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ARDITTI, Irvine - Interpreti

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Helmut Lachenmann - Streichquartette - String Quartets

Helmut Lachenmann - Streichquartette - String Quartets
ID: KAI0012662
Disk: 1
Type: CD
Podkolekce: String instruments

“The three quartets provide a commentary on each other and the time in which they were composed. Gran Torso has something of an investigation about it, of a broaching, of forays into critical new land. Reigen designates the sounds and techniques of two very different regions. Grido gains a new expressiveness- the land of music is freely praised and celebrated, although never without reflexive refraction or arousing disturbance. In the Choral at the end comes a sharp crack, a bark, before the music collapses.”
(Martin Kaltenecker)

Includes booklet with texts by Martin Kaltenecker
21.00 eur Buy

James Dillon - the soadie waste

James Dillon - the soadie waste
ID: NMCD131
Disk: 1
Type: CD
Podkolekce: Klavír

Following her acclaimed recording of Dillon's Book of Elements, Noriko Kawai returns to NMC - joined by Irvine Arditti and the Arditti Quartet, in their first recording for NMC. This disc spans Dillon's career - from early piano caprice Dillug-Kefitsah, and the phantasmagorical sequence Traumwerk, for violin and piano, to brooding piano duo black/ nebulae - with pianist Hiroaki Takenouchi - and piano quintet the soadie waste, which takes its name from a dilapidated Glaswegian dance hall on the site of a former chemical-works; it was said that during 'hot' dance sessions the locals could detect chemical seepage.

1 - Noriko Kawai, piano
2 - Irvine Arditti, violin
3 - 14 Irvine Arditti, violin/ Noriko Kawai, piano
15 - Noriko Kawai and Hiroaki Takenouchi, pianos
16 - Noriko Kawai, piano/ The Arditti Quartet
22.00 eur Buy

Mathias Spahlinger - Furioso

Mathias Spahlinger - Furioso
ID: KAI0012692
Disk: 1
Type: CD
Podkolekce: Chamber Ensemble

1 - 3 Ensemble Modern - Hans Zender, conductor
4 - 6 Ensemble Recherche
7 - 9 Arditti String Quartet

Arditti String Quartet:
Irvine Arditti, violin
Ashot Sarkissjan, violin
Ralf Ehlers, viola
Lucas Fels, cello

Furioso. The ensemble is conceived as open, as in flux, the musicians and instrumental tones as coming and going. Ideally, if the procedure wouldn’t be too obtrusive and apt to distract from the music, the musicians, each at their own tempo could be drawn across the stage on podiums on wheels, so that they would appear with the first note and disappear with the last - apart from the violoncello, which must be silently present and apart from the piccolo, which can be heard in part IIa, but which should also be visible in IIb. (Mathias Spahlinger)

Includes booklet with texts by Frank Hilberg, Peter Niklas Wilson and Mathias Spahlinger
21.00 eur Buy

Luigi Nono:Caminantes Tryptichon - No hay caminos, hay que caminar ...; Etc.

Luigi Nono:Caminantes Tryptichon - No hay caminos, hay que caminar ...; Etc.
ID: KAI0012512
Disk: 2
Type: CD
Kolekce: Vocal Collection

Luigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luigi Nono read on the wall of a monastery in Toledo in the middle of the 1980s. They must have affected him most deeply, since in the last three years of his life he made them the basis of the titles of a trio of works. In “Hay que caminar” he surely recognized his own lifelong principle of continual creative restlessness, of perpetually being en route, which guided him from the outset. For a long time this was perhaps unconscious, but during the several years’ incubation of Prometeo it took conscious shape in the presentation of a route-less wayfaring that directs everything. An observation from 1981 is characteristic of this consciousness. For him it was primarily to do with the attempt “to find something, but not something certain.” The central piece of the trilogy mentioned above is No hay caminos, hay que caminar … Andrej Tarkowskij.
Nono dedicated the piece to the Russian film director Andrej Tarkowskij, outlawed from his own country, perhaps in view of the film Nostalghia, which has as its theme the search “for something, which perhaps doesn’t exist”... (Josef Häusler)

Includes booklet with text by Josef Häusler
28.00 eur Buy

Olga Neuwirth - Chamber Music - Akroate Hadal, Quasare/Pulsare; ...?risonanze!...; etc.

Olga Neuwirth - Chamber Music - Akroate Hadal, Quasare/Pulsare; ...?risonanze!...; etc.
ID: KAI0012462
Disk: 1
Type: CD
Podkolekce: Klavír

Olga Neuwirth’s music is full of shifts, ruptures, deformations and associative relationships. Her works build upon a various materials of sound, image and language taken from highly diverse backgrounds, which she interconnects without evening out their intrinsic characteristics. Usually marked by unpredictable transformations during which the music branches out like lush organic growth, the composition comes to reflect the heterogeneous starting materials.
These also include a special way of handling the musical instruments - the composer manipulates the tone colors, usually through untypical tuning and preparation, thus providing the groundwork for the creation of highly differentiated musical situations. This roughening of sounds cannot be taken as a mere rejection of conventional euphony. Rather, it articulates a need to capture the potential that lies dormant in these sound producers and harness it for the process of composition thus creating a means of expression based on these unusual ways of sound production in order to formulate contemporary musical figures. Although the composer always traces her vocabulary back to the process of generation that begins with the acoustics and resonance of the instruments used, the process can be understood most clearly in her chamber music instrumentation, especially in the works composed for strings. (Stefan Drees)

Includes booklet with text by Stefan Drees
21.00 eur Buy

 
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