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ID: E046 CDs: 1 Type: CD |
Subkolektion: Clarinet |
| 20.00 eur Temporarily out of stock |
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ID: NMCD154 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble Adam Gorb is best known for his award-winning music for symphonic wind ensemble, and this recording features Towards Nirvana - a reflection on the life and teachings of Buddha - as well as the exuberant Scenes from Bruegel, illuminating the painter's depictions of human folly. The recording is completed with Ascent - inspired by Cézanne’s almost Cubist paintings of Mont Sainte-Victoire - and Farewell.
All these works are recorded by the the Royal Northern College's acclaimed Wind Orchestra, conducted by Clark Rundell, Timothy Reynish and Mark Heron.
RNCM Wind Ensemble:
The Royal Northern College of Music Wind Orchestra is recognised as one of the leading conservatoire ensembles in the world: through a unique series of concerts, commissions, broadcasts and professional recordings, the RNCM Wind Orchestra has transformed the repertoire and performance standards of wind ensemble music in the UK. The RNCM Wind Orchestra was the first conservatoire ensemble to be invited to perform at the BBC Proms, and has also performed at Festivals such as Aldeburgh, Cheltenham, Huddersfield, Spitalfields, and the Three Choirs, as well as festivals in Holland, Japan, Switzerland and Poland. In 2000 the RNCM was awarded a Queen's Anniversary Prize for Higher Education for its outstanding and pioneering work with the Wind Orchestra. |
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ID: SIGCD049 CDs: 1 Type: CD |
Kolektion: Early RomanticsSubkolektion: Chamber Ensemble Signum Classics is delighted to present Charivari Agreable's tenth disc: Caprice and Conceit in Seicento Italy.
This disc explores the overlap of repertory for the cornett and the violin (occasioned by their frequent interchangeability), and in the marriage of both instruments. Of the two, the cornett’s particular appeal, according to Girolamo Dalla Casa (1584), lies in its tonal similarity to the human voice, an attribute poetically likened by Marin Mersenne (1636) to ‘a brilliant ray of sunshine piercing the shadows’.
The juxtaposition of wind and strings is most vividly enhanced by the pairing of a violin with a cornett in small-scale vocal and instrumental works. The most beautiful is arguably the sonata by Cima, one of the earliest trio sonatas.
It is hoped that our conceit of re-lighting the cornett’s gleam will find favour among those who delight in the capriciousness of the music of the Seicento.
An innovative programme by the award-winning Charivari Agreable, exploring historical and celestially beautiful combinations of cornett, violin and viol via works of a wide range of Italian composers of the seventeenth century. |
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ID: CHRCD011 CDs: 1 Type: CD |
Subkolektion: Piano “As with so much in Brahms' life, the genesis of his Piano Quintet, op.34, was fraught with indecision and introspection...” Brahms first wrote this work scored for string quintet, and after taking to heart criticism from Joachim, he not only re-scored the work for two pianos, but destroyed the original string quintet manuscript. Published in 1874, this new du version was not without problems, and it was Clara Schumann who pointed these out, causing Brahms to set about re-arranging the music once more, this time for piano quintet.
This was no simple re-scoring, for the piano quintet medium has unique demands, but, at last, “Brahms had found the medium through which his material could speak most eloquently.” It is the quintet in this final guise that we know it best, and that the Schubert Ensemble deliver here on this recording in an assured and expressive performance, allowing the sophisticated detail of Brahms' writing to throw us into the depths of emotion he conjures up. |
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ID: COR16060 CDs: 1 Type: CD |
Subkolektion: Chamber Ensemble Continuing its work with young artists, CORO has the pleasure of announcing Musique Pour Mazarin! the debut recording by le Jardin Secret, winners of both the first prize and audience prize at the Early Music Network Young Artists Competition 2007.
This talented young ensemble consisting of soprano, harpsichord, theorbo, viola da gamba and baroque cello, present a delightfully varied programme featuring a diverse mixture of French and Italian music that would have been heard at the court of the flamboyant Cardinal Jules Mazarin.
The juxtaposition of French and Italian works on this disc shows clearly the rich selection of music heard at Mazarin’s court in the late 1600s. They demonstrating the stark contrast between the French and Italian styles of the period with the added ingredient of political and cultural rivalry and intrigue - the Italian born Cardinal importing Italian culture into a resistant French context - contributes a little "piquancy" to the mix!
On this disc, which includes chansons by Charpentier, extracts of operas by Lully and Cavalli and the delightful, if at times brutal, ‘Mazarinades’, le Jardin Secret bring alive the emotive energy of the music, opening the door to the aesthetic world of this Baroque period in all its beguiling beauty. |
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ID: CHRCD010 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble The London Conchord Ensemble are joined on this disc by the baritone William Dazeley, presenting a seductive collection of fascinating chamber works and songs written by three major 20th Century French chamber music composers.Sensual and intimate, these works epitomise these works epitomise the music of early 20th-century France, with their fluid lines and unusual textures, sensitively captured here by Conchord.
Though born in Berlin, Charles Loeffler claimed to hail from Alsace, so strongly did he identify with the French aesthetic. His Five Songs set poetry by French poets Baudelaire and Verlaine, and his musical style recalls Franck, Chausson and Debussy. Add to this a Russian sense of instrumental colour, and the result is a fascinating concoction of expressive and of expressive and evocative musical elements. Pierné's Sonata Da Camera is reminiscent of Debussy's seminal Sonata for Flute, Viola and Harp in its poignant colours and intricatetextures, while Duruflé's Prélude Recitatif et Variations reveals a different style from that of his Variations reveals a different style from that of his famous Requiem in writing that recalls Ravel.
Throughout this disc, Conchord plays with an effortless grace and flair, a finesse that perfectly, a finesse that perfectly communicates this exquisite selection of music. |
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ID: SIGCD111 CDs: 1 Type: CD |
Subkolektion: Violin On first hearing Lou Harrison’s violin concerto, Madeleine Mitchell was entranced by the colourful array of percussion and its juxaposition with the violin’s innate lyricism. Indeed, this description could fit almost all the works featured on this lively, multi-rhythmic disc. Both string and percussion blend in a unique mix of styles from early Andalucian music to a Stravinsky inspired piece, Fragments from a Gradual Process. Complex rhythms from the Ensemble Bash who use rhythms of West African drumming as the core of their playing, combined with Madeleine’s interweaving lines often catch the listener in a moment of surprise. |
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ID: SIGCD099 CDs: 1 Type: CD |
Kolektion: Brass CollectionSubkolektion: Chamber Ensemble With Sitars, Tablas, Shakuhachi, Koto, Sho, Bodhran, Penny-Whistle, Bandeoneon & Didgeridoo
The Graham Ashton Brass Ensemble boldly explores new repertoire for brass from different cultures around the globe, with an incredible line up of composers and instrumentalists from different disciplines and musical spheres. A melting pot of Indian ragas, Japanese Gagaku, Argentinian tangos and ancient Celtic tradition, via American improvised and classical music, gives rise to a release of sparkling originality, where daring instrumentations are perfectly matched with sublime performances from this true ‘world’ ensemble.
The Graham Ashton Brass Ensemble (GABE) was founded in London in 1992, drawing its players from a variety of acclaimed orchestras, groups and prestigious academic institutions. Acclaimed as one of the world’s most innovative ensembles, GABE has given concert s throughout Europe, USA, Scandinavia & Australia.
On their previous release with Signum, The Music of James Pugh & Daniel Schnyder:
“The Graham Ashton Brass Ensemble has produced an exceptionally fine recording. The playing is beautiful, spacious, playful, and mysterious. I have listened to it many times and it is better every time! ”
International Horn Society |
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ID: SIGCD140 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Chamber Ensemble The New release from one of Armenia’s leading and most popular music groups.
Following their prior success this year with their first release of Expressia - Armenian Fantasy, Cadence Ensemble expand their recording ventures to Expressia - Tangos and Fantasies.
This new release explores the Tango at its best including works from some of the great Tango writers including Astor Piazzolla and fellow Armenian Narine Zarifian. With innovative arrangements of works by Carlos Gardel, Hector Stampioni and the Fantasy on Themes of Porgy and Bess by George Gershwin. |
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ID: QTZ2087 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble Leonid Desyatnikov is one of the most successful living Russian composers. The release of Leaden Echo with words by Gerard Manley Hopkins is one of the disc’s six works which the composer considers to be amongst the most important of his output. Roman Mints has brought together some of the finest Russian musicians recording today along with the outstanding young British counter tenor William Purefoy.
Main Theme from motion picture Moscow Nights arranged for violin and string ensemble by Roman Mints |
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