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BACH, Johann Sebastian - Skladatelé, page 26

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J.S. Bach - Flute Sonatas Nos. 1-6, BWV1030-1035 - A. Korneyev (flute) - A.Bakhchiev (harpsichord)

J.S. Bach - Flute Sonatas Nos. 1-6, BWV1030-1035 - A. Korneyev (flute) - A.Bakhchiev (harpsichord)
ID: MELCD1002154
Disk: 2
Type: CD
Podkolekce: Harpsichord

Firma Melodiya presents recordings by Alexander Korneyev, an outstanding flutist, People’s Artist of the RSFSR and laureate of the State Prize of Russia.

A world known soloist, Korneyev won the recognition primarily as a concert musician. He performed with well-known musicians such as Lev Oborin, Ivan Kozlovsky, Sviatoslav Richter, Emil Gilels, Mstislav Rostropovich and the Beethoven Quartet. A soloist of the Big Symphony Orchestra of All-Union Radio for many years, he played under the leadership of some of the most prominent maestros and at times performed as a symphony and chamber conductor himself. Also, he realized performing versions of a number of flute compositions.

The musician’s concert repertoire was extraordinary extensive, from early baroque to contemporary composers. He made dozens of recordings released on vinyl and CD. This album features one of the gems performed by Korneyev, a peak of baroque flute - six sonatas for flute and harpsichord, and the partita for solo flute by J.S. Bach.

Most evidently, Bach composed his flute works along with other chamber opuses in Köthen during 1717 to 1723. At the time, the composer focused on solo and ensemble instrumental music. Arguably, two of the six sonatas (BWV 1031, 1033) were penned by his son Carl Philipp Emanuel who later served at the court of Crown Prince Frederick of Prussia, a big lover of the flute.

The part of harpsichord was performed by a remarkable ensemble musician, People’s Artist of Russia, Alexander Bakhchiev. The recordings were made in 1971 and 1974.
29.00 eur Buy

Emil Gilels Plays Bach - Vol. 2 - First Time on CD

Emil Gilels Plays Bach - Vol. 2 - First Time on CD
ID: MELCD1002224
Disk: 1
Type: CD
Kolekce: BaroquePodkolekce: Piano and Orchestra

Firma Melodiya presents recordings of J S Bach’s works performed by Emil Gilels.

This disc continues the series of recordings made by the great pianist. However, these recordings suggest a different view on Gilels’ performing art.

Emil Gilels entered the music life of the USSR as a virtuoso in the best, romantic sense of the word. His inspired artistry always produced a magnetic effect on the audience. He conquered the world with his performances of Beethoven’s sonatas, Mozart’s works in Salzburg, and interpretations of Tchaikovsky’s and Rachmaninov’s concertos. It was difficult to assume that a well-established stereotype of romantic pianism hid an inspired and profound interpreter of Bach’s music.

Johann Sebastian Bach was never at the centre of Gilels’ repertoire. They were more like individual pieces, but that was exactly what made them so unexpected at his concerts. Nevertheless, he kept revisiting some of them time and again.

This disc features recordings made in 1948 to 1968. Not claiming to be authentic and at the same time not falling into excessive romanticism, Emil Gilels shapes his own unique vision of the great cantor’s music world.


J.S. Bach:
Brandenburg Concerto No. 5 in D major, BWV1050
Elizaveta Gilels (violin) & Nikolai Kharkovsky (flute)
The USSR State Symphony Orchestra, Kirill Kondrashin

Concerto for Two Keyboards in C major, BWV1061
with Yakov Zak (piano)
The USSR State Symphony Orchestra, Kirill Kondrashin

Partita No. 1 in B flat major, BWV825
Prelude & Fugue Book 1 No. 10 in E minor, BWV855: Prelude
arr. Alexander Siloti
Prelude and Fugue in D Major (Bach BWV532) Transcription Busoni
--------------------------------------------------------------------------------
Emil Gilels (piano)
16.00 eur Temporarily out of stock

J.S. Bach - Berg: Violin Concertos: Leonid Kogan - Pavel Kogan

J.S. Bach - Berg: Violin Concertos: Leonid Kogan - Pavel Kogan
ID: MELCD1002241
Disk: 1
Type: CD
Kolekce: Violin ConcertoPodkolekce: Violin and Orchestra

Firma Melodiya presents another album dedicated to one of the greatest violinists of the 20th century, Leonid Kogan.

An unusual pairing of recordings realized in the late 1960s and early 1970s makes this release particularly attractive. Two concertos by J S Bach, a composer whose music played a significant part in the violinist’s repertoire (the concerto for two violins and orchestra was recorded together with Pavel Kogan, Leonid’s son and a talented violinist ad conductor), are here along with a piece from a different era.

The violin concerto by Alban Berg, a representative of the Second Viennese School, is one of the best creations of the composer of Wozzeck. The concerto, which became the composer’s last work, was dedicated “To the memory of an angel” (Alma Mahler’s daughter who died at an early age), combined the expression of the musical language with poignant lyrical parts and ended in the sounds of Bach’s chorale.

Leonid Kogan was the only performer of Berg’s concerto in the former USSR. The complexity of the piece was an obstacle for many celebrated violinists. His interpretation still captivates with its emotional expressiveness and in-depth comprehension of the concept and form of the concerto.

(1 - 8) - Leonid Kogan, violin
(4 - 6) Pavel Kogan, violin
(1 - 6) Moscow Radio Symphony Orchestra (Soloists Ensemble)
(7 - 8) - Moscow Radio Symphony Orchestra - Gennady Rozhdestvensky
16.00 eur Temporarily out of stock

RICHTER - THE 100th - ANNIVERSARY EDITION

RICHTER - THE  100th - ANNIVERSARY EDITION
ID: MELCD1002270
Disk: 50
Type: CD
Kolekce: Piano ConcertoPodkolekce: Klavír

For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its
arguably biggest project in its semicentennial history.
The name of Sviatoslav Richter is inscribed in gold in the history of music.
He was not just “more than a pianist,” he was even more than a musician. An owner
of composing, conducting, artistic, directing and acting gifts, a connoisseur of literature,
arts and philosophy, with a will of iron he made all his gifts serve the art of
pianism. An “artist of planetary scale,” as of the critics put it, Richter was like that in
everything - in his unbounded repertoire that he never stopped replenishing until
his last years, in his priestly frenzy of hours-long rehearsals, in the geography and
number of performances, - over 3 500 concerts in 770 places of the world for 55
years of his musical career! (“He was somewhat fathomless, Richter,” said one of his
famous colleagues). However, after he conquered the world (almost literally), he remained
indifferent to ovation and eulogies of the press, painfully experienced each
of the “defects” he noticed in his performance, and at the end of his way confessed
before the journalist Bruno Monsaingeon: “I don’t like myself.”
Of course we inherited numerous recordings from Sviatoslav Richter, live
and studio ones (although he preferred the former to the latter). Hundreds of records
and CDs have been released on domestic and foreign labels (the first of them,
gramophone ones, appeared in the 1940’s while some others became available as
late as in this century). However, even the existing body of recordings captures
neither his complete repertoire nor the entire essence of Richter’s
pieces could sound differently over the years, or even over a day!
And now, Firma Melodiya that recently marked its 50th birthday makes a
unique present for both sophisticated experts and a broad circle of music lovers -
a 50-CD set of Sviatoslav Richter’s concert recordings!
It has to be understood that this collection is far from the complete phonographic
legacy of the great musician. Nevertheless, the set includes plenty of
exclusive, previously unreleased recordings that will make the hearts of even
most erudite connoisseurs and collectors rejoice.
Most of the featured recordings are broadcasts from the concerts played in
Moscow in 1962 to 1983. However, the exceptions are of special interest. These are:
• one of the first Sviatoslav Richter’s extant concert programmes -
Schubert’s last sonata and Mussorgsky’s Pictures at an Exhibition (1949);
• recording of the concert with Nina Dorliak in Bucharest, in 1958;
• recordings of “home” rehearsals with Nina Dorliak.
Alexander Scriabin’s Prometheus, on which he plays a “modest” piano
part in an orchestra, is evidence of Richter’s extremely broad musical interests, or
the recordings of J.S. Bach’s ensemble concertos together with students of the
Moscow Conservatory.
Perhaps the listeners will find a number of “repetitive” tracks surprising.
Richter played (and recorded) many works time and again. Some of them allow us
to track the evolution of the pianist’s art, testify to his constant creative search
and dissatisfaction with himself (the interpretations of Berg’s concertos with different
performers, different versions of Schubert’s Sonata No. 6, Beethoven’s Third
Concerto and Mussorgsky’s Pictures at an Exhibition at an interval of ten and twenty
years, respectively). Some other recordings were played in a shorter stretch of
time (Beethoven’s Sonata No. 1, Prokofiev’s Sonata No. 2), or in succession - from
the mid 1970’s. Considering the growing interest of the public, Richter frequently,
fully or partly, repeated his programmes. So, at an interval of one day he played
Mozart’s Concerto No. 18 and Rachmaninoff’s Etudes-tableaux. In those unique
phonographic documents, a keen ear will detect barely perceptible “atmospheric”
changes that captured an inner aura of a certain concert as each of them was a new
test for the pianist in terms uncompromising strictness to himself, a new step on
the way to Absolute Music.

Berg:
Chamber Concerto for Piano and Violin with 13 Wind Instruments
Brahms:
Piano Concerto No. 2 in B flat major, Op. 83
Rhapsody in G minor, Op. 79 No. 2
Violin Sonata No. 2 in A major, Op. 100
Violin Sonata No. 3 in D minor, Op. 108
Violin Sonata No. 1 in G major, Op. 78
Britten:
Piano Concerto, Op. 13
Debussy:
Préludes - Book 2 (12, complete)
Cloches à travers les feuilles (No. 1 from Images pour piano - Book 2)
Dvorak:
Piano Concerto in G minor, Op. 33
Franck, C:
Piano Quintet in F minor, Op. 14
Violin Sonata in A major
Liszt:
Erlkönig (No. 4 from Zwölf Lieder von Franz Schubert, S558)
Concerto pathétique for Piano and Orchestra, S365a
Mendelssohn:
Variations sérieuses in D minor Op. 54
Mozart:
Piano Concerto No. 22 in E flat major, K482
Piano Concerto No. 27 in B flat major, K595
Mussorgsky:
Pictures at an Exhibition (piano version)
Prokofiev:
Piano Sonata No. 2 in D minor, Op. 14
Piano Sonata No. 4 in C minor, Op. 29
Piano Sonata No. 6 in A major, Op. 82
Violin Sonata No. 1 in F minor, Op. 80
Piano Concerto No. 5 in G major, Op. 55
Ravel:
Valses nobles et sentimentales
Piano Trio in A minor
Schubert:
Piano Sonata No. 21 in B flat major, D960
Piano Sonata No. 6 in E minor, D566
Piano Sonata No. 13 in A major, D664
Piano Sonata No. 11 in F minor, D625
Klavierstücke (3), D946
Schumann:
Faschingsschwank aus Wien, Op. 26
Piano Concerto in A minor, Op. 54
Scriabin:
Piano Sonata No. 7, Op. 64 'White Mass'
Prometheus (The Poem of Fire), Op. 60
Shostakovich:
Violin Sonata, Op. 134
Viola Sonata, Op. 147
Wagner:
Elegy in A flat
400.00 eur Temporarily out of stock

Alexander Rudin (cello) - V. Ginzburg - L. Evgrafova (pianos) Cello Sonatas: Valentini - Bach - Beethoven - Klengel - Myaskovsky

Alexander Rudin (cello) - V. Ginzburg - L. Evgrafova (pianos) Cello Sonatas: Valentini - Bach - Beethoven - Klengel - Myaskovsky
ID: MELCD1002273
Disk: 1
Type: CD
Kolekce: Cello CollectionPodkolekce: Piano and Cello

Firma Melodiya presents a solo album of one of the leading Rusuan cellists of today Alexander Rudin. Professor of the Moscow Conservatory, Alexander Rudin is among the best known performers, conductors and educationists of Europe. What makes the featured recordings particularly attractive is that they were made at the initial stage of the cellists performing career in 1978 to 1983. A student of the Gnessins Music Teachers Institute at the time, Rudin was a prize winner of the Tchaikovsky International Competition in Moscow, the Bach Competition in Leipzig and the Cassado Competition in Florence and drew attention of professional critics and wide audience. Even then the cellists performing style was notable for the scope and diversity of repertoire the album includes works by Giovanni Valentini, J.S. Bach, Ludwig van Beethoven, Nikolai Myaskovsky and Julius Klengel. The piano part is performed by Lidiya Yevgrafova and Viktor Ginzburg.

(1 - 13) Alexander Rudin (cello)

J.S. Bach, - Viola da Gamba Sonata No. 2 in D major, BWV1028
L. van Beethoven - Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 - Lidiya Yevgrafova (piano)
Klengel - Scherzo for cello and piano in D minor, Op. 6 - Lidiya Yevgrafova (piano)
Miaskovsky - Cello Sonata No. 1 in D major, Op. 12 - Viсtor Ginzburg (piano)
Valentini, Giuseppe - Cello Sonata in E major - Lidiya Yevgrafova (piano)
Alexander Rudin (cello)
16.00 eur Buy

Maestro Vladimir Spivakov - J.S. Bach - Moscow Virtuosi Chamber Orchestra

Maestro Vladimir Spivakov  - J.S. Bach - Moscow Virtuosi Chamber Orchestra
ID: MELCD1002301
Disk: 2
Type: CD
Kolekce: BaroquePodkolekce: Voices and Orchestra

For the anniversary of maestro Vladimir Spivakov, Firma Melodiya presents a unique, previously unreleased recording of the Moscow Virtuosi chamber orchestra made on 28 December 1988 in the Big Hall of the Moscow Conservatory.

From the first years of their existence, the Moscow Virtuosi, founded by Vladimir Spivakov, lived up to the highest standards of mastery on both domestic and global scales. It was a genuine 'orchestra of soloists' comprising prize-winners of domestic and international competitions, concertmasters of the best orchestras of Moscow many of whom could count on a brilliant solo career.

Although the Virtuosi spent a lot of time in the studio, it is the orchestra’s concert recordings that convey the atmosphere of a living, inspired contact with the audience.

The charitable activities Vladimir Spivakov has been involved in for many years now are evidence of his great human responsiveness, his desire to support talented children and his empathy for people’s suffering. The pre-New Year concert of 1988 was a fundraising event to benefit the Armenian children who suffered in the earthquake.

The concert, comprising music of Johann Sebastian Bach, featured other prominent musicians as well - Mikhail Pletnev, Araxia Davtian, an Honoured Artist of the Armenian SSR, and Bernard Soustrot, a world renowned French trumpeter. However, Adagio from the Easter Oratorio for oboe and orchestra performed instead of an encore by Alexei Utkin, an oboist and future founder of the Hermitage Ensemble, was a genuine climax of the event. The music reflecting upon passions of Christ’s earthly life sounded like a requiem for the tens of thousands of people who were buried alive in Spitak and Leninakan.

J.S. Bach
Brandenburg Concerto No. 3 in G Major, BWV1048
Cantata BWV51 'Jauchzet Gott in allen Landen'

Araxia Davtian (soprano) & Bernard Soustrot (trumpet)

Easter Oratorio, BWV249: Adagio (sinfonia)encore (presented by V. Spivakov)
Alexei Utkin (oboe)

Keyboard Concerto No. 1 in D minor, BWV1052
Mikhail Pletnev (piano)

Orchestral Suite No. 3 in D major, BWV1068
-----------------------------------------------------
Moscow Virtuosi Chamber Orchestra - Vladimir Spivakov
29.00 eur Buy

FROM THE HISTORY OF THE TCHAIKOVSKY COMPETITION. PHONODOCUMENTS

FROM THE HISTORY OF THE TCHAIKOVSKY COMPETITION. PHONODOCUMENTS
ID: MELCD1002349
Disk: 10
Type: CD
Podkolekce: Piano and Orchestra

BOX set
Firma Melodiya presents a boxed set titled “International Tchaikovsky Competition. Phonographic Documents (1958-1986)”.
The first ever Soviet music tournament instantly became one of the world’s most prestigious competitions. The piano jury was chaired by Emil Gilels for many years, while David Oistrakh and Mstislav Rostropovich headed the violin and cello juries, respectively. Alexander Sveshnikov, an outstanding choirmaster and chancellor of the Moscow Conservatory, was a chairman of the vocal jury. For the fifty years of its existence, the Tchaikovsky Competition discovered numerous distinguished performers such as Van Cliburn, Vladimir Ashkenasi, Grigory Sokolov, Eliso Virsaladze, John Lill, Michail Pletnev, Viktor Tretiakov, Gidon Kremer, Vladimir Spivakov, Oleg Kagan, Natalia Gutman, Elena Obraztsova, Maria Gulegina, Vladimir Atlantov, Yevgeny Nesterenko and Paata Burchuladze to name but a few. The set captures the brightest moments of eight Tchaikovsky Competitions in all categories. The recordings, including a number of never-before-released ones, were made immediately during the competition auditions
and at the prize-winners’ recitals. The release is dedicated to the 175th anniversary of the great Russian composer.
48.00 eur Buy

J.S. BACH - 18 Leipzid Chorales - Alexander Knyazev The Pipe Organ of the Riga Cathedral

J.S. BACH - 18 Leipzid Chorales - Alexander Knyazev The Pipe Organ of the Riga Cathedral
ID: MELCD1002397
Disk: 2
Type: CD
Kolekce: BaroquePodkolekce: Organ

29.00 eur Buy

J.S. BACH - Sonatas - Boris Andrianov, cello - yuri Madianik, bayan

J.S. BACH - Sonatas - Boris Andrianov, cello - yuri Madianik, bayan
ID: MELCD1002411
Disk: 1
Type: CD
Podkolekce: Cello

16.00 eur Buy

Yehudi Menuhin - Anniversary Edition

Yehudi Menuhin - Anniversary Edition
ID: MELCD1002460
Disk: 6
Type: CD
Kolekce: Význační umělciPodkolekce: Violin and Orchestra

For the 100th anniversary of the birth of Yehudi Menuhim, one of the greatest violinists of the 20th century, Firma Melodiya presents a set of historic recordings of his concerts in Moscow in 1945 and 1962. Yehudi Menuhim had a special place in store for him in the constellation of brilliant violinists of the previous century. He gave his first concert when he was seven years old, debuted with an orchestra at ten, and became famous across the world after his triumphant debut in Berlin at thirteen. Despite the hand illness he went through at the height of his performing career, Menuhin continued to perform as actively until the late 1980s. “As the years go by, his art is getting warmer and more humane…” wrote Lev Raaben. A son of Russian emigrant parents, Yehudi Menuhin visited this country several times. His first tour in November 1945 was an important event. It was the first time when a musician from the allied state came to the USSR. His chamber concerts were accompanied by the pianist Lev Oborin and the concertmaster Abram Makarov. He alternated large scale pieces with miniatures. Although technically imperfect, the phonograms of Menuhin’s Moscow concerts of 1945 and 1962 are still priceless phonographic documents of the era. Some of these featured recordings have not been previously released.
65.00 eur Temporarily out of stock

 
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