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MORGAN, Darragh - Interprets

   Found CDs: 6
 

Donnacha Dennehy - ELASTIC HARMONIC

Donnacha Dennehy - ELASTIC HARMONIC
ID: NMCD133
CDs: 1
Type: CD
Collection: Electronic
Subcollection: New Music

Dennehy has written, “There is a whiff of high-class vandalism about my work” - an opinion borne out by this disc, which collects works from his early, uproarious Junk Box Fraud - for two increasingly smutty vocalists and strident ensemble - and pAt, for piano and taped "shipping forecast" - to the recent lyrical violin concerto, Elastic Harmonic, with soloist Darragh Morgan.

1 - Ensemble Intégrales
2 - T. Koleva, percussion
3, 6 - Crash Ensemble
4 - D. Morgan, violin / RTÉ National Symphony Orchestra - G. Maloney, conductor
5 - Joanna Mac Gregor, piano with tape
22.00 eur Buy

Opera: New Works for Violin and Piano

Opera: New Works for Violin and Piano
ID: NMCD108
CDs: 1
Type: CD
Subcollection: Piano

Music on this varied and exciting disc, which continues NMC's pioneering work with a younger generation of British composers, ranges from Joseph Phibbs' mechanical yet dramatic Fantasia, to the virtuosic re(GAIA) by Joe Cutler.
22.00 eur Buy

Joe Cutler - Bartlebooth

Joe Cutler - Bartlebooth
ID: NMCD134
CDs: 1
Type: CD
Subcollection: Vocal and Piano

Joe Cutler's first album, featuring chamber music performed by the Fidelio Trio, song cycle 'In Praise of Dreams' from Sarah Leonard, and Music for Cello & Strings recorded by the BBC Concert Orchestra and Charles Hazlewood with soloist Robin Michael.
22.00 eur Buy

Dance - The Smith Quartet

Dance - The Smith Quartet
ID: SIGCD236
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Dance Music

The Smith Quartet return on Signum with a new album of commissions and world premiere recordings, all centered on the theme of ‘Dance’. The featured programme is a veritable ‘whos-who’ of contemporary composition, including works from Michael Nyman, Graham Fitkin, Jon Lord, Michael Finnissy and Django Bates.
18.00 eur Buy

Paul Whitty - THIRTY-NINE PAGES - D. Morgan (violin), M. Dullea (piano)

Paul Whitty - THIRTY-NINE PAGES - D. Morgan (violin), M. Dullea (piano)
ID: MSV28509
CDs: 1
Type: CD
Subcollection: Violin

Paul Whitty works with both amplified and electronic music with ensemble [rout] (CD29001) and with acoustic instruments as in de-coding skin (CD25021). Recently Paul has been engaged in a series of interventions in pre-existing scores - undertaking an almost archaeological examination of the materials found there. Thirty-nine pages filters and re-organises each page of the Henle Edition of Cesar Franck's Sonata for Violin and Piano in A Major. Fragments of the Franck can be heard emerging - a single note, a chord, a phrase - from the often stark and simple textures of the surrounding material. This recording is superbly performed by artists who have built fine reputations in the world of new music.

Track list:
Whitty, Paul : Thirty-Nine Pages, for violin & piano (after Cesar's Violin Sonata in A major)
12.00 eur Buy

Rob Keeley - Songs, Chimes and Dances

Rob Keeley - Songs, Chimes and Dances
ID: NMCD179
CDs: 1
Type: CD
Subcollection: Saxophone

Rob Keeley was born in Bridgend in 1960. He studied with Oliver Knussen at the Royal College of Music, Magdalen College Oxford under Bernard Rose, and later with Robert Saxton.

As a pianist Keeley has premiered works by, among others, Harrison Birtwistle, Michael Finnissy, Jonathan Cole, Richard Emsley and Nicola Moro.

He is currently Senior Lecturer in Composition at King's College, London.

Keeley's music is jazz tinged with elements of Satie and Poulenc.

Bayan Northcott writes ... Rob Keeley is both a ‘natural’ as a composer, and a bit of an enigma. While his music always unfolds lucidly, often engagingly, it resists easy categorization - at least accordingly to current critical notions. Apparently untouched by avantgarderie, minimalism or post-modern poly-stylistics, it might seem to fall into a traditionalist slot or even be mistaken as academic. Yet his music sounds singularly undriven by theory or the fi ndings of analysis; nor will one so easily discover textbook sonata or fugal procedures in his works. More frequently he generates his forms by flexible refrain-and-chorus procedures, and sometimes, the illusion of traditional thematicism from variable ostinato or change-ringing permutations - suggesting his omnivorous ear has absorbed more ‘advanced’ techniques, from Ligeti, perhaps, or Birtwistle, but in his own way.
22.00 eur Buy

 
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