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Radoslav Kvapil, piano: F. Chopin - Les Études, Trois nouvelles Études

 
Radoslav Kvapil, piano: F. Chopin - Les Études, Trois nouvelles Études-Klavír-Instrumental
ID: RCD30109 (EAN: 4600383301099)  | 1 CD | DDD
LABEL:
Russian Compact Disc
Kolekce:
Instrumental
Podkolekce:
Klavír
Skladatel:
CHOPIN, Frédéric François
Interpreti:
KVAPIL, Radoslav (piano)
Dal informace:

Notes in Czech, English, French, Deutsch
Tracklist
 
CHOPIN, Frédéric François (1810-1849) 
Les Études 
12 Etudes Op. 10 
1. Etude in C major Op.10 No. 12:10
 play
2. Etude in A minor Op.10 No. 21:36
 play
3. Etude in E major Op.10 No. 34:16
 play
4. Etude in C sharp minor Op.10 No. 42:09
 play
5. Etude in G flat major Op.10 No. 51:52
 play
6. Etude in E flat minor Op.10 No. 63:23
 play
7. Etude in C major Op.10 No. 71:48
 play
8. Etude in F major Op.10 No. 82:31
 play
9. Etude in F minor Op. 10 No. 91:52
 play
10. Etude in A flat major Op. 10 No. 102:41
 play
11. Etude in E flat major Op.10 No.112:32
 play
12. Etude in C minor Op.10 No.122:41
 play
12 Etudes Op. 25 
13. Etude in A flat major Op. 25 No. 12:12
 play
14. Etude in F minor Op. 25 No. 21:37
 play
15. Etude in F major Op. 25 No. 32:08
 play
16. Etude in A minor Op. 25 No. 42:02
 play
17. Etude in E minor Op. 25 No. 53:37
 play
18. Etude in G sharp minor Op. 25 No. 62:12
 play
19. Etude in C sharp minor Op. 25 No. 74:50
 play
20. Etude in D flat major Op. 25 No. 81:20
 play
21. Etude in G flat major Op. 25 No. 91:05
 play
22. Etude in B minor Op. 25 No. 104:10
 play
23. Etude in A minor Op. 25 No.113:57
 play
24. Etude in C minor Op.25 No.122:54
 play
Trois nouvelles Études 
25. No. 1 F minor1:55
 play
26. No. 2 A flat major2:05
 play
27. No. 3 D flat major2:10
 play

Recenze:
 

Firstly, and most importantly, this set of Chopin Etudes is magnificently played and hearing them has reinforced by intense love of Chopin. If I may be forgiven for personal reminiscing, I recall my grandfather playing Chopin with great feeling when I was seven and loved his Chopin LP by Dinu Lipatti. The third Etude, in E major Op.10 No.3 was used as the soundtrack for a sixties American series on the Golden age of silent comedy and was also hummed by my father-in-law. This set was recorded by Radoslav Kvapil in 1997 and re-mastered in 2005. Kvapil (b. 15 March 1934) is an internationally acclaimed Czech pianist born in Brno. At the end of the 20th century, he devoted his concert programmes to works by Chopin, particularly in the Chopin International Piano Festival in Nohant. On 21 October 2016 he gave a recital of Beethoven, Chopin, Dvořák, Janáček and Martinů at St Mary's parish church in Hay-on-Wye. I found an article in “The Hay-on-Wye Times” where it stated that the world’s top Czech pianist has said he would shrug off the cool temperatures inside the Church to help raise the £30,000 needed for a new boiler and heating system. So the chair of St Mary’s Music Committee, John Funnell, who had known Kvapil for nearly 40 years, was overjoyed when this “very exciting celebrity” accepted his invitation to give a recital. It must have been quite an occasion for the audience of 160 or so. Widely known as expert performer of Czech piano music, Kvapil has recorded numerous discs of works by Dvořák, Smetana, Martinů, Janáček, Voříšek, Novák and Suk. I have in my collection his acclaimed recording of Martinů on and noted that the reviewer had heard a broadcast in the early 1970s of the Dvořák Piano Concerto in which Kvapil was soloist. Between 1993 and 1996 he recorded for Unicorn eight CDs to form an Anthology of Czech Music. There were one each for Dvořák, Martinů, Vorisek, Fibich, Janáček and Suk as well as two for Smetana. The playing throughout belies any thought of Chopin as an insipid composer. There’s delicacy but also great force and the Polish spirit comes through. I would especially mention the 4th and 12th Etudes from the First Set, the final two from Opus 25 and the Trois Nouvelles Etudes which were not so well known to me. The final one in D Flat major brings the recital to an apt close. My comparison was interesting as I found Ashkenazy slightly self-regarding with the 3rd Etude, compared with Kvapil, although it’s a magnificent achievement. Overall, I felt that Kvapil can compete with any Chopin players and I’ll certainly look out for other recordings. I also hope that he may pay another visit to the UK. The disc has detailed notes on the music and the performer. At a time when music has such power to stimulate, relax and help well-being, I found this CD a sheer joy and am delighted to have heard it. David R Dunsmore
MusicWeb International


 

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