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Beethoven - Fidelio, Opera, Op. 72

 
Beethoven - Fidelio, Opera, Op. 72-Opera
ID: GFO00406 (EAN: 878280000047)  | 2 CD | DDD
Released in: 2009
LABEL:
GLYNDEBOURNE
Subcollection:
Opera
Composers:
BEETHOVEN, Ludwig Van
Ensembles:
Glyndebourne Chorus | London Philharmonic Orchestra
Conductors:
ELDER, Mark
Other info:

Recorded live at Glyndebourne, August 2006
Includes 2 discs in a 150 page hard-bound book

Anja Kampe (Leonore), Torsten Kerl (Florestan) Andrew Kennedy (Jaquino), Lisa Milne (Marzelline), Brindley Sherratt (Rocco), Peter Coleman-Wright (Don Pizarro), Nathan Vale (First Prisoner), Anthony Cleverton (Second Prisoner), Henry Waddington (Don Fernando)

London Philharmonic Orchestra & The Glyndebourne Chorus, Mark Elder

Product Description
With Fidelio, Beethoven found the perfect vehicle to express his lifelong commitment to liberty. The work exposes the reality that at any moment in the world, at any point in history, unjust atrocities are being committed, which can only be prevented by an individual belief in the sanctity of human life and the all-conquering power of universal love. This timeless theme is as relevant today as it was when Beethoven started to write his opera in 1804. Anja Kampe and Torsten Kerl made their Glyndebourne debuts in the roles of Leonore and Florestan in 2006 to rapturous critical praise and this production won the Royal Philharmonic Society Opera Award in 2001.Libretto translated from the original French into English, Italian and German.

Extensive accompanying booklet including a commissioned article about the opera.
Feature and review publicity in national newspapers, radio and specialist music magazines
Features two exciting Glyndebourne debuts from Anja Kampe and Torsten Kerl.


Track list:
Fidelio, opera, Op. 72
1. Act 1. No. 1. Dialog. Jaquino, jaquino!
2. Act 1. No. 3. Quartett. Mir ist so wunderbar
3. Act 1. No. 3. Dialog. Höre, Fidelio...
4. Act 1. No. 4. Arie. Hat man nicht auch Gold beineben
5. Act 1. No. 4. Dialog. Ihr habt schon recht, Meister Rocco
6. Act 1. No. 5. Terzett. Der Gouverneur... der Gouverneur soll heut' erlauben
7. Act 1. No. 5. Terzett. Nur auf der Hut, dann geht es gut
8. Act 1. No. 6. Marsch
9. Act 1. No. 6. Dialog. Die Depeschen?
10. Act 1. No. 7. Arie mit Chor. Ha! Welch ein Augenblick!
11. Act 1. No. 8. Duett. Jetzt, Alter, jetzt hat es Eile!
12. Act 1. No. 9. Rezitativ und Arie. Abscheulicher! Wo eilst du hin?
13. Act 1. No. 9. Rezitativ und Arie. Komm, Hoffnung, lass den letzten Stern
14. Act 1. No. 9. Dialog. Aber Marzelline
15. Act 1. No. 10. Finale. O welche Lust!
16. Act 1. No. 10. Finale. Nun sprecht, wie ging's?
17. Act 1. No. 10. Finale. Ach! Vater, eilt!
18. Act 1. No. 10. Finale. Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?
19. Act 1. No. 10. Finale. Leb' wohl, du warmes Sonnenlicht
CD 2
1. Act 2. No. 11. Introduktion
2. Act 2. No. 11. Arie. Gott! Welch' Dundel her!
3. Act 2. No. 12. Melodram und Duett. Nur hurtig fort, nur frisch gegraben
4. Act 2. No. 12. Dialog. Er erwacht!
5. Act 2. No. 13. Terzett. Euch werde Lohn in besser'n Welten
6. Act 2. No. 13. Dialog. Alles ist bereit, ich gehe, das Signal zu geben
7. Act 2. No. 14. Quartett. Er sterbe!
8. Act 2. No. 14. Dialog. Vater Rocco!
9. Act 2. No. 15. Duett. O namenlose Freude!
10. Act 2. No. 15. Dialog. Gute Botschaft
11. Act 2. No. 16. Finale. Heil sei dem Tag, Heil sei der Stunde
12. Act 2. No. 16. Finale. Gott! Welch ein Augenblick!
13. Act 2. No. 16. Finale. Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!

Review:
 

Glyndebourne's searing, sublime Fidelio is an example of what can happen - but seldom does - when everything comes together in opera...Do anything to get a ticket: opera simply does not come better than this --The Sunday Telegraph, 2006

Anja Kampe is the Leonore of one s dreams and Torsten Kerl's Florestan complements her ideally, with thrilling tone from them both in their duet. --Opera Magazine, 2006

A moving and enthralling Fidelio...Glyndebourne has pulled it off, in a revival that shows the place on top form building on teamwork, attention to detail and rigorous rehersal.. --The Daily Telegrap, 2006


 

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