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World music CD DVD shop and Classic distribution
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ID: KON32299
Disk: 1
Type: CD
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| 24.00 eur Buy |
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ID: LSM382713
Disk: 1
Type: CD
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Kolekce: InstrumentalPodkolekce: Harp
1. Largo from "Winter" (The Four Seasons) - A.Vivaldi, arr P.Spero
2. Dance of the Blessed Spirits from "Orpheus and Eurydice" - C.W.R. von Gluck
3. Cradle Song - J.Brahms
4. Sheep May Safely Graze - J.S. Bach
5. Silent Night - Gruber & Mohr
6. On Wings of Song - F.Mendelsshon
7. The Gentle Harp - Trad arr. P.Spero (played on the Celtic Harp)
8. Reverie - C.Debussy
9. Jesu, Joy of Man's Desiring - J.S.Bach
10. The Noel Waltz - P.Tschaikowsky |
| 20.00 eur Buy |
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ID: LU2153166
Disk: 1
Type: CD
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Podkolekce: Klavír
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| 20.00 eur Buy |
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ID: MELCD1000713
Disk: 1
Type: CD
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Kolekce: Cello CollectionPodkolekce: Cello
Brahms: Cello Sonata No. 1 In E Minor, Op. 38
Cello Sonata No. 2 in F major, Op. 99
Tsintsadze: Five Pieces on Folk Themes for cello and piano
Daniil Shafran (cello), Nina Musinian (piano), Felix Gottlieb (piano) |
| 20.00 eur Temporarily out of stock |
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ID: MELCD1001404
Disk: 1
Type: CD
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Kolekce: Violin ConcertoPodkolekce: Piano a Housle
This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.
Melodiya offers a new digital restoration of these recordings featuring Leonid Kogan performing the Brahms Sonata for Violin & Piano No.3 with his daughter Nina and the Beethoven Violin Concerto with the USSR ASO conducted by his son Pavel.
(1 - 4) - Leonid Kogan (violin) / Nina Kogan (piano)
(5 - 7) - Leonid Kogan (violin) / USSR Academic Symphony Orchestra - Pavel Kogan, conductor |
| 20.00 eur Temporarily out of stock |
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ID: MELCD1001445
Disk: 1
Type: CD
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Kolekce: RequiemPodkolekce: Voice and Organ
Recorded in the Great Hall of the Moscow Conservatory in 1977, this performance by a famous Russian choir demonstrates their sonorous chorus technique and sound. The powerful basses give an added dimension.
The traditional Latin text of requiem mass repeatedly attracted attention of the most prominent composers in the world history. Some of them could discover new contents of austere divine service texts - that was the way the masterpieces like Mozart’s and Verdi’s ones appeared. The German composer of the 17th century Heinrich Schutz was the first who turned to the scriptural texts in his mother tongue translated by Martin Luther. Johannes Brahms followed him and named his requiem “German”. The passages, taken from Old and New Testaments and united in the composition, do not correspond the established order of the requiem mass. Probably, Brahms’ “Requiem” is some meditation on caducity of human life and inevitability of physical death that is expressed in vocal and symphony genre. Brahms was hatching the idea of this composition within ten years. His close friend Robert Chopin’s tragic death became some “starting point” of the idea. Moreover, his mother’s death served as reasonable grounds for completing of what had been started. The Old and New Testaments texts united in the composition form the basis of seven diverse parts. The first and the last parts - “Blessed are they that mourn…” and “Blessed are the dead…”- organically frame the cycle. The meditation on Death (“For all flesh is as grass…”) in the second part is balanced by the idea of Resurrection (“For here have we no continuing city…”) in the sixth one. The mournful third part (“Lord, make me know mine end…”) finds its consolation in the fifth one. The central part of the Requiem “How lovely are thy tabernacles” makes gradual transition from sorrow and mourns to hope for life after death. The Yurlov State Academic Chorus was named after Alexander Yurlov soon after the death of the talented musician and choir conductor. His unexpected death happened when the choir was rocketing to its peak of mastery. The group was obliged with this success to its brilliant leader. Within those fated 15 years that Alexander Yurlov and the choir worked together (1958-1973) they won fame of the best alliance of the singers and the conductor in the Russian chorus music of the Soviet period. Juri Ukhov who worked as chapel master of the choir since 1964 was brought up and matured in the heart of the choir. At that time he was a witness of brilliant performance of Brahms’ “Ein Deutches Requiem” and “Schicksalslied”. Several years later he got an opportunity to perform “Requiem” in the concert. The recording from the Great Hall of Moscow Conservatory gives the bright idea of the sonorous chorus manner of singing that was made of mellow timbre of female choir, silver ringing of tenors and powerful basses. The latter were especially valued for their uniqueness and fascination in our country.
Nadezhda Krasnaya (soprano), Sergei Yakovenko (baritone)
Moscow Philharmonic Orchestra, Dmitri Kitayenko
The Yurlov State Russian State Academic Choir -Yuri Ukhov |
| 20.00 eur Temporarily out of stock |
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ID: MELCD1001860
Disk: 5
Type: CD
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Kolekce: Význační umělciPodkolekce: Piano and Cello
The International Tchaikovsky Competition symbolises the prestige of world class art and is a true apotheosis of Russian culture. These are the Competition’s first-ever releases featuring the gold winners in each of the four disciplines. Listeners will appreciate exquisite performances by genius musicians.
CD 1 - V. Cliburn, piano / CD 2 - J. Marsh, soprano / CD 3 - V. Atlantov, tenor / CD 4 - V. Klimov, violin / CD 5 - N. Shakhovskaya, cello /
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 'Appassionata' (Rec.1958) - Van Cliburn (piano)
Bizet - La fleur que tu m'avais jetée (from Carmen) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Borodin -Medlenno den ugasal (Slowly the day has faded) (from Prince Igor) (Rec.1966) -Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Brahms -Cello Sonata No. 1 In E Minor, Op. 38 -(Rec.1982) -Natalia Shakhovskaya (cello), A Amentaeva (piano)
A. Gurilyov - Monotonously Rings the Little Bell -(Rec.1973)- Vladimir Atlantov (tenor) / State Academic Bolshoi Theatre Sextet
Haydn - Cello Concerto No. 1 in C major, Hob. VIIb:1 -(Rec.1969) -Natalia Shakhovskaya (cello) /
Moscow Philharmonic Orchestra, Maxim Shostakovich
Leoncavallo - Recitar!...Vesti la giubba (from I Pagliacci) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Liszt- Liebestraum, S541 No. 3 (Nocturne in A flat major) - (Rec.1958) - Van Cliburn (piano)
Mendelssohn - Violin Concerto in E minor, Op. 64 -(Rec.1967) -Valery Klimov (violin) / USSR State Symphony Orchestra, Maxim Shostakovich
Mozart - Ach, ich fühl's (from Die Zauberflöte, K620) -(Rec.1966) -Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Nápravník - I tak, vse koncheno, sud'boy neumolimoy (So, everything, is over) (from Dubrovsky, Op. 58) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Puccini - Tu che di gel sei cinta (from Turandot) - (Rec.1966) - Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Puccini - E lucevan le stelle (from Tosca) - (Rec.1973) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
A. Sheremetiev - Ya vas ljubil (I Loved You) -(Rec.1973) -Vladimir Atlantov (tenor) / State Academic Bolshoi Theatre Sextet
Tchaikovsky - Piano Concerto No. 1 in B flat minor, Op. 23 -(Rec.1958) - Van Cliburn (piano) / Moscow Philharmonic Orchestra, Kirill Kondrashin
Tchaikovsky - Violin Concerto in D major, Op. 35 - (Rec.1977) -Valery Klimov (violin) / Moscow Philharmonic Orchestra, Dmitri Kitayenko
Tchaikovsky - Zabït tak skoro (So soon forgotten) - (Rec.1966) - Jane Marsh (soprano), L Farr (piano)
Tchaikovsky - Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) -(Rec.1966) - Jane Marsh (soprano) / USSR State Symphony Orchestra, Boris Haikin
Tchaikovsky - Den' li tsarit? (Does the day reign?), Op. 47 No. 6 - (Rec.1972) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - None but the lonely heart, Op. 6 No. 6 - (Rec.1972) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 -(Rec.1971) -Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Zakatilos solntse (The sun has set), Op. 73 No. 4 - (Rec.1971) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Forgive me, loveliest of creatures (from Pique Dame) - (Rec.1966) - Vladimir Atlantov (tenor) /Bolshoi Theater Orchestra, Mark Ermler
Tchaikovsky - Chto nasha zhizn’? Igra! (The Queen of Spades) - (Rec.1966) -Vladimir Atlantov (tenor) /
Bolshoi Theater Orchestra, Mark Ermler
Tchaikovsky - Forgive me, loveliest of creatures (from Pique Dame) - (Rec.1966) -Vladimir Atlantov (tenor) / USSR State Symphony Orchestra, Boris Haikin
Verdi - Mia madre aveva...Piangea cantando...Ave Maria (from Otello) - (Rec.1966) -Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Verdi - Giá nella notte densa (from Otello) - (Rec.1966) - Vladimir Atlantov (tenor), Jane Marsh (soprano) / USSR State Symphony Orchestra, Boris Haikin
Verdi - Se quel guerrier io fossi!…Celeste Aida (from Aida) - (Rec.1966) - Vladimir Atlantov (tenor) /
Bolshoi Theater Orchestra, Mark Ermler / USSR State Symphony Orchestra, Boris Haikin
Total time: 277.57 |
| 51.00 eur Temporarily out of stock |
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