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World music CD DVD shop and Classic distribution
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Composer: SEIXAS, Carlos ((1704-1742)) |
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ID: BR0021
CDs: 1
Type: CD
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Collection: Great Performers
Featuring Felicja Blumental on piano, this is the first of two volumes released to celebrate 300 years of Carlos Seixas. This collection presents the keyboard works of by Iberian composers, Soler, Angles, Albéniz, Cantallos, Seixas, Jacinto and Carvalho. |
| 15.00 eur Buy |
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ID: BR0022
CDs: 1
Type: CD
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Collection: Baroque
Some may believe the music of 18th Century Iberian composers to be less interesting than the music from Germany, France and Italy of this period. However, these two volumes of keyboard music illustrate the originality of Spanish and Portuguese composers Angles, Albéniz, Cantallos, Carvalho, Ferrer, Freixanet, Jacinto, Seixas and Soler. At the beginning of the 18th Century, Louis XI was King of Spain. He felt little enthusiasm for Spanish national art and preferred foreign artists. Consequently, Italian singers and composers gradually influenced the aristocratic tastes and the court life in Spain. It was a similar situation in Portugal. When King Johan V (1707-1750) became ruler of Portugal, he set about cultivating the arts in the city of Lisbon. Portuguese musicians had the opportunity to take apprenticeships in Italy while Italian musicians, such as Domenico Scarlatti were welcomed into Lisbon to perform. The authoritative musical figures during this time were! men of the church. Father Antonio Soler was a friar, organist and composer as well as an important theoretician who dominated the musical scene in Spain. The first pianofortes were being manufactured and Soler was fortunate to have a piano at the monastery. Although he wrote for the organ, the compositional quality of his keyboard works show that he had the piano in mind. His Portuguese counterpart was José António Carlos de Seixas. Seixas became Portugal?s finest keyboard player of this period who bridged the gap between Baroque and Classical eras. Both composers did not simply duplicate Italian idioms, but developed and expanded the style while recalling their Spanish and Portuguese roots. They blended vocal-like melodies into quasi-contrapuntal lines and simple block harmonies. This formed a model on which classical composers such as Haydn and Mozart were to base their compositions. |
| 15.00 eur Buy |
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ID: ORG72082
CDs: 1
Type: CD
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Collection: Sacred Music
Sebastián Aguilera de Heredia (1561-1627)
Salve De Primer Tono Por Delasolre Pange Lingua A 3 Pange Lingua "La Reyna De Los Pangelingua" Antonio Carreira (1525-1589) Cançâo A 4 Glosada Francisco de Soto (1534-1619) TIENTO DE VIº TONO Andrés de Sola (1634-1696) TIENTO DE IVº TONO. Sobre un Tiento de Falsas de Aguilera Anonymus: 18. Jhd. (Ms. Martín y Coll) FALSAS CROMÁTICAS Pablo Nassarre (1691-1724) TOCATA DE PRIMER TONO Órgano grande (Epistelseite), Große Orgel
José de Nebra (1702-1768) BATALLA DE CLARINES Carlos Seixas (1704-1742) SONATA PARA ORGÂO EM LA MENOR
Pablo Nassarre (1691-1724) TIENTO PARTIDO DE MANO DERECHA Anonymus (18. Jhdt.) DISCURSO DE 1º TOM José da Madre de Deus (18. Jhdt.) FUGA EN RE Sebastián Durón (1666-1716) GAYTILLA DE PRIMER TONO DE MANO IZQUIERDA Mariano Cosuenda (1737-1801) SONATA EN RE Félix Máximo López (1742-1821) VERSO DE Vº TONO. PASTORELA VERSO DE IIº TONO
Jose Luis Gonzales Uriol / Orgel Catredal Santa Maria Ciudad Rodrigo (E) |
| 21.00 eur Buy |
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