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World music CD DVD shop and Classic distribution
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ID: RCD16245
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Recorded from 1946 to 1950 / Historical Recordings
Catalogue RCD:
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ID: RCD16274
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano and Violin
(1) - Recording in 1926
(2, 5, 8) - Recording in 1919
(3, 9 - 12) - Recording in 1925
(4) - Recording in 1942
(6) - Recording in 1920
(7) - Recording in 1936
(13 - 15) - Recording in 1928
(13 -15) - Rachmaninov, Sergey piano / Kreisler, Fritz violin
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ID: RCD16288
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Recorded in 1946 - 1953 / Historical Recordings
Booklet: Notes in English, Notizen auf Deutsch, Notes en Frances, Russian text.
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ID: RCD16289
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Recorded live in October, 1952
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ID: RCD16298
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
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Historical Recordings |
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ID: RCD16299
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Historical recordings
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ID: RCD16333
CDs: 1
Type: CD
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Collection: Russian Violin School
Subcollection: Violin, Piano and Orchestra
(1, 9) - David Oistrakh, violin / The USSR Symphony Orchestra - Kirill Kondrashin, conductor
(2 -5) - David Oistrakh, violin / Svyatoslav Knushevitsky, cello / Lev Oborin, piano
(6 - 8) - David Oistrakh, violin / Lev Oborin, piano
(1, 9) - Recording in 1948
(2 -5) - Recording in 1960
(6 - 8) - Live recording in 1951
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ID: RCD16363
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Live Recording.
Recorded in 1949 (15, 16);
1950 (2-8; 19-24);
1952 (12, 14); 1953 (17, 18);
1951 (1, 13)
Presented on this disc are recordings of 1949-1953 made at the recitals in the Grand Hall of the Moscow Conservatory: Partita No. 1 and Prelude from Well Tempered Clavier of Bach, Sonata in C minor of Mozart, Scarlatti’s Sonata, Beethoven’s Bagatelle in E flat major, Mendelssohn’s Scherzo, and pieces by Chopin and Prokofiev.
The music of Bach had a special place in Gilels’s creativity. “He was probably the first composer that really excited me still in my early childhood,” said the pianist about Bach. However, he was most interested in his organ music (according to himself, there was a time when he was even going to study organ playing). Therefore, he included transcriptions on his programs much more often than original piano compositions. Still more interesting is the unique recording of Bach’s Partita (Gilels’s heritage contains no other recording of it).
Another author of that epoch whom the pianist willingly addressed was Scarlatti. He used to include his sonatas in the uncompleted cycle “History of Piano Sonata.”
Gilels’s addressing Mozart should be specially noted. It seemed unexpected to many critics, for Gilels was primarily apprehended as a virtuoso for a long time. The tragic Sonata in C minor is a masterpiece in Gilels’s heritage.
Generally, he often surprised critics. For instance, by his Chopin interpretations (a reviewer commented in 1972 that “accurate and disciplined Gilels went into a state of ecstatic frenzy” when performing the First Ballad of Chopin). Presented here are his recordings of Nocturne in C minor, Second Impromptu, and two etudes of Chopin.
Beethoven was of greatest importance for Gilels. For example, he performed the whole set of the Beethoven concertos; in the last years of his life, he started recording all of Beethoven’s piano sonatas and variations, but had no time to finish the work. The Bagatelle in this recording is also unique.
Mendelssohn’s music was with Gilels throughout his life, starting from the very first recital. Presented here is Scherzo from Op. 16.
Gilels played much of music contemporary to him, and Soviet music in particular. His interpretations of Prokofiev were brilliant (by the way, he was the premiere performer of the Eighth Sonata). Presented on this CD are two Prokofiev recordings, pieces from the Visions Fugitives cycle and Toccata.
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ID: RCD16364
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
Nikolai Petrov (1943 - 2011), was an outstanding musician, one of the most famous world representatives of the modern Russian piano school, deservedly takes his place among the most remarkable musicians of our time.
From the very beginning of his concert activity, critics noted a truly powerful musical talent, capable of conveying lyrical revelations and powerful emotional outbursts; the "monumental virtuosity" of his piano playing; easy and free sound production and impeccable taste. Petrov was applauded by the audience of the most prestigious concert halls, such as Carnegie Hall and Albert Hall, Lincoln Center and Kennedy Center, Concertgebouw, Colon Theater and many others.
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