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Chamber Music, page 62

   Found CDs: 649
 

Boccherini - Sinfonia - Two Cello Concertos - Goritzki - Deutsche Kammerakademie

Boccherini - Sinfonia - Two Cello Concertos - Goritzki - Deutsche Kammerakademie
ID: CLF8713-9
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Cello

16.00 eur Buy

Alexej Lubimov, piano - Private collection.Vol. 2 - Chamber music

Alexej Lubimov, piano - Private collection.Vol. 2 - Chamber music
ID: ART272
CDs: 2
Type: CD
Subcollection: Piano

16.00 eur Temporarily out of stock

Bruch - Busoni - Strauss - Violin Concertos - Turban - Bamberger Symphoniker - Shambadal

Bruch - Busoni - Strauss - Violin Concertos - Turban - Bamberger Symphoniker - Shambadal
ID: CLAVES509318
CDs: 1
Type: CD
Subcollection: Orchestra

16.00 eur Buy

Tatiana Sergeeva, piano - Etude

Tatiana Sergeeva, piano - Etude
ID: ART271
CDs: 2
Type: CD
Subcollection: Piano

Tatiana Sergeeva, piano
5 - Natalia Anchutina, domra /Maria Vlasova, accordion
18, 19 - The Gubernatorsky orchestra of folk Russian instruments of the Vologda region - G. Perevoznikova
16.00 eur Temporarily out of stock

Kurtág's Ghosts - Stockhausen, Machaut, Boulez, Bartók, Scarlatti, etc... / Marino Formenti, piano

Kurtág's Ghosts - Stockhausen, Machaut, Boulez, Bartók, Scarlatti, etc... / Marino Formenti, piano
ID: KAI0012902
CDs: 2
Type: CD
Collection: Chamber Music
Subcollection: Piano

17.00 eur Buy

In Nomine - The Witten in Nomine Broken Consort Book

In Nomine - The Witten in Nomine Broken Consort Book
ID: KAI0012442
CDs: 2
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

The method of composition, which has recourse to existing musical material, reworking it into a new composition, figures as a central principle of occidental music history. This applies particularly to the mass and motet compositions of the Renaissance, when this method of adopting and reworking existing music represented one of the key features of musical production. An especially vivid example - which however remains singular in its appearance - for the continuous engagement with a certain musical “theme” is the English “In Nomine“ genre dating back to the 16th and 17th centuries.
This tradition started out with the six-voice mass Gloria tibi Trinitas by John Taverner (around 1495-1545), composed no later than around 1528. To the words “In nomine Domini” the section of the Benedictus (the lyrics are: “Benedictus qui venit in nomine Domini” - “blessed is he who comes in the name of the Lord”) has a salient four-voice section, which, as cantus firmus in the alto part, contains the antiphon “Gloria tibi Trinitas” quoted in its entirety.

Includes booklet with text by Torsten Blaich
17.00 eur Buy

ROBERT SCHUMANN Das gesamte Etüdenwerk für Klavier/ The Complete Studies for Piano LEV VINOCOUR

ROBERT SCHUMANN Das gesamte Etüdenwerk für Klavier/ The Complete Studies for Piano LEV VINOCOUR
ID: TLS057
CDs: 3
Type: CD
Collection: Chamber Music
Subcollection: Piano

Schumann: Etudes pour le Pianoforte d´après les Caprices de Paganini, Op.3 (1832) ; Etudes de Concert pour le Pianoforte d´après des Caprices ; de Paganini. Op. 10 (1833) ; Fantasies et Finale sur un Thême de Mr. Le Baron de Fricken,composées p.l. Pfte, et dediées à Madame la barnne de Fricken, née comtesse de Zedwitz, par R. Schumann, Oeuvre IX. (1834/35); Urfassung des Werkes, später bekannt als "Douze Etudes Symphoniques", Werke ohne Opuszahl 6/ First version of later known as "Douze Etudes Symphoniques", works without Opus No. 6. ; Etudes en forme de Varitions. Op. 13 (1852) Dediés à son ami William Sterndale Bennett ; Beethoven Etüden, Werke ohne Opuszahl 31/ Work without Op. No. 31 ; A) Etüden in Form freier Variationen über ein Beethoven´sches Thema (1831/32) ; B)Etudes basées à mon amine Clara Wieck. (1833) ; C)Execises (1834/35) ; Studien für den Pedalfügel:6 Stücke in kanonischer Form Op. 56 (1845). J.G. Kuntsch gewidmet. Bearbeitung für Klavier yu 2 Händen von Lev Vinocour / Arrangement for piano (2 hands) by Lev Vinocour; Skizzen für den Pedalfügel Op. 58 (1845).Der Gräfin Pauline von Abegg gewidmet.Bearbeitung für Klavier yu 2 Händen von Lev Vinocour / Arrangement for piano (2 hands) by Lev Vinocour
18.00 eur Buy

F.J. Haydn - 9 Piano Trios - Beaux Arts Trio

F.J. Haydn - 9 Piano Trios - Beaux Arts Trio
ID: PTC5186179
CDs: 2
Type: SACD
Subcollection: Violin

Multichannel Hybrid SACD - DSD
18.00 eur Buy

J. Brahms: Piano Quartets Nos. 1-3 (Complete) - Beaux Arts Trio

J. Brahms: Piano Quartets Nos. 1-3 (Complete) - Beaux Arts Trio
ID: PTC5186151
CDs: 2
Type: SACD
Subcollection: Piano

Multichannel Hybrid SACD - DSD
18.00 eur Buy

Ludwig Thuille - Piano Quintets in E flat Major and G minor The Falk Quartet with Tomer Lev, London Conchord Ensemble

Ludwig Thuille - Piano Quintets in E flat Major and G minor The Falk Quartet with Tomer Lev, London Conchord Ensemble
ID: CHRCD001_2
CDs: 2
Type: CD
Subcollection: Chamber Ensemble

This double-disc set brought both a record label and a composer new to my ears. Thuille, who lived until 1907, was from the Tyrol and a close friend on and off of Richard Strauss. He was a pupil of Rheinberger and as a pedagogue among his own students were Ernest Bloch and Hermann Abendroth. He was a prolific though rather conservative composer and for a time was known for his operas. However, his small fame now lies mainly with his chamber music, as well as a piano concerto and a symphony. His book on harmony was a standard for many years and constitutes his standing in some musical circles.

All four of these chamber works are absolutely gorgeous, full of lovely melody and an almost ecstatic beauty. Thuille’s influences in the Sextet may recall Brahms or even Wagner at various points. There aren’t many good works for wind quintet and piano, and this one should be heard much more frequently. The French horn is very predominant, as it is in much of Richard Strauss’ music. The piano is also given an important role that sometimes expands to almost piano concerto proportions. The Larghetto second movement of the four is especially lovely, with an autumnal sort of sound that reminds one of Brahms. The Vivace finale is a speedy summing-up of the sextet, with already-heard thematic material going from instrument to instrument, and with a good humor thruout.

In the more conservative Trio one may hear influences of Borodin or Franck. Though it has some passages suffused with sorrow, the prevailing mood - especially by the fourth movement finale - is one of joy and good feeling. The two Piano Quintets were composed 21 years apart, the G minor being the early one, dating from 1880. It has a cyclic design in its three short movements, with a prayer-like central slow movement sounding like Brahms. The 1901 Piano Quintet Op. 20 is regarded as the best-known of all of Thuille’s chamber works. Almost 45 minutes in length, it balances a rather traditional approach with plenty of post-Wagnerian chromaticism. Thruout the four-movement work one hears influences of a Richard Strauss-like waltz feeling. The Adagio second movement begins with a chorale-like passage which may remind listeners of Bruckner, as it builds to a massive architectural central climax. The finale brings together some of the previous themes in a hymn-like setting, similar to many of Thuille’s works of this period.

The performances on both CDs are first rate, as are the sonics. This is one of the most enjoyable chamber music collections I have heard in years.
- John Sunier
19.00 eur Buy
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