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Orchestra, page 52

   Found CDs: 724
 

R. Strauss - Don Juan,Till Eulenspiegel - Orchestre Philharmonique de Strasbourg - M. Albrecht

R. Strauss - Don Juan,Till Eulenspiegel - Orchestre Philharmonique de Strasbourg - M. Albrecht
ID: PTC5186310
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

A. Dvorák - Symphony No.6, Vodnik (The Water Goblin - Der Wassermann) - Netherlands Philharmonic Orchestra, Amsterdam - Y. Kreizberg

A. Dvorák - Symphony No.6,  Vodnik (The Water Goblin - Der Wassermann) - Netherlands Philharmonic Orchestra, Amsterdam - Y. Kreizberg
ID: PTC5186302
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

H. Berlioz - Symphonie fantastique, Op.14: Concertgebouw Orchestra of Amsterdam - Sir C. Davis

H. Berlioz - Symphonie fantastique, Op.14: Concertgebouw Orchestra of Amsterdam - Sir C. Davis
ID: PTC5186184
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

G. Mahler - Symphony No.5: Concertgebouw Orchestra of Amsterdam • Bernard Haitink

G. Mahler - Symphony No.5:  Concertgebouw Orchestra of Amsterdam • Bernard Haitink
ID: PTC5186183
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

J. Sibelius - Symphony No.5, No.7, En Saga, Op.9 - Sir Colin Davis, conductor

J. Sibelius - Symphony No.5, No.7, En Saga, Op.9 - Sir Colin Davis, conductor
ID: PTC5186177
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

A. Dvorák - Symphony No.9 “From the New World” / Carnival Overture - San Francisco Symphony- S. Ozawa

A. Dvorák - Symphony No.9  “From the New World” / Carnival Overture - San Francisco Symphony- S. Ozawa
ID: PTC5186168
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

S. Rachmaninov - Symphony No.2 in E minor, Op.27 • N. Rimsky-Korsakov • Capriccio Espagnol, Op.34 • Rotterdam Philharmonic Orchestra

S. Rachmaninov -  Symphony No.2 in E minor, Op.27 • N. Rimsky-Korsakov • Capriccio Espagnol, Op.34 • Rotterdam Philharmonic Orchestra
ID: PTC5186153
CDs: 1
Type: SACD
Collection: Orchestral Works
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

F. Schmidt. Symphony No. 4 in C major, Orchestral Music from ‘Notre Dame'

F. Schmidt. Symphony No. 4 in C major, Orchestral Music from ‘Notre Dame'
ID: PTC5186015
CDs: 1
Type: SACD
Subcollection: Orchestra

Multichannel Hybrid SACD - DSD
21.00 eur Buy

Misato Mochizuki - Si bleu, si calme - Klangforum Wien - Johannes Kalitzke

Misato Mochizuki - Si bleu, si calme - Klangforum Wien - Johannes Kalitzke
ID: KAI0012402
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Piano and Clarinet

Si bleu, si calme: The natural cycles of water and air are the underlying ideas of "Si bleu, si calme": condensation and evaporation, winds and currents. "Bleu" (blue) stands for the elements air and water, and "Calme" (calm) refers to space and silence. In musical terms, the complex "Bleu" tends toward development and growing complexity, while "Calme" works on the simplification of intervals and rhythmical figures.

Includes booklet with text by Misato Mochizuki
21.00 eur Buy

GEORG FRIEDRICH HAAS - in vain - Klangforum Wien - Sylvain Cambreling

GEORG FRIEDRICH HAAS - in vain - Klangforum Wien - Sylvain Cambreling
ID: KAI0012332
CDs: 1
Type: CD
Collection: Orchestral Works
Subcollection: Orchestra

When the light gradually fades, only minutes after in vain begins, the quick, interlaced downward lines starting from the outset cease, while soft, lying tones remain, dodging each other by way of quarter-tone intervals. As in Violinkonzert, two harmonic starting points are contrasted: on the one hand, extracts of pure overtone series, on the other hand, chords in the tempered piano mood made of thirds, fourths, and fifths. The difference between these two tone system blurs after the end of the second dark phase with a renewed acceleration of the tempo in the increasing density of the sound. The hearing experience of the overall sound is decisive for Haas:"I don't trust in sound analyses nor in row charts", he explains, examining the detailed computer analyses of real sounds. Georg Friedrich Haas really has a bent for numbers; the implicit symbolism of numbers in in vain applies even to the relation between the size of orchestration (24 instruments in the dark, plus the director in the light) and the microtonal 24:25 interval. (Bernhard Günther)

Includes booklet with text by Bernhard Günther
21.00 eur Buy
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