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World music CD DVD shop and Classic distribution
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ID: AB0002 CDs: 1 Type: CD |
Collection: Jazz Subcollection: Piano and SaxophoneAllard Buwalda made a CD with relaxt music for in the living. You could say somesort of easy listening music. It´s not directly a Jazz CD, even the main instrument is the Saxophon, but easily listening instrumental songs.manytimes you can see Allard at TV shows of Paul de Leeuw into thehet combo van Cor Bakker and in the band of Marco Borsato. Allard is being heard of may be clear, and this CD shows a smal part of all exiting things Allard can offer on is his Saxophone. The Right Track! |
18.00 eur Buy |
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ID: ACDBA090-2 CDs: 1 Type: SACD |
Collection: Brass Collection Subcollection: QuintetTRACKLIST
1. Fanfare La Péri 2:01
2. Stanfare 5:24
3. Esther 3:57
4. Music Hall Suite - Soubrette Song 1:33
5. Music Hall Suite - Trick-cyclists 1:12
6. Music Hall Suite - Soft shoe shuffle 2:33
7. Music Hall Suite - Les Girls 1:27
8. Triosonate in g minor - Largo 2:45
9. Triosonate in g minor - Allegro 2:44
10. Triosonate in g minor - Cantabile 2:49
11. Triosonate in g minor - Allegro 1:24
12. Air 3:37
13. Letter from Home 2:35
14. West Side Story - Prologue 2:24
15. West Side Story - Something’s Comin’ 2:24
16. West Side Story - Maria 2:46
17. West Side Story - Tonight 1:58
18. West Side Story - America 2:22
19. West Side Story - One hand, one heart 1:59
20. West Side Story - I Feel Pretty 1:38
21. West Side Story - Somewhere 2:46
22. Tea for Two 2:03
23. Night and Day 2:36 |
18.00 eur Buy |
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ID: ACDBO063-2 CDs: 1 Type: CD |
Collection: Baroque There are a number of recordings of the choral partita ‘Ach wie nichtig, ach wie flüchtig’ by Georg Böhm (1666-1733), including one on the great Arp Schnitger city organ in Hamburg (1693), 57 voices, beautifully played by Stef Tuinstra. The version heard here is played on Arp Schnitger’s smallest organ positiv, 8 voices, but it offers enough variation to register the 8 variations in a diverse manner. The suite in A Minor ‘Melpomene’ by Johann Kaspar Ferdinand Fischer (1665-1746) is taken from his Musikalischer Parnassus (1738). Melpomene was the muse of song and tragedy. The stylised dances are a slow Allemande, the fast Passepied, a Rondeau, alternately a refrain and a verse, a Chaconne, variations based on a descending series of 4 tones and finally a fast Gigue. The Fantasia on the hexachord Vt Re Mi Fa Sol La by Johann Jakob Froberger (1616-1667) was already a famous work during his lifetime., Athenasius Kirchner mentions the work in his Masurgia (1646) and it was published in an autograph in 1649. The seven parts of the work bring the hexachord in various rhythms and with various second voices. In the sixth and seventh parts he adds chromatic tones, thus deftly exploiting the meantone temperament in the strong effect of dissonants and consonants. A true masterpiece. Johann Jakob Froberger (1616-1667) wrote the Tombeau on the death of the lute player Blancheroche in Paris and added the following remark: ‘fait à Paris sur la mort de Monsieur Blancheroche: lequel se joue fort lentement à la discretion sans observer aucune mesure.’ The improvisational character of the piece strongly resembles the Preludes non mésuree by Louis Couperin, whom Froberger met in Paris in 1652. A striking feature of this work is its exploitation of the meantone temperament, e.g. Froberger twice prescribes a D flat for where a C sharp is tuned, using the dissonant here as an expressive device. The Preludium is one of the great free forms in keyboard music. Of Hans Kotter (1485-1541) we hear an early example, here called Proömium in re. Kotter was a pupil of Paulus Hofhaymer, the most important ‘Organistenmacher’ of the 16th century, just as Sweelinck was in the 17th century. The original of the Giusti instrument is now in the Tagliavini collection in Bologna/Italy. |
18.00 eur Buy |
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ID: ACDHD031-2 CDs: 1 Type: SACD |
Collection: Baroque Subcollection: Historical InstrumentsThe glorious epithet ‘Golden Age’, describing the seventeenth century in the Netherlands, and the Northern Netherlands in particular, says much about the preceding century too. For it was in the second half of that century that the gradual transition took place from the Renaissance to the early Baroque, and in many respects it was there that the roots of the ‘golden’ characteristics lay. The exuberance of the Baroque, however, was of relatively limited influence, since it hardly appealed to the sobriety of the increasingly Calvinist population. This was the background to the political and military stage of the Eighty Years’ War, which was to end with the signing of the Peace of Westphalia in Münster in 1648 and the formal independance of the Republic of the United Provinces. The discovery of new continents made a significant contribution to unprecedented economic growth. The Republic of the United Provinces became the indisputed economic centre of Europe, with trade links and possessions in no less than four continents and a merchant fleet that surpassed the combined fleets of England and France. In the ideological world, humanism, fired by the writings of Desiderius Erasmus, became a force to be reckoned with. In religious matters, the sixteenth century witnessed perhaps the greatest upheavals, with the emergence of Protestantism during the Reformation and the first effects of the Counter Reformation around 1560. If it were not for spectacular developments in the cultural world, to which the seventeenth century owed its honorary title, scholarship, literature, poetry, painting, engraving and music would not have attained such stupendous heights. |
18.00 eur Buy |
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ID: BAR2013-01 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Organ |
15.00 eur Buy |
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ID: GMCD7250 CDs: 1 Type: CD |
Subcollection: FluteRecorded: Blum Haller, October 2001; Vogel Schaeuble January 2002; Radio Studio Zürich |
15.00 eur Buy |
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ID: GMCD7254 CDs: 1 Type: CD |
Collection: Vocal Collection Recorded: Theodor-Egel-Saal Ebnet, Freiburg/Germany 16.-17.1.02 Schoeck/Schütter - 4.5.02 Scartazzini |
15.00 eur Buy |
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ID: GMCD7257 CDs: 1 Type: CD |
Collection: World Music Subcollection: PianoRecorded: Exeter College, Oxford - 13-15 March 2002 |
15.00 eur Buy |
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