|
|
World music CD DVD shop and Classic distribution
|
|
|
|
|
ID: RCD16296
CDs: 1
Type: CD
|
Collection: Russian Piano School
Subcollection: Piano and Orchestra
(1 - 3) - Alexej Lubimov, piano / Estonian State Symphony Orchestra - Kirill Kondrashin, conductor
(4 - 6) - Alexej Lubimov, piano / Orchestra of the Age of Enlightenment - Michael Schönwandt, conductor |
| 15.00 eur Temporarily out of stock |
|
ID: RCD16303
CDs: 1
Type: CD
|
Collection: Russian Piano School
Subcollection: Piano and Orchestra
(1 - 6) - Live recordings 1996
(7) - Live recordings 1994
(8) - Live recordings 1972
(1 - 5) - Alexej Lubimov, piano / Natalia Gutman, cello
(6) - Alexej Lubimov, piano / BBC Symphony Orchestra - Martyn Brabbins, conductor
(7) - Lubimov, Alexej (piano) / Chamber ensemble "Studio for New Music" - Igor Dronov, conductor
(8) - Lubimov, Alexej (piano) / Estonian Radio Symphony Orchestra and Chorus - Nathan Rakhlin, conductor |
| 15.00 eur Temporarily out of stock |
|
ID: RCD16304
CDs: 1
Type: CD
|
Collection: Russian Piano School
Subcollection: Piano and Orchestra
2 - Alexej Lubimov, Fortepiano by Neupert, copy after Louis Dulcken,Munich 1815
6 -10 - Alexej Lubimov, Fortepiano Blüthner, Leipzig ca 1878 |
| 15.00 eur Temporarily out of stock |
|
ID: MELCD1001994
CDs: 1
Type: CD
|
Collection: Piano Concerto
Subcollection: Piano and Orchestra
These recordings were made in the Moscow Conservatory in 1984, when Evgeny Kissin was only 13 years old.
The young artist demonstrates remarkable proficiency.
This will be of interest to all admirers of this outstanding musician.
Chopin:
Piano Concerto No. 1 in E minor, Op. 11
Moscow Philharmonic Orchestra, Dmitri Kitayenko
Piano Concerto No. 2 in F minor, Op. 21
Moscow Philharmonic Orchestra, Dmitri Kitayenko
Mazurka No. 40 in F minor, Op. 63 No. 2
Mazurka No. 49 in F minor, Op. 68 No. 4
Waltz No. 14 in E minor, Op. post., KKIVa:15, B 56
Evgeny Kissin (piano) |
| 16.00 eur Temporarily out of stock |
|
ID: MELCD1001006
CDs: 1
Type: CD
|
Collection: Piano Concerto
Subcollection: Piano and Orchestra
In Khachaturian’s first masterpiece, the outstahding Piano Concerto in D flat major, composed in 1936, his own personal style is organically intertwined with the groundwork of the genre’s history. A priority for the composer was the romantic model of the piano concerto. The key, the sound image and the textural aspect of the concerto’s initial theme are close to the theme of the introduction of Tchaikovsky’s First Piano Concerto, whereas the general principles of the dialogue between the piano and the orchestra are similar to Rachmaninov’s Piano Concertos. That for Khachaturian the main sense for utilizing sonata form is, first of all, in establishing the contrast between the themes-images, we are convinced by the first movement of the Concerto Allegro ma non troppo e maestoso, in D flat major. The monumental romantic main theme, endowed with a flavor of Eastern exoticism, is stated in the first movement three times: at the beginning of the exposition, at the beginning of the recapitulation and after a spacious cadenza, in the place of the coda. Its middle section presents itself as a concentration of piano virtuosity. |
| 16.00 eur Temporarily out of stock |
|
ID: MELCD1001005
CDs: 1
Type: CD
|
Collection: Piano Concerto
Subcollection: Piano and Orchestra
Beethoven:
Piano Sonata No. 11 in B flat major, Op. 22
Recorded in 1960
Feinberg:
Concerto for piano and orchestra No.2, Op. 36
Recorded in 1946
Suite for piano No.2, Op. 25
Recorded in 1939
Samuel Feinberg (piano)
The USSR State Symphony Orchestra, Nikolai Anosov |
| 16.00 eur Temporarily out of stock |
|
ID: MELCD1002067
CDs: 1
Type: CD
|
Collection: Piano Concerto
Subcollection: Piano and Orchestra
Melodiya presents an album of Grigory Ginsburg, a wonderful virtuoso pianist and one of the glorious representatives of the Russian piano school of the 20th century.
Ginsburg’s name is now overshadowed by his some of his better known peers such as Emil Gilels, Sviatoslav Richter, Yakov Flier, Stanislav Neuhaus and others. Meanwhile, in his time in the 1930s-1950s, his concert performances entranced audiences and critics alike.
This album comprises compositions by Franz Liszt and Anton Rubenstein’s Piano Concerto No. 4. Ginsburg’s interpretation of the concerto became a model for musicians of many generations.
Liszt:
Gondoliera, S. 162 No. 1 (from Venezia e Napoli)
Tarantella, S. 162 No. 3 (from Venezia e Napoli)
Au lac de Wallenstadt (Années de pèlerinage I, S. 160 No. 2)
Au bord d'une source (Années de pèlerinage I, S. 160 No. 4)
Les cloches de Genève (Années de pèlerinage I, S. 160 No. 9)
Vallée d'Obermann (Années de pèlerinage I, S. 160 No. 6)
Rubinstein:
Piano Concerto No. 4 in D minor, Op. 70
The State Academic Symphony Orchestra, Aron Shereshevsky
Grigory Ginsburg (piano) |
| 16.00 eur Temporarily out of stock |
|
ID: MELCD1002224
CDs: 1
Type: CD
|
Collection: Baroque
Subcollection: Piano and Orchestra
Firma Melodiya presents recordings of J S Bach’s works performed by Emil Gilels.
This disc continues the series of recordings made by the great pianist. However, these recordings suggest a different view on Gilels’ performing art.
Emil Gilels entered the music life of the USSR as a virtuoso in the best, romantic sense of the word. His inspired artistry always produced a magnetic effect on the audience. He conquered the world with his performances of Beethoven’s sonatas, Mozart’s works in Salzburg, and interpretations of Tchaikovsky’s and Rachmaninov’s concertos. It was difficult to assume that a well-established stereotype of romantic pianism hid an inspired and profound interpreter of Bach’s music.
Johann Sebastian Bach was never at the centre of Gilels’ repertoire. They were more like individual pieces, but that was exactly what made them so unexpected at his concerts. Nevertheless, he kept revisiting some of them time and again.
This disc features recordings made in 1948 to 1968. Not claiming to be authentic and at the same time not falling into excessive romanticism, Emil Gilels shapes his own unique vision of the great cantor’s music world.
J.S. Bach:
Brandenburg Concerto No. 5 in D major, BWV1050
Elizaveta Gilels (violin) & Nikolai Kharkovsky (flute)
The USSR State Symphony Orchestra, Kirill Kondrashin
Concerto for Two Keyboards in C major, BWV1061
with Yakov Zak (piano)
The USSR State Symphony Orchestra, Kirill Kondrashin
Partita No. 1 in B flat major, BWV825
Prelude & Fugue Book 1 No. 10 in E minor, BWV855: Prelude
arr. Alexander Siloti
Prelude and Fugue in D Major (Bach BWV532) Transcription Busoni
--------------------------------------------------------------------------------
Emil Gilels (piano) |
| 16.00 eur Temporarily out of stock |
|
|
