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World music CD DVD shop and Classic distribution
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ID: SMCCD0247-249 CDs: 3 Type: CD |
Collection: Instrumental Subcollection: Piano Live at Grand Hall of the Moscow Tchaikovsky Conservatory, April 2,7,11, 1958 |
35.00 eur Temporarily out of stock |
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ID: SMCCD0256-257 CDs: 2 Type: CD |
Collection: Organ Collection Subcollection: Organ CD1:
Instruments:
Tracks: (1-5,7,8) - organ Aristide Cavaillé-Coll (1899).
The Grand Hallo fthe Moscow Tchaikovsky Conservatory
Tracks: (6,12,13)- organ Alexander Schuke (1959).
The Small Hall of the Moscow Tchaikovsky Conservatory
Tracks: (9) - organ Hugo Mayer (1993).
The Chamber and Organ Music Concert Hall of the Vyatka Philharmonic , Kirov, Russia
Tracks: (10,11) - organ Manfred Tonius (2009).
The Concert Hall at the Choir School for Children “AlyeParusa” in Krasnogorsk, Russia
Live recordings:
Tracks: (1,2) - June 4,1997. Recording from the Alexei Parshin’s archive
Tracks: (3,5) - November 10, 2017. Sound director Mikhail Spassky
Tracks: (4) - June 13, 2017. Sound director Mikhail Spassky
Tracks: (6) - June 28, 2000.S Sound director Vladimir Koptsov
Tracks: (7,8) - October 4, 2018. Sound director Mikhail Spassky
Tracks: (9) - January 20, 2018.R Recording from the Alexei Parshin’s archive
Tracks: (10,11) - October 21, 2018. Recording from the Alexei Parshin’s archive
Tracks: (12,13) - February 13, 2012. Sound director Vladimir Koptsov
CD2:
Instruments:
Tracks: (1-8) - organ Aristide Cavaillé-Coll (1899).
The Grand Hall of the Moscow Tchaikovsky Conservatory
Tracks: (9., 10) - organ J. Klais. 1978/1998/. Graz Cathedral, Austria
Live recordings:
Tracks: (1-8) - October 4, 2018. Sound director Mikhail Spassky
Tracks: (9., 10) - July 31, 2005. Sound director Emanuel Amtman |
26.00 eur Buy |
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ID: STR00506 CDs: 2 Type: CD |
Collection: Instrumental Subcollection: Violin |
28.00 eur Temporarily out of stock |
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ID: STR33323 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Piano |
18.00 eur Temporarily out of stock |
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ID: STR33333 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Piano |
18.00 eur Temporarily out of stock |
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ID: STR33335 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Piano |
18.00 eur Temporarily out of stock |
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ID: STR33868 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Guitar |
18.00 eur Temporarily out of stock |
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ID: STR33984 CDs: 1 Type: CD |
Subcollection: Piano |
18.00 eur Temporarily out of stock |
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ID: STR33995 CDs: 1 Type: CD |
Subcollection: Organ Luca Guglielmi, Cristofori piano, organ, clavichord, harpsichord
Prelude and Fugue in E Minor, BWV 533 (Johann Sebastian Bach)
Chorale Preludes: Fantasia Super "Christ lag in Todes Banden", BWV 695
Chorale Preludes: "Erbarm dich mein, o Herre Gott", BWV 721
Das wohltemperierte Klavier II: Prelude and Fugue No. 1 in C Major, BWV 870 Das wohltemperierte Klavier I: Prelude and Fugue No. 1 in C Major, BWV 846 Violin Sonata in G Minor, BWV 1001 |
18.00 eur Temporarily out of stock |
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ID: STR37001 CDs: 1 Type: CD |
Subcollection: Piano Andrea Padova, piano
Johann Sebastian BACH (1685-1750)
Goldberg Variations BWV 988
Andrea Padova’s experience is closely linked to Johann Sebastian Bach’s music: he won the “J.S. Bach International Piano Competition” (1995) and from that moment began recording several CDs devoted to J.S.
Bach’s keyboard works.
His performance of J.S. Bach’s Goldberg Variations prompted “The Washington Post” to write “The pianist Andrea Padova turns sound into poetry. His virtuosity, sensitively managed, resounds through every measure”.
Here follows a note about his interpretation of the Goldberg Variations: “In the execution of this CD, the variations are not only, as is the practice, divided into groups to form small unities in the great unity, but in all the cases in which Bach left an esoteric indication (in the writer’s opinion, however clearly readable: and here the motto Quaerendo Invenietis - “seek and you shall find” - of one of the canons of The Musical Offering - is valid), the interpreter has chosen not simply to place one variation after another but to link them so that the end of one flows directly into the beginning of the next, creating an intermediate form between Variations and Passacaglia (or Chaconne), which incidentally is the one in which Bach left other admirable masterpieces. A choice that some famous interpreters, both harpsichordists and pianists, among whom obviously Gould, have adopted sporadically and only for one or two pairs of variations: here, on the contrary, it is more the rule than the exception, as is evident when we listen to the last bar of the first variation which flows into the second and in the same way for many of the following variations. It seems useful to add that obviously
this choice would not be practicable if it had not in some way been made possible, i.e.planned and suggested by Bach himself.” |
18.00 eur Temporarily out of stock |
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