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World music CD DVD shop and Classic distribution
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ID: AA13002
CDs: 1
Type: CD
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Gianluca Campagnolo (Clarinet)
with Giorgio Cannizzaro: Fisarmonica Giuseppe Blanco: Contrabbasso Salvatore Ciccotta: Clarinetto Secondo Giovanni Caggia: Clarinetto Terzo Graziano Lo Presti: Clarinetto Quarto Francesco Scrofani Cancellieri: Pianoforte |
| 15.00 eur Buy |
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ID: ACDBO062-2
CDs: 1
Type: CD
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Subcollection: PianoDuo Stoica
Andrea Stoica, piano
Razvan Stoica, violin
Compiling a new CD is quite a job. On one hand musicians like to display their prowess and tackle less know repertoire however on the other hand the repertoire should also fit with the expectations of the listeners. This is also the case with this CD from Duo Stoica. On this CD Duo Stoica has striven to compile a CD that combines well known pieces with lesser known works in a program displaying a similar atmosphere.
Razvan performs these works in the way that only Razvan can, with fire, enthusiasm and full of life. The lesser known virtuoso works are also brought to life with the same virtuosity and passion. It is the diversity of these works combined with Razvan’s virtuoso reading that makes this CD unique. |
| 18.00 eur Buy |
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ID: ACDBR072-2
CDs: 1
Type: CD
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Collection:
Instrumental
Subcollection: ViolinTrack Listing
1. 24 Caprices: Andante
2. 24 Caprices: Moderato
3. 24 Caprices: Sostenuto
4. 24 Caprices: Maestoso
5. 24 Caprices: Agitato
6. 24 Caprices: Lento
7. 24 Caprices: Posato
8. 24 Caprices: Maestoso
9. 24 Caprices: Allegretto
10. 24 Caprices: Vivace
11. 24 Caprices: Andante
12. 24 Caprices: Allegro
13. 24 Caprices: Allegro
14. 24 Caprices: Moderato
15. 24 Caprices: Posato
16. 24 Caprices: Presto
17. 24 Caprices: Sostenuto
18. 24 Caprices: Corrente
19. 24 Caprices: Lento
20. 24 Caprices: Allegretto
21. 24 Caprices: Amoroso
22. 24 Caprices: Marcato
23. 24 Caprices: Posato
24. 24 Caprices: Tema Con Variazione |
| 18.00 eur Buy |
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ID: ACDBR074-2
CDs: 1
Type: CD
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Subcollection: ViolinTRACKLIST
1. The Arpeggio in E major: Andante 1:41
2. B minor: Moderato 2:31
3. E minor: Sostenuto - Presto - Sostenuto 2:39
4. C minor: Maestoso 6:07
5. A minor: Agitato 2:08
6. “The Trill” in G minor: Lento 3:30
7. A minor: Posato Length 3:26
8. E-flat major: Maestoso 2:39
9. “The Hunt” in E major: Allegretto 2:51
10. G minor: Vivace 2:13
11. C major: Andante - Presto - Andante 3:37
12. A-flat major: Allegro 2:06
13. “Devil’s Laughter” in B-flat major: Allegro 2:03
14. E-flat major: Moderato 1:16
15. E minor: Posato 2:30
16. G minor: Presto 1:17
17. E-flat major: Sostenuto - Andante 3:23
18. C major: Corrente - Allegro 2:15
19. E-flat major: Lento - Allegro Assai 1:54
20. D major: Allegretto 2:49
21. A major: Amoroso - Presto 2:53
22. F major: Marcato 2:21
23. E-flat major: Posato 3:22
24. A minor: Tema con Variazioni (Quasi Presto) 4:25
Paganini’s 24 Caprices, a mile hill for any violin virtuoso. Paganini composed these solo works to play exclusively in his concerts, all of which profoundly influenced the evolution of violin technique. Generally speaking, Paganini’s compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. Like Caprice no.9 (Hunting) or no. 13 also known as “Devil’s Laugh”. Paganini was in possession of a number of fine string instruments. More legendary than these were the circumstances under which he obtained (and lost) some of them. While Paganini was still a teenager in Livorno, a wealthy businessman named Livron lent him a violin, made by the master luthier Giuseppe Guarneri, for a concert. Livron was so impressed with Paganini’s playing that he refused to take it back. This particular violin came to be known as Il Cannone Guarnerius. On a later occasion in Parma, he won another valuable violin (also by Guarneri) after a difficult sight-reading challenge from a man named Pasini. Playing and recording the 24 Caprices by Niccolo Paganini on my Stradivarius 1729 brings to this recording the original atmosphere that Paganini created in his concerts while playing these amazing extreme virtuoso works. About Razvan Stoica “Discerning charm and ravishing timbre, breathtaking technical bravura, sparkling intonation...”...he will become one of the greatest violinists of his generation.” “Meunsteriche Zeitung” Born in Romania, in June 1986, in a family of famous musicians of an undeniable quality and prestige, Razvan Friedmann Stoica enlightens the latest years with his virtuosity and passion, with his outstanding performances and presence on the well-known international stages! His charismatic performances have drawn the attention of both the press and the public. Having mastered his instrument at a young age, Razvan was admitted to the Enesco Conservatory in Bucharest in Maestro Modest Iftinchi's class. After graduating, Razvan continued his studies at the Royal Conservatory in Amsterdam, studying under Ilya Grubert. His talent and passionate interpretation brought him out into the light of the classical music world stage as being the real, well-known, appreciated, best new talent of 2013 as rewarded in Slovakia at the EURORADIO New Talent Competition in October 2013. Razvan Friedmann Stoica plays on an Antonius Stradivarius 1729 violin loaned to him by an anonymous donor from Salzburg and a violin bow of Max Moller, Amsterdam, courtesy of Montferland Cultuur Fonds. The suave delightful tone, the heavenly sound and the charismatic performance of the young violonist made the prestigious critics stand up for his presence in concerts and acclaim him to be: the greatest violonist of his generation! |
| 18.00 eur Buy |
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ID: ACDHH046-2
CDs: 1
Type: SACD
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Collection:
Chamber Music
Subcollection: ViolaSince the beginning of musical history, the violin has played the leading role, while the viola has remained in an accompanying one. The viola has a rich and warm sound, and so is often considered as the ideal chamber music instrument. The larger size of the viola means that the distance the fi ngers have to cover between the notes is greater and therefore the margin of error is increased. Considering this difference, it is of course easier to play virtuosic passages on the violin. But should the viola only be destined to play chamber music? Several violists in the course of history have wrestled with this matter. Having asked himself this question for a few years, Màtè Szücs realises his own vision with this CD. |
| 18.00 eur Buy |
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ID: ART250
CDs: 1
Type: CD
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Subcollection: Accordion1-10 - Maria Vlasova, accordion
2 - Alexander Buzlov, cello
3, 4 - Tatiana Sergeyeva (piano)
8 - Victor Sych (marimba)
9 - Evgeny Varavko (clarinet)
10 - Natalia Semenova (soprano) / Ramon Eisenberg (melodeclamation) / Elena Kaydanovskaya (violin) / Nikita Morozov (guitar) |
| 17.00 eur Buy |
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ID: ART301
CDs: 1
Type: CD
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Collection:
Instrumental
1-12 - Maria Guseva (domra) 1, 5 - S.Takahasi (piano) 2, 7-10 - M.Anserova (piano) 3, 12 - S.Lips (piano) 4, 11 - Ensemble "Russian rainbow" 6 - I.Matveev (guitar) 11 - H.Yano (piano) |
| 17.00 eur Buy |
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