organ
Recorded in 2014 - Kuhnorganat the Roman Catholic Cathedral (Moscow) |
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ID: RCD10407
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Oboe
Promo Trailer:
Soloist Oleg Yakubovich, oboe (Russia) and the Kostroma Chamber Orchestra conducted by Pavel Gershtein (Russia) are remarkably professional, master the Baroque style, and their ensemble is perfectly structured. The oboe is amazingly light, virtuosic, there is a feeling that there are no problems for the performer, everything is very natural, absolutely playful, all improvisational moments are appropriate and coordinated between the soloist and the orchestra. The first violin and the cymbal are also very good, which thoroughly supports the entire musical structure.
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