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TYE, Christopher - Composers

   Found CDs: 5
 

Composer: TYE, Christopher ((1505-1572))

O How Glorious is the Kingdom - Favourite Anthems - The Choir of St. George’s Chapel, Windsor

O How Glorious is the Kingdom - Favourite Anthems - The Choir of St. George’s Chapel, Windsor
ID: DCD34048
CDs: 1
Type: CD
Collection: Choral Collection
Subcollection: Choral and Organ

The Choir of St George’s Chapel, Windsor Castle, offers a sumptuous programme of jewels from the anthem tradition whose repertoire spans five centuries. Under the luminous direction of Timothy Byram-Wigfield, and in the luxurious resonance of St George’s Chapel, the choir resounds with exhilarating energy, at once arresting and awe-inspiring.


Track listing

1 I was glad when they said unto me
Sir C. Hubert H. Parry (1848-1918)

2 How lovely is Thy dwelling place
Johannes Brahms (1833-1897)

3 O Saviour of the world
Rev. Sir F. A.G. Ouseley (1825 -1889)

4 Evening Hymn
Henry Balfour Gardiner (1877-1950)

5 O sacrum convivium
Thomas Tallis (c.1505 -1585)

6 Jesu, joy of man’s desiring
J. S. Bach (1685 -1750)

7 Salve Regina
Christopher Tye (c.1505 -1573)

8 Blessed City, heavenly Salem
Sir Edward Bairstow (1874-1946)

9 Panis angelicus
César Franck (1822-1890)

10 Jubilate Deo
Benjamin Britten (1913-1976)

11 For He shall give
His angels charge over thee
Felix Mendelssohn (1809-1847)

12 A Gaelic Blessing
John Rutter (b.1945)

13 Hail, gladdening light
Charles Wood (1866-1926)

14 The Whirlwind*
Sir Walter Parratt (1841-1924)

15 Libera nos, salva nos I
John Sheppard (c.1520 -c.1563)

16 O how glorious is the kingdom
Basil Harwood (1859-1949)

Total Playing Time: [69:42]
15.00 eur Buy

As our sweet Cords with Discords mixed be - English Renaissance Consort Music - Consortium5

As our sweet Cords with Discords mixed be - English Renaissance Consort Music - Consortium5
ID: RES10155
CDs: 1
Type: CD
Collection: Renaissance
Subcollection: Quintet

Consortium5 (Oonagh Lee, Kathryn Corrigan, Gail Macleod, Roselyn Maynard, Emily Bloom)
Making their Resonus debut is the unique and innovative recorder consort Consortium5.

Presenting a diverse and compelling programme of consort music from the English Renaissance period, the group chart the early development of instrumental music in England, with a plethora of both well and lesser-known composers from the period including such luminaries as Robert Parsons, William Byrd, John Dowland & Christopher Tye alongside Edward Blankes, Jerome Bassano, William Brade and Antony Holborne among many others.

This fascinating programme is performed on the group’s exquisite matching set of ten Bassano recorders by Adriana Breukink.
18.00 eur Buy

Elizabethan Anthems & Lamentations / Choir of New College Oxford.

Elizabethan Anthems & Lamentations / Choir of New College Oxford.
ID: RRC1132
CDs: 1
Type: CD
Collection: Choral Collection
Subcollection: Choir

Choir of New College Oxford / Edward Higginbottom.
15.00 eur Buy

Anthology of English Anthems 1540 - 1870 Vol. 1

Anthology of English Anthems 1540 - 1870 Vol. 1
ID: RRC2030
CDs: 2
Type: CD
Collection: Choral Collection

35 anthems in date order inc. 4 by Byrd, 3 by Tallis, 2 each by Gibbons Weelkes
and Tomkins, 1 each by Farmer, van Wilder, Tye, Sheppard, Farrant, Blow, 4 by
Purcell, 2 each by Ouseley and Wesley, 1 each by Croft, Greene, Boyce,
Battishill, Attwood and Stainer.
25.00 eur Buy

QUEEN MARYS BIG BELLY - Hope for an heir in Catholic England - GALLICANTUS

QUEEN MARYS BIG BELLY - Hope for an heir in Catholic England - GALLICANTUS
ID: SIGCD464
CDs: 1
Type: CD


Gallicantus perform music surrounding the fascinating yet tragic story of Queen Mary Tudor’s ‘phantom pregnancy’. On 30th April 1555 the city of London celebrated the birth of a healthy male heir, but abruptly ceased the next day after the news was revealed to be nothing but rumour. There was to be no heir, with gossip and speculation surrounding the tale of Mary’s pregnancy from that day onwards.
The music performed here resonates with the circumstances of the mid-1550s, including items composed outside of Mary’s reign; from the royal ceremonies in which Mary participated as queen, and music directly tied to the specific events of 1554-5. This includes a newly-reconstructed Litany which was performed during Mary’s assumed pregnancy. The viewpoint shifts from the streets of London and its suburbs, through the ceremonial grandeur of the royal palaces and their chapels, to the intimacy of the Privy Chamber itself.
18.00 eur Temporarily out of stock

 
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