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GRISEY, Gérard - Composers

   Found CDs: 5
 

Composer: GRISEY, Gérard ((1946-1998))

Gérard Grisey - Quatre chants pour franchir le seuil

Gérard Grisey - Quatre chants pour franchir le seuil
ID: KAI0012252
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

... As only few other composers, Gérard Grisey was a master at working in these various "altidudes", one who skilfully zoomed back and forth between micro- and macro-time, or, in Grisey's beautiful imagery, between human time and the extended time of whales and the extremely compressed time of insects. and this disposal of time, of the hearing perspevtive - Grisey certainly knew it - affords the music a power that touches on the metaphysical just as the texts of "Quatre chants" do. "Fertilised with time, the music is afforded the power of the sacred of which Georges Bataille speaks; mute and silent forces that invoke and exorcise the sound and its emergence - perhaps and only for a moment. (Peter Niklas Wilson)

Includes booklet with text by Philippe Hurel and Peter Niklas Wilson
12.00 eur Buy

Gérard Grisey - Les espaces acoustiques

Gérard Grisey - Les espaces acoustiques
ID: KAI0012422
CDs: 2
Type: CD
Subcollection: Viola

The “Acoustic Spaces” cycle, begun in 1974 and completed in 1985, consists of six instrumental works that may be played consecutively, since each acoustic space extends the previous one. The unity of the whole is based on the formal similarity of the pieces and on the two acoustic points of reference: the overtone spectrum and periodicity. I would like to summarize the musical language of the pieces as follows: - no more composing with notes but rather with tones; - controlling the differences, i.e. developing (or not developing) the tone and speed of its development; - taking into account the relativity of our perceptions; - applying phenomena that have long been studied in electronic studios to the area of instrumental sound. These applications may be heard in their more radical forms in Partiels and Modulations; - striving for a synthetic style in which various parameters contribute to the construction of a single sound. For example: the structure of un-tempered pitches results in the creation of new tone colours, giving rise to certain structures of duration, etc. The synthesis involves the creation of sounds (substance), on the one hand, and relationships among the tones (form), on the other.

Includes booklet with text by Gérard Grisey
22.00 eur Temporarily out of stock

Gérard Grisey: Solo Pour Deux / Ernesto Molinari

Gérard Grisey: Solo Pour Deux / Ernesto Molinari
ID: KAI0012502
CDs: 1
Type: CD
Subcollection: Clarinet

I - that sacred time:
Cut to pieces by the media, drowned in over-information, measured in this age of zapping and clips, this time, the time which Bataille called ‘sacred’, the time of Art, Love and Creativeness, the instant when something unprecedented happens, can only be preserved by the artist if he completely resists this late 20th century environment. Paradoxically, however, these are precisely the rhythms which feed and inspire him. This is the only world which calls forth his questions. And so, the response to this discontinued flood of information will be a music finding its unity and continuity. Its wintry slowness will be the reversed echo of a stress-ridden world rushing towards its end.
II - Zwitschermaschine:
Think of whales, men and birds. When you hear the songs of the whales, they are so spaced out that what sounds like a gigantic, drawn-out and endless moan is perhaps only one consonant to them. This means that it is impossible to perceive their speech with our constant of time. Similarly, when we hear a bird sing, our impression is that it sounds very high-pitched and agitated. for its constant of time is much shorter than ours. It is difficult for us to perceive its subtle variations of timbre, while it may perceive us, perhaps, as we perceive the whales. (Gérard Grisey)

Includes booklet with text by Gérard Grisey and Wolfgang Hofer
12.00 eur Buy

Gérard Grisey - Le Temps et l'Écume

Gérard Grisey - Le Temps et l'Écume
ID: KAI0012752
CDs: 1
Type: CD
Collection: Chamber Music
Subcollection: Chamber Ensemble

1 - Ensemble S / WDR Sinfonieorchester Köln - Emilio Pomarico, conductor / Benjamin Kobler, Paulo Alvares, synthesizers
2 - 6 Schola Heidelberg - Walter Nussbaum, conductor

As the co-founder of spectral music Gérard Grisey moves within a cosmos of partial tones and harmonics, he discloses the secrets of the interior of sound. In a momentous way this is shown inside his music, which acts always in a world between modern technology and poetry.
Sometimes Grisey analyses the different temporal structures of perception of humans, whales and insects or he generates his love songs out from the phonetical basic material. (Martina Seeber)

Includes booklet with text by Martina Seeber and Gérard Grisey
12.00 eur Temporarily out of stock

Pascal Gallois - Conducts Prague Modern - G. GRISEY - L. BERIO - D. FUJIKURA

Pascal Gallois - Conducts Prague Modern - G. GRISEY - L. BERIO - D. FUJIKURA
ID: STR37031
CDs: 1
Type: CD

1. Talea ou la machine et les herbes folles, pour flûte, clarinette, violon, violoncelle piano :
Pascal Gallois, Conductor, Performer - Prague Modern, Performer, Soloist - Gérard Grisey, Composer
2. Requies, for Chamber Orchestra :
Pascal Gallois, Conductor, Performer - Prague Modern, Performer, Soloist - Luciano Berio, Composer
3. Concerto for Bassoon :
Tokyo Metropolitan Symphony Orchestra, Orchestra, Performer - Tatsuya Shimono, Conductor, Performer - Pascal Gallois, Performer, Soloist - Dai Fujikura, Composer
13.00 eur Temporarily out of stock

 
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