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ID: RK2702 Disk: 1 Type: CD |
Podkolekce: Organ Sebastian Knebel plays on the seventeenth-century Coswig organ of the beautiful Alte Kirche. Since this is the only surviving organ of its type Knebel has chosen a programme of music written in the period the organ was built. This is a well thought out programme which explores the tonal nuances of the restored Coswig organ and rounds off with selected pieces for harpsichord. |
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ID: ACDBO063-2 Disk: 1 Type: CD |
Kolekce: BaroqueThere are a number of recordings of the choral partita ‘Ach wie nichtig, ach wie flüchtig’ by Georg Böhm (1666-1733), including one on the great Arp Schnitger city organ in Hamburg (1693), 57 voices, beautifully played by Stef Tuinstra. The version heard here is played on Arp Schnitger’s smallest organ positiv, 8 voices, but it offers enough variation to register the 8 variations in a diverse manner. The suite in A Minor ‘Melpomene’ by Johann Kaspar Ferdinand Fischer (1665-1746) is taken from his Musikalischer Parnassus (1738). Melpomene was the muse of song and tragedy. The stylised dances are a slow Allemande, the fast Passepied, a Rondeau, alternately a refrain and a verse, a Chaconne, variations based on a descending series of 4 tones and finally a fast Gigue. The Fantasia on the hexachord Vt Re Mi Fa Sol La by Johann Jakob Froberger (1616-1667) was already a famous work during his lifetime., Athenasius Kirchner mentions the work in his Masurgia (1646) and it was published in an autograph in 1649. The seven parts of the work bring the hexachord in various rhythms and with various second voices. In the sixth and seventh parts he adds chromatic tones, thus deftly exploiting the meantone temperament in the strong effect of dissonants and consonants. A true masterpiece. Johann Jakob Froberger (1616-1667) wrote the Tombeau on the death of the lute player Blancheroche in Paris and added the following remark: ‘fait à Paris sur la mort de Monsieur Blancheroche: lequel se joue fort lentement à la discretion sans observer aucune mesure.’ The improvisational character of the piece strongly resembles the Preludes non mésuree by Louis Couperin, whom Froberger met in Paris in 1652. A striking feature of this work is its exploitation of the meantone temperament, e.g. Froberger twice prescribes a D flat for where a C sharp is tuned, using the dissonant here as an expressive device. The Preludium is one of the great free forms in keyboard music. Of Hans Kotter (1485-1541) we hear an early example, here called Proömium in re. Kotter was a pupil of Paulus Hofhaymer, the most important ‘Organistenmacher’ of the 16th century, just as Sweelinck was in the 17th century. The original of the Giusti instrument is now in the Tagliavini collection in Bologna/Italy. |
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ID: RK2903 Disk: 1 Type: CD |
Podkolekce: Organ The number of interpretations of this work, ranging from symphonic to progressive rock and jazz, show what a masterwork of cultural history this composition is. In this new version, Cittadin plays the organ of St. Elizabeth’s church in Basel and Tarr plays percussion instruments such as Baroque timpani, side drums, cymbals and triangle.
Dass die »Bilder einer Ausstellung« ein Meisterwerk der Kulturgeschichte sind, davon zeugen schon die unzähligen Neuversionen des genialen Solopianostücks von Modest Mussorgsky. Die Interpretationen der Bilder reichen von Maurice Ravels symphonischem Feuerwerk bis zu progressiven Rock-, Synthesizer-, und Kammerjazzversionen der letzten 40 Jahre.
Nicola Cittadin und Philip Tarr offerieren nun ihre Neubearbeitung, gespielt an der Orgel der Kirche Elisabethen in Basel und begleitet von Schlaginstrumenten wie Barockpauken, Militärtrommeln, Becken und Triangel als eine Promenade von den Kosaken nach Kiew, von Modest zu Miles Davis. |
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ID: RK9805 Disk: 1 Type: CD |
Kolekce: Romantická hudbaPodkolekce: Organ 1. Carl August Fischer (1828 - 1895)
Fantasie op. 21
2. Richard Bartmuss (1859 - 1910)
Rezitativ und Arioso op. 24
Moderato assai
3. Bernhard Edward Müller (1842?)
Gebet op. 65b
4. Gioacchino Rossini (1792 - 1868)
Aria »Cujus animam« aus dem »Stabat mater«
Transkription von Franz Liszt
5.6. Gustav Holst (1874 - 1934)
Duet for Trombone and Organ
Andante quasi Adagio
Allegro giojoso ma maestoso
7. Franz Liszt/nach Jacob Arcadelt (um 1514 vor 1572)
Ave Maria
8.Friedrich August Belcke (1795 - 1874)
Fantasia op. 58
9. 13. Franz Liszt (1811 - 1886)
Via crucis Die vierzehn Stationen des Kreuzweges
I. Einleitung: »O! Crux ave! Spes unica.«
II. Jesus begegnet seiner heiligen Mutter.
III. Simon von Kyrene hilft Jesus das Kreuz tragen.
IV. Jesus wird entkleidet.
V. Jesus wird vom Kreuz genommen.
14.-15. Franz Liszt
Hosannah. Ein Sonntagsposaunenstück für Baßposaune und Orgel Choral: »Heilig ist Gott, der Vater« Hosannah
16. Franz Liszt
Orpheus
17.20. Julius Schneider (18051885)
»Was Gott tut, das ist wohlgetan« Choralvariation op. 16 Thema Variation I: Andante con moto
Variation II
Variation III: Allegro piu Allegro |
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ID: RK9907 Disk: 1 Type: CD |
Kolekce: BaroqueSebastian Knebel spielt an den Orgeln der Kirchen von Untergneus, Wohlmuthausen, Friedelshausen und Gräfenhain
Zahlreiche barocke Orgeln haben auf dem Thüringer Land die letzten Jahrhunderte schadlos überstanden. In der stilsicheren Interpretation von Sebastian Knebel erklingen Werke von J. S. Bach, Johann Pachelbel und Heinrich Buttstedt ganz authentisch auf wunderbaren Kleinoden der Barockzeit.
Sebastian Knebel zeigte früh Interesse für Orgelmusik und Orgelbau. Er absolvierte neben einer Lehre als Orgelbauer eine C-Kirchenmusikerausbildung: in dieser Zeit spielte er zahlreiche Orgelvertretungen an Berliner Kirchen (u. a. Dauervertretung am Französischen Dom). Er studierte in Dresden und Weimar Kirchenmusik und beschäftigte sich eingehend mit dem Spiel auf historischen Tasteninstrumenten. Darüber hinaus studierte er bei Ludger Rémy und belegte Kurse zur historischen Aufführungspraxis u. a. bei Harald Vogel und Ton Koopmann. Er engagierte sich für den Erhalt vom Verfall bedrohter historischer Orgeln, besonders in Thüringen. Von 1995 bis 2000 war er als Cembalist des Telemann Kammerorchesters tätig, seit 2001 ist er Cembalist des Telemannschen Collegium Michaelstein. Außerdem verfolgt er eine umfangreiche freiberufliche Konzerttätigkeit als Organist, Cembalist und Hammerflügelspieler. Er steht in ständiger Zusammenarbeit mit dem Körnerschen Singverein Dresden. Konzertreisen führen ihn u. a. nach Frankreich, Polen, Tschechien, England und die USA.
Johann Christoph Bach
Prelude and Fugue in E flat
Warum betrübst du dich, mein Herz
Johann Pachelbel
Fantasia in G minor
Prelude in D minor
Ciaccona in F minor
Johann Sebastian Bach
Chorale Preludes
Leipzig Chorales
Preludes and Fugues
Johann Gottfried Walther
Toccata and Fugue in C
Johann Bernhard Bach
Du Friedefürst, Herr Jesu Christ
Nicolaus Vetter
Partita ex B
Johann Heinrich Buttstedt
Fugue in E minor
Chorale Prelude on 'Vom Himmel hoch'
Georg Böhm
Chorales |
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ID: SIGCD379 Disk: 1 Type: CD |
Kolekce: Organ CollectionPodkolekce: Organ Alain:
Litanies, AWV100
Dupré:
Cortège et Litanie, Op. 19 No. 2
Franck, C:
Choral No. 3 in A minor, M. 40
Whitlock:
Organ Sonata in C minor
The first release from the restored organ of the famed Temple Church, London. Performed by associate Organist of the church Greg Morris, the programme includes several highlights of the organ repertoire, centred around Percy Whitlock’s stunning Organ Sonata.
Greg Morris is Associate Organist of the Temple Church in London and Musical Director of Collegium Musicum of London. An acclaimed solo recitalist and recording artist, he is known for his exciting and revealing interpretations of a wide repertoire but has a particular bias towards the music of J.S. Bach and 20th-century French and English composers. He gave the world première of David Briggs’ Organ Concerto and subsequently recorded the work with the Northern Chamber Orchestra. This is his third CD for Signum. |
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ID: SIGCD389 Disk: 1 Type: CD |
Kolekce: Organ CollectionPodkolekce: Organ Hakim:
Toccata
Petite Suite
Die Apostel for organ duet
Ave Maria (Fantasy on a lied by Franz Schubert)
Hommage à Jean Langlais
Esquisses Gregoriennes
Arabesques
Naji Hakim and Marie-Bernadette Dufourcet (organ)
Naji Hakim returns to disc on Signum with a new and powerful collection of his own organ works. Hakim is joined by Marie-Bernadette Dufource for the central piece of the programme, a set of meditation for two organists inspired by Lucas Cranach the Elder's woodcuts of the Apostles.
Completed in 2000, the Schuke Organ of the Palacio Euskalduna is housed in a magnificent concert hall of wood and steel - itself inspired by the Euskulduna shipyards that once occupied the area. A modern instrument, it is well-suited to the nuanced voicings of modern organ compositions, as a well as being sympathetic and adaptable to the great works of the past. |
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ID: SIGCD370 Disk: 1 Type: CD |
Kolekce: Sacred MusicPodkolekce: Choir Bairstow: I sat down under his shadow
Brumel, A: Sicut lilium
Casals, E: Nigra Sum
Clemens: Ego flos campi
Duruflé: Ubi caritas, Op. 10 No. 1
Finzi: My lovely one, Op. 27 No. 1
Grieg: Four Psalms Op. 74: No. 1 'How fair is thy face'
Hadley, P: My beloved spake
Muhly: Set me as a seal
Rivafrecha: Anima mea
Skempton: Rise up, my Love
How fair is thy love
My beloved is gone down
How fair is thy love
Vierne, L: Pièces de fantaisie, 4th suite, Op. 55: No. 1, Aubade
Walker, R: As The Apple Tree
Walton: Set me as a seal upon thine heart
Wesley, S S: Blessed be the God and Father
Willan: Rise up, my love
Mark Williams leads the Choir of the Jesus College Cambridge through an evocative selection of choral works inspired in varying ways by the songs of Solomon.
Songs of love have been written from the earliest records of human existence. None are more passionately ecstatic than the Song of Solomon, which occupies a unique place in the Holy Bible in both style and content. It contains lyric poems of love and courtship, as might have been sung at Jewish weddings. For Christians, these poems speak to the beauty of the union of Christ and his ‘bride’, the Church. The present collection presents a diverse group of choral works written between the 16th century and the present day, with most inspired by this unique sacred text. |
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ID: STR33995 Disk: 1 Type: CD |
Podkolekce: Organ Luca Guglielmi, Cristofori piano, organ, clavichord, harpsichord
Prelude and Fugue in E Minor, BWV 533 (Johann Sebastian Bach)
Chorale Preludes: Fantasia Super "Christ lag in Todes Banden", BWV 695
Chorale Preludes: "Erbarm dich mein, o Herre Gott", BWV 721
Das wohltemperierte Klavier II: Prelude and Fugue No. 1 in C Major, BWV 870 Das wohltemperierte Klavier I: Prelude and Fugue No. 1 in C Major, BWV 846 Violin Sonata in G Minor, BWV 1001 |
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ID: ORG72482 Disk: 1 Type: CD |
Podkolekce: Organ Meditationen über "Ehre sei Dir, Christe"; VOCI per trombal e organo; Dies Pentecostes (4 liturgische Orgelaphorismen zu Pfingsten"; 4 Stücke für Oboe & Orgel; Fantasia über "In dich hab ich gehoffet, Herr"
Paul Hübner (Trompete), Valentine Collet (Oboe), Jasmin Neubauer / Goll-Orgel Hochschule für Musik Mainz
Meditationen über "Ehre sei Dir, Christe" (für Orgel solo)
1. 1 1. Meditation: Ehre sei Dir, Christe, der Du littest Not
2. 2 2. Meditation: An dem Stamm des Kreuzes starbst den Opfertod
3. 3 3. Meditation: Herrschest mit dem Vater in der Ewigkeit
4. 4 4. Meditation: Hilf uns armen Sündern zu der Seligkeit
5. 5 5. Meditation: Kyrie eleison, Christe eleison, Kyrie eleison
Voci (für Trompete und Orgel)
1. 6 1. Appello
2. 7 2. Toccatina
3. 8 3. Intermezzo e corale
4. 9 4. Recitativo e aria
Vier liturgische Orgelaphorismen zu Pfingsten (für Orgel solo)
1. 10 Spiritus Domini replevit orbem terrarum
2. 11 Confirma hoc Deus, quod operatus es in nobis
3. 12 Factus est replente de caelo sonus
4. 13 Veni Sancte Spiritus
Stücke Nr. 1-4 (für Orgel und Oboe)
1. 14 1. Sehr ruhig
2. 15 2. Bewegt
3. 16 3. Ruhig - Mehr frei im Zeitmass
4. 17 4. Etwas bewegt
Fantasie über "In Dich hab ich gehoffet, Herr" (für Orgel solo)
1. 18 1. Wie ein Uhrwerk, streng im Takt
2. 19 2. Pastoral, etwas frei
3. 20 3. Mit Macht
4. 21 4. Conclusio |
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