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World music CD DVD shop and Classic distribution
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ID: NMCD088 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: OrchestreWhile I Am Goya, The Sickle and Remembering Esenin share a common inspiration in Russian poetry of the last century, the Flute Concerto provides a contrast in its neo-Baroque concerto grosso style.
These recordings were originally released on Unicorn-Kanchana in 1983.
Reissued with funding from Arts Council England. |
| 18.00 eur Buy |
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ID: SIGCD253 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: OrchestreThe next disc in Signum’s series of live orchestral recordings with the Philharmonia features the late Sir Charles Mackerras conducting Tchaikovsky’s Symphony No.6 (Pathétique).
This was Tchaikovsky’s final completed symphony, premiered in St Petersberg under the baton of the composer in 1893, nine days before his death, dedicated to his nephew Vladimir ‘Bob’ Davydov.
The Philharmonia Orchestra are widely recognised as the UK’s finest performers with an impressive recording legacy. The orchestra prides itself on collaborations with the finest musicians of our day. |
| 18.00 eur Buy |
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ID: RCO5002 CDs: 1 Type: SACD |
Collection: Orchestral Works Subcollection: OrchestreRecorded Live at Concertgebouw Amsterdam on 27 and 28 October 2004 |
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ID: NMCD121 CDs: 1 Type: CD |
Subcollection: OrchestreBook of Hours combines ensemble and live electronics in a tribute to the glories of late medieval art; it uses electronic sound as (in the composer's words) "an extra colour … rather as gold-leaf might be applied in a Medieval manuscript".
This exploration of other times and sound-worlds is continued in Eden, Four American Choruses and Symphony (inspired by a painting of Lake Keitele in Finland); the disc is completed by Imagin'd Corners, an exuberant showpiece for five horns and orchestra.
Note on Recording (Track 9 "noise")
We would like to point out that the crackling noise present on track 2 of Book of Hours (track 9 of the album) is intentional. The composer's idea was to begin Part 2 of the work as a distorted version of Part 1 (track 8). Julian Anderson has explained to us that he is recreating - with electronics - the surface noise of LPs bought in Eastern Europe before the fall of the Berlin Wall (he has a strong interest in Eastern European music).
1- City of Birmingham Symphony Orchestra/ Martyn Brabbins, conductor
2, 7 - City of Birmingham Symphony Orchestra/ Sakari Oramo, conductor
3, 4, 5, 6 - City of Birmingham Symphony Chorus/ Simon Halsey, conductor
8, 9 - Birmingham Contemporary Music Group/ Oliver Knussen, conductor |
| 18.00 eur Buy |
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ID: SIGCD211 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: Chamber OrchestraThe LCO return to disc on Signum with a new programme of French orchestral works by Ravel, Fauré, Poulenc and Ibert. Their ‘LCO Live’ series captures the vibrant, exciting performances they give at their London home of St. John’s, Smith Square. Singled out as one of the capital’s (and the nation’s) leading ensembles, the LCO and their Music Director Christopher Warren-Green performed for the wedding service of TRHs The Duke and Duchess of Cambridge earlier this year. |
| 18.00 eur Buy |
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ID: STR33872 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: OrchestreIn this recording we have Metà della ripa by Stefano Gervasoni (world première), a score that can be considered an orchestration and a real extension of his previous trio Rigirio (2000); two orchestral works by Giacomo Manzoni, Ode e Sembianti, and Passacaglia Op. 1 by Anton Webern, that appears first in the mature Webern catalogue.
Live Recording by RAI RADIO 3 |
| 18.00 eur Temporarily out of stock |
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ID: STR57010 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: OrchestreBruno Maderna, conducting his own music in this series of live recordings performed between 1969 and 1971 for Ricordi. A historical document in excellent audio sound that involves Italian flautist Severino Gazzelloni playing Grande Aulodia with oboist Lothar Faber.
"Bruno Maderna was the only one who has the sense of history at Darmstadt". Luciano Berio
"I hate consistency, it's just a nasty disease". Bruno Maderna |
| 18.00 eur Temporarily out of stock |
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ID: CDC002 CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: Chamber OrchestraA film by David Connolly & Hannah Davis
Music Composed and Conducted by Carl Davis
In the second release of the Carl Davis Collection, we move to the world of the movies. A successful family collaboration must be a rarity but when it does work, it’s very satisfying. Hannah Davis and David Conolly have written and directed a highly effective thriller set in the claustrophobic world of the off-Broadway theatre. We follow the fortunes of the understudy to the leading lady as the production of Sophocles’ Electra moves through the cycle of casting, rehearsals, previews and ultimately what seems to be a successful run.
The score follows the convoluted plot. New York’s ambition and drive have a jazzy theme, led by trumpet star, Guy Barker; the ‘La, La, La Song’ (sung by the brilliant Mary Carewe) and it’s variations express the vulnerability of Rebecca and poor Mr. Davidovitch plays his tenor saxophone in the apartment above (Dave White). Then there is the inner world of the heroine - here Carl Davis is in the thrall of the perfect collaboration of Alfred Hitchcock and composer Bernard Herrman for inspiration. As the film moves towards its climax, all these elements combine. |
| 18.00 eur Buy |
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ID: CDC010 CDs: 1 Type: CD |
Subcollection: Orchestre1. THE FRENCH LIEUTENANT’S WOMAN
Carl Davis’s score for The French Lieutenant’s Woman won both BAFTA and Novello Awards in 1981. The film made international stars of Meryl Streep and Jeremy Irons, supported by the soaring romanticism of the music. This new suite runs the full gamut of emotions : despair to its ecstatic conclusion.
2. HOTEL DU LAC
Anita Brookner’s 1983 Booker Prize winning award was the inspiration for this 1986 BBC dramatization starring Anna Massey and Denholm Elliott. This new ‘Nocturne’ takes the raw materials of Carl Davis’s original score and shapes them into a touching and moody distillation of the original novel. Features Amy Dickson (alto saxophone).
3. PRIDE AND PREJUDICE
Voted No. 1 in the Radio Time’s ‘People’s Favourite Competition’, this 1995 series changed the face of dramatizations of classic novels. Carl Davis’s witty and expressive score matched the brilliance of Jane Austen’s scintillating text. His new suite in three movements introduces the family, their critics, and the fabulous love story of Elizabeth Bennett and Mr Darcy. Melvyn Tan who played the forte piano on the original soundtrack repeats his stunning performance on a full scale Steinway.
4. CRANFORD
This delightful series, filmed in 2007 and 2009 starring Judi Dench and Eileen Atkins, is the source for this new suite of selections from Carl Davis’s panoramic score based on Mrs Gaskell’s charming novel. From the high life of Hanbury Castle to the gossiping ladies of Cranford, all held together by Carl Davis’s spellbinding music. |
| 18.00 eur Buy |
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ID: CDC007 CDs: 1 Type: CD |
Subcollection: OrchestreMusic for Abel Gance's classic silent film Napoleon: Eagle of Destiny
Carl Davis’ score for the epic 1921 silent movie Napoleon has come to be recognised as a milestone in modern day scoring for silent films. The film when shown is across three screens and is a monumental epic of over five hours in duration when screened in its entirety, and new fragments are still being discovered. Carl Davis was commissioned to write the score at over five hours it was to be the longest in cinema history. The release here is an abridged version. Kevin Brownlow responsible for restoring and bringing a revival of the film said it was the finest score he had ever heard for a film, it not only fitted precisely the action and mood of every sequence, it enhanced the emotional quality of the film. ‘Exalting’, is the only word to describe the effect. The critics were equally enthusiastic. ‘This is the cinematic wonder of the age’ said the Times, ‘and Carl Davis’ score provides a perfect accompaniment- subtle but grandiloquent.’
The score is a mixture of existing music arrangements of traditional material and new composition. During his research into the Hollywood series Carl Davis discovered that this method was the way the composers for silent film worked. This score is his tribute to them. |
| 18.00 eur Buy |
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