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F.J. HAYDN - L.van BEETHOVEN - Cantatas ad honorem Austriae domus

F.J. HAYDN - L.van BEETHOVEN - Cantatas ad honorem Austriae domus
ID: UP0148
CDs: 1
Type: CD
Kolektion: CantatasSubkolektion: Voice, Choir and Orchestra

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J.S. BACH - The Solo Soprano Cantatas, Vol. 1

J.S. BACH - The Solo Soprano Cantatas, Vol. 1
CDs: 1
Type: CD
Kolektion: Cantatas


Cantata, BWV 82a “Ich habe genug”
I. Aria: Ich habe genug
II. Recitative: Ich habe genug
III. Aria: Schlummert ein, ihr matten Augen
IV. Recitative: Mein Gott! wann kömmt das schöne: Nun!
V. Aria: Ich freue mich auf meinen Tod
Cantata, BWV 202 “Weichet nur, betrübte Schatten”
I. Aria: Weichet nur, betrübte Schatten
II. Recitative: Die Welt wird wieder neu
III. Aria: Phoebus eilt mit schnellen Pferden
IV. Recitative: Drum sucht auch Amor sein Vergnügen
V. Aria: Wenn die Frühlingslüfte streichen
VI. Recitative: Und dieses ist das Glücke
VII. Aria: Sich üben im Lieben
VIII. Recitative: So sei das Band der keuschen Liebe
IX. Aria: sehet in Zufriedenheit
Cantata, BWV 210 “O holder Tag, erwünschte Zeit”
I. Recitative: O holder Tag, erwünschte Zeit
II. Aria: Spielet, ihr beseelten Lieder
III. Recitative: Doch, haltet ein, ihr muntern Saiten
IV. Aria: Ruhet hie, matte Töne
V. Recitative: So glaubt man denn, dass die Musik verführe
VI. Aria: Schweigt, ihr Flöten, schweigt, ihr Töne
VII. Recitative: Was Luft? was Grab?
VIII. Aria: Großer Gönner, dein Vergnügen
IX. Recitative: Hochteurer Mann, so fahre ferner fort
X. Aria: Seid beglückt, edle Beide

Soprano Gillian Keith joins the acclaimed Baroque ensemble Armonico Consort under Christopher Monks for the first release in a three disc series featuring the solo cantatas of Johann Sebastian Bach.

Bach’s cantatas hold a special place amongst performers and devotees of his music. Whether sacred or secular, these works provide incredible variety for listeners and players alike. Some contain elements of storytelling similar to arias and recitatives from his great Passions; many have instrumental movements and solo passages that rival any of his concerti, and are indeed borrowed directly from some of the most famous. Not surprisingly, Bach’s cantatas are often incredibly virtuosic, demanding as much technical ability, style and understanding of the music as any of his other works.

This first release features the cantatas nos. 82a, 202 (the famous “Wedding Cantata”) and 210.
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