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ID: CDMAN129
CDs: 1
Type: CD
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Subkolektion: Orchester
1 - 15 Nina Romanova, mezzo-soprano / Leningrad Orchestra of old and modern music - Edward Serov, conductor
16 - 23 St. Petersburg Philharmonic Symphony Orchestra - Vladimir Altschuler, conductor |
| 18.00 eur Buy |
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ID: CDMAN116
CDs: 1
Type: CD
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Kolektion: Orchestral WorksSubkolektion: Orchester
1 - 4 Academic Symphony Orchestra of Novosibirsk Philharmonic - Arnold Kats, conductor
5 - 7 Academic Symphony Orchestra of St. Peterburg Philarmony - Alexander Dmitriev, conductor |
| 18.00 eur Buy |
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ID: CDMAN107
CDs: 1
Type: CD
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Subkolektion: Piano
Recorded in 1992 and 1993
1 - 3: Vladimir Mishchuk, piano
St. Petersburg State Capella
Symphony Orchestra - Conductor Alexander Chernuchenko
4 - 6: Alexander Svyatkin, piano
State Symphony Orchestra of St. Petersburg -Conductor Andrei Anikhanov |
| 18.00 eur Temporarily out of stock |
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ID: CDMAN135
CDs: 1
Type: CD
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Subkolektion: Piano and Cello
Tracks:
6: Vadim Messerman, cello
7, 8: Petr Laul, piano
7, 8: Victor Kuleshov, violin / Crtomir Siskovich, violin
Conductors - Paolo Gatto (tracks: 7,8), Vladimir Norits (tracks: 1 to 6)
Orchestra - Congress-orchestra |
| 18.00 eur Temporarily out of stock |
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ID: CDMAN158
CDs: 1
Type: CD
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Subkolektion: Violin
Recorded by Petersburg Recording Studio, 1964 and 1979
1 - 9: Boris Gutnikov, violin
1 - 6: Mikhail Vaiman, violin / Leningrad Chamber Orchestra - Lazar Gosman, conductor
7 - 9: Old and Modern Music Orchestra - Edward Serov, conductor |
| 18.00 eur Buy |
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ID: CDMAN160
CDs: 1
Type: CD
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Kolektion: Ballet MusicSubkolektion: Orchester
Recorded by Petersburg Recording Studio, 1982 |
| 18.00 eur Buy |
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ID: CDMAN178
CDs: 1
Type: CD
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Subkolektion: Piano
Capriccio - is an Italian word, but it is easy to understand what it means. As practice shows, not only spoilt girls like to be capricious. Public in general get used to do it. And musicians are the best to soothe it. As a genre Capriccio came to Russia from Europe, exactly from Italy. But, in spite of its foreign birth Russian composers had assimilated it brilliantly. Today's public - in a way a «granddaughter» of the XIXth century indulges itself with an orchestra Capriccios by Glinka, Tchaikovsky, Rimsky-Korsakov, and Rubinstein. Russian classics were inspired by Italian and Spain themes, hence all compositions are penetrated with South spirit, and it could be seen in every bar and, even in the titles of capriccios. Only Rubinstein preferred a truly Russian capriccio, (that's its both title and essence) to Neapolitan's songs. This composition is outstanding, it is more lyric and vast scale, special Russian heartedness and temperament, as hot as Spanish, but closer to Russian mentality. As far as the form of capriccio is free (just as a feature of genre), sudden dramaturgic turns, rhythmic changes, condition changes and improvisation moments makes this music so powerful. Orchestral tutti and tender melodic parts shades each other and turn one ecstatic soul into a great delight. Burning, hot music of the South strikes fire from the strings, winds out from brass and wood bells, stuns with its brilliance and satisfies the most esthetic caprices of the most refine amateur of music. |
| 18.00 eur Buy |
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ID: RCO8003
CDs: 1
Type: SACD
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Kolektion: World Premiere RecordingSubkolektion: Orchester
Recorded 18 January 2007 (Matthews), 21 and 22 June 2007 (Eggert); 18 and 19 September 2007 (Verbeij and Glanert) all at Concertgebouw Amsterdam
The Royal Concertgebouw Orchestra is famous throughout the world for its interpretations of works in the Classical symphonic repertoire. But, as with its legendary performances of the works of Mahler and Strauss at the beginning of the 20th-century, the orchestra is also open to new developments in contemporary music. Exploring new horizons and sound spaces, the orchestra continues to foster relationships with contemporary composers employing unconventional working methods. Compositions by Theo Verbey, Moritz Eggert, Colin Matthews and Detlev Glanert, the first three having been written specially for the RCO, attest to the orchestra's unrivalled sound inspire tour-de-force performances by the musicians.
A supporter and enthusiastic advocate of such orchestral exploits, conductor Markus Stenz leaves his own unmistakable stamp on these live recordings. Jörgen van Rijen was featured in One to Watch in Gramophone, May issue.A Borletti-Buitoni Trust Award winner, the Verbeij concerto was commisioned by the RCO for him, the youngest member when he joined as principal trombone in 1997. |
| 18.00 eur Buy |
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ID: RCO9003
CDs: 1
Type: SACD
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Kolektion: Orchestral WorksSubkolektion: Orchester
Recorded live at Concertgebouw Amsterdam on 8, 9 November 2007 (Dukas/Van Keulen, Dalbavie, Messiaen, and 13, 14 June 2008 (Zuidam)
1 - 12: Royal Concertgebouw Orchestra, George Benjamin
13 - 15: Royal Concertgebouw Orchestra, Ingo Metzmacher
The Royal Concertgebouw Orchestra focused extensively on Messiaen in its 2007-8 season. A major musical figure of the 20th-century, Messiaen (1908-1992) created an entirely unique musical oeuvre in which such divergent elements as divinity, as it relates to Catholicism and other doctrines, ornithology and the synaesthetic perception of sound as colour are all interconnected with his innovative rhythmic and harmonic musical language and tonal organisation. As a thinker and teacher, Messiaen carried out groundbreaking work in music during the second half of the century, but his work as a composer has remained unsurpassed. During this special season, the Royal Concertgebouw Orchestra programmed works not only by Messiaen himself, but also compositions by his musical predecessors, students and disciples, including three premières of works commissioned by the RCO: Geert van Keulen's orchestration of Paul Dukas's La plainte, au loin, du faune…, Marc-André Dalbavie's La source d'un regard (The Source of a Look) and Robert Zuidam's Adam Interludes.
With this second release in the Horizon CD series, dedicated to contemporary repertoire, RCO Live has captured this resounding homage to Olivier Messiaen in superb five-channel stereo. |
| 18.00 eur Buy |
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ID: SIGCD342
CDs: 1
Type: CD
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Subkolektion: Orchester
Concerto for Violin, Piano and String Orchestra
David Curtis
Huw Watkins
Orchestra Of The Swan
Tamsin Waley-Cohen
Felix Mendelssohn (1809-1847)
Violin Concerto in D minor
CONCERTO FOR VIOLIN, PIANO AND
STRING ORCHESTRA IN D MINOR
Violin Concerto in D minor
1. Allegro molto [9.12]
2. Andante [7.41]
3. Allegro [5.16]
Concerto for Violin, Piano and String Orchestra in D minor
4. Allegro [18.55]
5. Adagio [9.00]
6. Allegro molto [9.41]
Total timings: [59.42]
TAMSIN WALEY-COHEN VIOLIN
HUW WATKINS PIANO
ORCHESTRA OF THE SWAN
DAVID CURTIS CONDUCTOR
Outstanding British-violinist Tamsin-Waley Cohen - described by the late Ruggiero Ricci following a masterclass as "the most exceptionally gifted young violinist I have ever encountered" - performs a fittingly prodigious work by Felix Mendelssohn.
The Violin Concerto in D minor was composed when Mendelssohn was just 13, and has remained popular with audiences the world over since its rediscovery in the middle of the 20th century by Yehudi Menuhin. The work is paired on this disc with Mendelssohn's Concerto for Violin & Piano, where Waley-Cohen is joined by British pianist Huw Watkins, all alongside the enthusiastic accompaniment of the Orchestra of the Swan under David Curtis. |
| 18.00 eur Temporarily out of stock |
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