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World music CD DVD shop and Classic distribution
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ID: BR0009 CDs: 1 Type: CD |
Collection: Great Performers Subcollection: Piano This second Friends and Rivals disc includes Beethoven’s Piano Concerto No. 1 and Hoffmeister’s rare Piano Concerto in D major (BR0009) featuring pianist Felicja Blumental with the Prague Chamber Orchestra and the Vienna Symphony Orchestra.
1 - 3 Felicja Blumental - piano / Vienna Symphony Orchestra - Robert Wagner - conductor
4 - 6 Felicja Blumental - piano / Prague Chamber Orchestra - Alberto Zedda - conductor |
15.00 eur Buy |
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ID: BR0012 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Piano Felicja Blumental demonstrates her skill and dexterity performing Rachmaninoff’s Piano Concerto No. 2, one of the most challenging works for pianists worldwide. This CD also includes the rarely heard Rondo Brilliant on a Russian Folk Theme by Hummel. |
15.00 eur Buy |
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ID: CC2004 CDs: 1 Type: CD |
Subcollection: Oboe The CD booklet contains an interview with Han de Vries (printed in English, French and German), in which he talks about
all the works on the CD. There are photos of him throughout his career, and of his extensive instrument collection.
Jeremy Polmear talks to Han de Vries about two of the concertos on the CD:
BACH CONCERTO FOR VIOLIN AND OBOE:
JP: Am I right in thinking that this recording has not been issued commercially before?
H de V: Yes, it was commissioned by a major Dutch bank - the Verenigde Spaarbank - for its employees. This bank is a good sponsor of the arts as well as sport, and I am glad that one of its products is coming out into the wider world.
JP: And you had no conductor; how did you work out the interpretation?
H de V: The Concertgebouw Chamber Orchestra is made up of the best players in the Concertgebouw Orchestra, and when I played with that orchestra Jaap van Zweden the violin soloist was the leader, and they are wonderful musicians who have worked with Harnoncourt, with Chailly. So the way to approach this music was very clear to us.
JP: By 1986 when you made this recording, you had played Baroque oboe for many years, but here you are playing Baroque music on the modern oboe. Were you influenced by baroque practices?
H de V: Yes of course, and I've been playing Baroque instruments since I was 28. But to play in the Baroque style on the modern oboe, with little or no vibrato, would sound cold and unfeeling. I also have a loyalty to my teachers, to the style of the Concertgebouw, to the musicians I admire, and to the other players. I don't want to be an island of 'I am right'. I want to be somebody who communicates with other musicians, and to the ears of the audience; if I have the joy of being surrounded by very good musicians then I feel I am at my best.
ANDRIESSEN, ANACHRONIE II ('furniture music'):
JP: Let me start by asking you not about the music, but about the words. There seems to be what sounds like railway announcements at the beginning, at the end, and a bit in the middle of this concerto, and as a non Dutch speaker I must ask you - what is the gentleman saying, and does it matter?
H de V: It doesn't matter. In the score there is written a part for Radio. So it can start witrh a weather forecast, or anything. And then the music is a tapestry of quotations, and crazy humouristic, or agressive moments. It starts like Michel Legrand. Then we get a quasi Vivaldi oboe concerto, then an incredible crazy cadenza that ends with the soloist becoming totally insane. Then comes a sort of funeral march of drunken horns. This piece comes from 1969 where all music was quoting others, with bits of Stravinsky and everything mixed upside-down; it is a reaction against so-called 'beautiful music'. Andriessen said to use no vibrato. Sometimes I couldn't resist it, because I thought 'this is too much, too long, too ugly'.
JP: Did you commission the piece?
H de V: I asked him to write an oboe concerto, but the ideas are all his; and he never asked me whether what he had written was possible or impossible to play. In the cadenza he wanted a sort of shawm sound - he actually said 'like a bagpipe' - and I must say it should have been much more agressive and ugly, but there I felt I had to fight for my oboe, and not destroy the ears of my listeners.
JP: But I couldn't help noticing when you were listening to it, the part that amused you most of all was the bit in the cadenza where you honk on low and high notes. Why is that so much fun to hear?
H de V: Yes, because that's the utmost ugly playing, it's leaving behind everything that is beautiful on an oboe - as if a drunken man picks it up and tries to play it. And I laughed because I had to give up all the beauty I always worked for in my life. © 2002 Han de Vries and Jeremy Polmear |
18.00 eur Buy |
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ID: UP0014 CDs: 1 Type: CD |
Collection: Contemporary music Subcollection: Voice, Piano and Orchestra Hurnik, L:
Magnificat
Jiri Rohan (double bass), Ales Barta (organ)
Prague Philharmonic Chorus, Pavel Baxa
Fusion Music
In Modo Camerale
Madrigals (3)
Veronika Hoslova, Jana Kadochova, Marta Marinova (vocals)
Trio Sonata in Honour of Jan Dismas Zelenka
Quartetto con Flauto
Hot Suite
Veroslav Nemec, Jitka Nemcova (piano duo)
Compound
Prague Chamber Orchestra, Jiří Bělohlávek |
15.00 eur Buy |
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ID: UP0097 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Chamber Orchestra (1 - 3) - Jans, Carlo, flute
Hosprova, Jitka, viola
Englichova, Katerina, harp
Prague Chamber Orchestra
(4- 6) - Englichova, Katerina, harp
Prague Chamber Orchestra
(7) - Hosprova, Jitka, viola
Prague Chamber Orchestra
(8 - 10) - Jans, Carlo, flute
Prague Chamber Orchestra |
15.00 eur Buy |
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