|
World music CD DVD shop and Classic distribution
|
|
|
|
ID: KAI0012142 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Nun:Ruin-like music - which acquires its own kind of beauty from the debris and fragments of the past.
Includes booklet with texts by Helmut Lachenmann, Christoph Metzger and Michael |
21.00 eur Buy |
|
ID: KAI0012072 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble "Art, working with art and making art, is in itself an invitation to boundless freedom. There can be no submission here," writes Wolfgang Rihm. "Uncertainty predominates, the only potential for an agile mind." Four pieces of one of the most significant and provocative post-war composers whose titles speak for themselves: "Gejagte Form" or hunted form, "Verborgene Formen" or concealed forms, "Chiffre I" or cipher, and "Silence to be beaten (Chiffre II)". Four pieces of music that attempt to realise what Wolfgang Rihm considers "art's purpose": "Not to be a place of refuge but a reservoir of energy in regressive times."
Includes booklet with text by Wolfgang Rihm |
21.00 eur Buy |
|
ID: KAI0012722 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Let us open wide the doors of the hothouse so that wind, rain and snow rush in. Maurice Maeterlinck’s image ideally fits Bruno Mantovani as well as the first impression one has of him. That impression is one of youthfulness and freshness, of an unexpected and at the same time encouraging simplicity and health in a world in which these characteristics are atypical, not to say suspect. (Christophe Ghristi)
Includes booklet with texts by Christophe Ghristi and Bruno Mantovani |
21.00 eur Buy |
|
ID: KAI0012642 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Isabel's music doesn't evade making the process of its genesis audible, if not the doubts and hesitations during composition, then the traces of ways of deciding, which in their complexity form the special identity of her world of sound. We are not dealing with constructed music, triumphant algorithms conjuring up at any cost the plummet of incontestable certainties. On the contrary this is about the constant invention of certitudes to which the music lends its ear in coming into being, which accepts that a brief-sounding space of time can convey a vaster space of time and its decisions, and bring forth just that unique music adapted to the context of history - our history.
(Brice Pauset)
Includes booklet with text by Isabel Mundry and Brice Pauset |
21.00 eur Buy |
|
ID: KAI0012682 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble ...it's hot, eight o'clock in the evening, i'm tired and thirsty. i've worked enough for today. i take a look at the television programme and the dj line-up for the night scene and decide to let the evening end in a bar. ispruce myself up, leave my apartment and head for the bar area. already from far away i hear the low bass of techno music. my steps quicken, i reach the bar and open the door. thick waves of smoke hit me in the face. it is dim,the glaring lights flicker to the rhythm of the music. i get myself a beer and let myself be dazed by the strong beat of the music and pulled on to the dance floor. a few hours and drinks later i leave the place elated. from far away i still hear the pulse of the music continuing and...
(from fluc`n`flex)
Includes booklet with texts by Daniel Ender, Axel Petri and Bernhard Gander |
21.00 eur Buy |
|
ID: KAI0012502 CDs: 1 Type: CD |
Subcollection: Clarinet I - that sacred time:
Cut to pieces by the media, drowned in over-information, measured in this age of zapping and clips, this time, the time which Bataille called ‘sacred’, the time of Art, Love and Creativeness, the instant when something unprecedented happens, can only be preserved by the artist if he completely resists this late 20th century environment. Paradoxically, however, these are precisely the rhythms which feed and inspire him. This is the only world which calls forth his questions. And so, the response to this discontinued flood of information will be a music finding its unity and continuity. Its wintry slowness will be the reversed echo of a stress-ridden world rushing towards its end.
II - Zwitschermaschine:
Think of whales, men and birds. When you hear the songs of the whales, they are so spaced out that what sounds like a gigantic, drawn-out and endless moan is perhaps only one consonant to them. This means that it is impossible to perceive their speech with our constant of time. Similarly, when we hear a bird sing, our impression is that it sounds very high-pitched and agitated. for its constant of time is much shorter than ours. It is difficult for us to perceive its subtle variations of timbre, while it may perceive us, perhaps, as we perceive the whales. (Gérard Grisey)
Includes booklet with text by Gérard Grisey and Wolfgang Hofer |
21.00 eur Temporarily out of stock |
|
ID: KAI0012892 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble This CD combines pieces for three instruments, trios - and yet it is very remote from the contemplatively muted frame-work of traditional chamber music. The small group of musicians does not establish intimacy, but causes the gaps, warpings, abysses in Rihm's music to widen even further instead. When the three instrumentalists position themselves as far away from each other in the calm scene "am horizont" (on the horizon), this is only an external sign for the extreme tension that prevails: delicacy of sound and wild noise, falling silent and eloquence, conglomeration and decomposition - accompanied by covert (auto)biographical allusions to Ingeborg Bachman or Karlheinz Stockhausen, Rudi Stephan or Maurizio Kagel. |
21.00 eur Buy |
|
ID: KAI0012982 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Ensemble Concertmaster: Judita Haeberlin, Barbara Bultmann
The pieces of this cd are new compositions of Manuel Hidalgo and arrangements of works by Ludwig van Beethoven. Hidalgo was born in Atequera in 1956 and was a student of Helmut Lachenmann.
A glance at his catalogue of works reveals Hidalgo’s intense interest in the “Beethoven the giant,” whose music-alongside that of Mozart-has accompanied him since childhood. His Beethoven arrangements range from the Scherzo of the Symphony No. 9 op. 125 to the Heiliger Dankgesang op. 132 for voices, and from the Introduction and Fugue of the Hammerklavier Sonata op. 106 for accordion and orchestra to the variation movement from Beethoven’s Piano Sonata op. 109. The latest addition to this group of works is the Bagatelles. (Patrick Hahn)
Includes booklet with text by Patrick Hahn |
21.00 eur Buy |
|
|