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ID: AQVR394-2 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra Opera in three acts, libretto by Eugéne Cormon and Michel Carré
Nadir . . . . . . . . . . . . . . . . . . . . . .Sergei Lemeshev
Leila . . . . . . . . . . . . . . . . . . . . . . Nadezhda Kazantseva
Zurga . . . . . . . . . . . . . . . . . . . . . Vladimir Zakharov
Nourabad . . . . . . . . . . . . . . . . . ..Trofim Antonenko
Orchestra and Choir of All-Union Radio
Conductor - Onissim Bron
Recorded in 1950
CD2:
Track: 11 - Giorgio - Georgy Abramov, Riccardo - Vladimir Zakharov / All-Union radio's orchestra, conductor - Grigory Stolyarov, rec. 1950's
12 - Romeo - Sergei Lemeshev, Juliet - Irina Maslennikova, Nurse - Elena Gribova
Bolshoi Theatre's orchestra, conductor - Samuil Samosud, rec. 1948 |
| 32.00 eur Buy |
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ID: AQVR299-2 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra A legendary performance of the BOLSHOI THEATRE, Moscow to 100th Birthday of Peter Tchaikovsky.
A lyric opera in one act.
Libretto by Modest Tchaikovsky after Henrik Hertz’s drama “King René's Daughter”
Cast of characters:
René, King of Provence.................................Boris Bugaisky
Iolanta, his daughter.......................................Glafira Zhukovskaya
Robert, Duke of Burgundy.............................Panteleimon Nortsov
Count Vaudémont, a Burgundian knight.........Grigori Bolshakov
Ibn-Hakia, a Moorish physician.....................Alexander Baturin
Alméric, armor-bearer to King René..............Alexander Khosson
Bertrand, doorkeeper of the castle.................Mikhail Solovyev
Marta, Bertrand's wife, Iolanta's nursemaid.....Maria Levina
Brigitta, Iolanta's friend................................. Kapitolina Rachevskaya
Laura, Iolanta's friend.....................................Basya Amborskaya
Chorus, silent roles: Iolanta's servant-girls and friends, the king's retinue, the Burgundian Duke's regiment, men-at-arms
Place: The mountains of southern France
Time: The 15th century
Bolshoi theatre choir and orchestra
Conductor: Samuil Samosud
Recorded in 1940 |
| 32.00 eur Buy |
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ID: AQVR178-2 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra Enregistrement de la Radio de l'Union 1948
Opéra livret de Jules BARBIER et Michel CARRE d'après le Faust de Wolfgang Goethe
Faust . . . . . . . . . . . . . . . . . . Ivan KOZLOVSKY, (tenor)
Marguerite . . . . . . . . . .. . . . . Jelizavieta CHOUMSKAYA, (soprano coloratura)
Mephistopheles . . . . . . . . . . . Mark REIZEN, (bass)
Valentin . . . . . . . . . . . . . . . . . Ivan BOURLAK, (baritone)
Siébel . . . . . . . . . . . . . . . . . . .Yelena GRIBOVA, (mezzo-soprano)
Dame Marthe Schwertiein . . . .Nina OSTROUMOVA, (mezzo-soprano)
Wagner . . . . . . . . . . . . . . . . . Ivan SKOBTZOV, (baryton-bass)
17-20: Royal Opera House Orchestra - Sir Georg Solti |
| 32.00 eur Buy |
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ID: AQVR329-2 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra Opera in four acts
Libretto by L. Illica and G. Giacosa based on «Scènes de la vie de Bohème» by H. Murger
Rodolfo.................................Sergei Lemeshev (tenor)
Mimi......................................Irina Maslennikova (soprano)
Marcello................................Pavel Lisitsian (baritone)
Musetta..................................Galina Sakharova (soprano)
Schaunard..............................Vladimir Zakharov (baritone)
Colline....................................Boris Dobrin (bass)
Parpignol.................................Sergei Fomichev (tenor)
Benoit.....................................Daniil Demyanov (bass)
Alcindoro................................Alexey Belanov (bass)
Sergente dei doganieri..............Trofim Antonenko (bass)
Doganiere................................Mikhail Skazin (bass)
Choir and orchestra of All-Union Radio
Conductor - Samuil Samosud
Recorded in 1948
Bonus tracks:
Conductors: Rosario Bourdon (15), Alexander Melik-Pashaev (16),Samuil Samosud (17), Kirill Kondrashin (18) |
| 32.00 eur Buy |
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ID: UP0141 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra 1750 Prague version
Jana Levicova (Ezio)
Eva Mullerova (Fulvia)
Yukiko Srejmova Kinjo (Onoria)
Michaela Srumova (Valentiniano)
Martin Srejma (Massimo)
Ondrej Socha (Varo)
Prague Symphony Chamber Orchestra, Jiri Petrdlik |
| 32.00 eur Buy |
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ID: GM1.0072 Disk: 3 Type: CD |
Kolekce: Opera CollectionPodkolekce: Opera Wolfgang Windgassen (Lohengrin), Aase Nordmo-Lovberg (Elsa), Astrid Varnay (Ortrud), Gustav Neidlinger (Friedrich von Telramund), Theo Adam (König Heinrich), Eberhard Wächter (Der Heerrufer)
Orchestra & Chorus of the Bayreuth Festival, Lorin Maazel
Recorded live at the Bayreuth Festival in 1960 |
| 33.00 eur Temporarily out of stock |
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ID: GM1.0085 Disk: 3 Type: CD |
Kolekce: Opera LiveRamón Vinay (Tristan), Birgit Nilsson (Isolde), Irene Dalis (Brangaene), Jerome Hines (König Marke), Walter Cassel (Kurwenal), Calvin Marsh (Melot), Paul Franke (Hirt), Luigi Sgarro (Steuerman), Charles Anthony (Seemann)
Live recording, New York, 1960
Richard Wagner’s Tristan und Isolde has always been one of Böhm’s most famous specialties, and he literally owned the work during a decade at the Bayreuth Festival during the Sixties. His Isolde at Bayreuth as well as in this Metropolitan Opera performance from New York is Birgit Nilsson, who made her Met debut just a few weeks prior to this performance to sensational acclaim. Tristan is Ramón Vinay, for many people the greatest Heldentenor in the years after Lauritz Melchior. His Bayreuth Tristans under Karajan and Jochum are well remembered, and this New York performance still finds him at the peak of his powers. |
| 33.00 eur Temporarily out of stock |
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ID: KAI0012342 Disk: 2 Type: CD |
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra Musiktheater in 13 Bildern nach Leonora Carrington
Librettofassung von Elfriede Jelinek in der Übersetzung
von Heribert Becker (1997-99)
It is a sadistic family story in scurrile-surreal snap shots. The home of an odd family stands in a completely remote, heathlike landscape. This somewhat dilapidated bourgeois house in its seclusion is refuge and madhouse at the same time; here, in the bizarre impressions of family life, the focus turns on people and nature: an outer world, drowning in violence, coldness and terror, and the small, inner world of a bourgeois family, regulated right to the last corner, but abruptly toppled into chaos, when couples and generations come to be at logger-heads about their unappeased longings and desires.
Includes booklet with text by Olga Neuwirth and Thomas Jonigk |
| 34.00 eur Buy |
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ID: KAI0012612 Disk: 2 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voices and Orchestra Lied der Lieder (Canto VIII), oratorio for soli, choir, orchestra and live-electronic music
Michael Alber, chorus master
“Shir hashirim ashira li shlomo”, the “Song of Songs” is heard at the beginning, sung in Hebrew, the title. At first, written in the score, a Koan, a Zen Buddhist maxim.... The composition Shir Hashirim is basically open, but it is not undefined. It is a result of Hans Zender‘s reflections over a period of many years concerning technical, compositional questions, which have led to an independent system of harmonics, here carried out for the first time. His works since then all have an unmistakable compositional stamp. (Isabel Mundry)
Includes booklet with text by Isabel Mundry |
| 34.00 eur Buy |
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ID: KAI0012512 Disk: 2 Type: CD |
Kolekce: Vocal CollectionLuigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luigi Nono read on the wall of a monastery in Toledo in the middle of the 1980s. They must have affected him most deeply, since in the last three years of his life he made them the basis of the titles of a trio of works. In “Hay que caminar” he surely recognized his own lifelong principle of continual creative restlessness, of perpetually being en route, which guided him from the outset. For a long time this was perhaps unconscious, but during the several years’ incubation of Prometeo it took conscious shape in the presentation of a route-less wayfaring that directs everything. An observation from 1981 is characteristic of this consciousness. For him it was primarily to do with the attempt “to find something, but not something certain.” The central piece of the trilogy mentioned above is No hay caminos, hay que caminar … Andrej Tarkowskij.
Nono dedicated the piece to the Russian film director Andrej Tarkowskij, outlawed from his own country, perhaps in view of the film Nostalghia, which has as its theme the search “for something, which perhaps doesn’t exist”... (Josef Häusler)
Includes booklet with text by Josef Häusler |
| 34.00 eur Buy |
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