|
World music CD DVD shop and Classic distribution
|
|
|
|
ID: NMCD227 CDs: 1 Type: CD |
Matthews, C:
Violin Concerto
Recorded live by BBC Radio 3 for the BBC Proms
Leila Josefowicz (violin)
BBC Symphony Orchestra, Oliver Knussen
Cortège
Royal Concertgebouw Orchestra, Riccardo Chailly
Cello Concerto No. 2
Anssi Karttunen (cello)
BBC Symphony Orchestra, Rumon Gamba |
22.00 eur Buy |
|
ID: NMCD219 CDs: 1 Type: CD |
Elias String Quartet, scapegoat, Alexandra Dariescu, Lucy Goddard, Simon Whiteley, Royal Liverpool Philharmonic Orchestra, Andrew Gourlay
1. Magnetite
Emily Howard; Royal Liverpool Philharmonic Orchestra; Andrew Gourlay 10:04
2. Threnos
Emily Howard; Lucy Goddard; Simon Whiteley 7:36
3. Mesmerism
Emily Howard; Alexandra Dariescu; Royal Liverpool Philharmonic Orchestra; Andrew Gourlay 18:07
4. Leviathan
Emily Howard; scapegoat 13:01
5. Solar
Emily Howard; Royal Liverpool Philharmonic Orchestra; Andrew Gourlay 6:21
6. Afference
Emily Howard; Elias String Quartet 23:15
Total Playing Time 78:24 |
22.00 eur Buy |
|
ID: NMCD174 CDs: 1 Type: CD |
Subcollection: Horn 1 - 2 Goldberg Ensemble - Malcolm Layfield, conductor
3 - 8 Richard Watkins, horn / Goldberg Ensemble - Malcolm Layfield, conductor
Richard Watkins is at the forefront of promoting contemporary music for the horn. He has given premières of concertos by Sir Peter Maxwell Davies, Nigel Osborne, Magnus Lindberg, Dominic Muldowney, Nicola LeFanu, and Colin and David Matthews.
The Goldberg Ensemble is committed to performing and commissioning new music, particularly by British composers.
This new recording features a collection of works for string ensemble commissioned by the Goldberg Ensemble including Roger Marsh's haunting Canto 1, based on Dante's Paradiso; Nicola Lefanu's lyrical Amores for horn and string ensemble; Anthony Gilbert's Palace of the Winds inspired by the elaborately ornate Hawa Mahal palace in Jaipur and Geoffrey Poole's Crossing Ohashi Bridge, an abstract work inspired by chaos mathematics such as Fractals, Mandelbrot sets, and named after the Hiroshige painting Sudden shower over Shin-Ôhashi bridge, as featured on the front cover of this disc. |
22.00 eur Buy |
|
ID: NMCD173 CDs: 1 Type: CD |
Collection: Orchestral Works Brian Elias studied at London’s Royal College of Music with Humphrey Searle and Bernard Stevens and privately with Elisabeth Lutyens.
Brian was born in Bombay (Mumbai) and lived there until the age of thirteen.
His ballet The Judas Tree won an Olivier Award for Best New Dance Work and an International Emmy Award for Performing Arts.
Doubles was awarded the Best Orchestral prize at the 2010 British Composer Awards 2010 ‘Purely as psychodrama, The House is gripping. But what makes it really memorable is the clarity and vigour of Elias's orchestral writing. Humming throughout with perky rhythms, never cluttered, and full of imaginative ideas (including the 21st-century equivalent of the Pizzicato Polka), it struck me as among the best things that the 53-year old composer has penned.’ The Times (2002).
The bold and dazzlingly inventive The House That Jack Built - inspired by the rumbustiousness, games and jeers of the playground - is coupled with the elaborate, intense Doubles (a large orchestral work commissioned by the BBC Symphony Orchestra) and A Talisman, for bass-baritone and small orchestra which is based upon Hebrew text inscribed on a silver 19th century amulet - intended to protect against the Evil Eye - which was given to Elias's mother in 1969 by her uncle, whose family emigrated from Kurdistan to Bombay in the middle of the 19th century. |
22.00 eur Buy |
|
ID: NMCD092 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Clarinet Judith Weir's own choice of her chamber music featuring piano explore Weir's fascination with folk music: the sparkling Piano Concerto explores her Scottish roots.
Disc 1 was recorded for NMC in 2002; Disc 2 was originally released on Collins Classics.
Reissued with funding from Arts Council England. |
22.00 eur Buy |
|
ID: NMCD145 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Harpsichord Jane Chapman, described as "Britain’s most progressive harpsichordist" (The Independent on Sunday) and "a fearless contemporary music performer" (The Guardian), performs new works for harpsichord and electronics by Paul Dibley, James Dillon, Sam Hayden, Paul Newland, Roger Redgate, Sohrab Uduman, Mike Vaughan and Paul Whitty. |
22.00 eur Buy |
|
ID: NMCD037S CDs: 1 Type: CD |
Collection: Orchestral Works Subcollection: Orchestra An evocation of the Big Bang, the music of Time's Arrow traces the expansion and contraction of the universe. Vivid rhythmic invention and glowing harmony contribute to a work of uninhibited and exhilarating momentum. |
22.00 eur Buy |
|
ID: NMCD177 CDs: 1 Type: CD |
Subcollection: Piano Hideki Nagano, London Sinfonietta, David Atherton, Gareth Hulse, Paul Archibald, Tim Gill, Sound Intermedia
Jonathan Harvey won a Gramophone Award in 2008 for his NMC CD Body Mandala. The works, commissioned by the BBC Scottish Symphony Orchestra, explore his fascination with Eastern philosophies.
The BBC Symphony Orchestra celebrates the life and work of Jonathan Harvey in two days of concerts, films and talks at the Barbican, London. Total Immersion runs from the 28-29 January 2012.
Harvey’s Bhakti was the first release on NMC in 1989.
Jonathan was invited by Pierre Boulez to work at IRCAM in the early 1980s.
Bird Concerto - Harvey's hommage to Messiaen - is a celebration of the kind of technical advances in electroacoustics which the creator of Oiseaux exotiques and the Catalogue d’oiseaux was never able to explore. Harvey started writing the piece when he was in California and says that ‘indigo bunting, orchard oriole, golden crowned sparrow ... are some of the forty colourful Californian birds whose songs and cries sparked the ignition of this work’. The bird sounds have been innovatively transformed to create a mesmeric dialogue between nature and art. Harvey sets the piano soloist (the work was commissioned by pianist Joanna MacGregor) the challenge of combining piano playing and triggering a sampler/ synthesizer so that the live electronics can be realised in real-time performance. Other works on this disc are Other Presences, for trumpet and multi-loop effects, and two versions of the canonic Ricercare una melodia (1984) originally written for trumpet and quadraphonic tape-delay system, but here performed on oboe and cello, with live electronics from Sound Intermedia. |
22.00 eur Buy |
|
ID: NMCD163 CDs: 1 Type: CD |
Subcollection: Chamber Ensemble Keisuke Okazaki, Jonathan Powell, Esbjerg Ensemble, Christopher Austin
Morgan Hayes' delicate yet manic Violin Concerto forms the centrepiece to this debut release on NMC showcasing his instrumental and ensemble music. Includes his transcription of Squarepusher's Port Rhombus
Morgan Hayes won the Guildhall School of Music & Drama's coveted Lutoslawski Prize in 1995; he subsequently studied with Michael Finnissy, Simon Bainbridge and Robert Saxton.
This is Morgan's first full-length CD.
Port Rhombus is a transcription of a work by drum & bass/electronica artist Squarepusher who appears on Warp Records.
"Morgan Hayes captured an elegiac melancholy in his transformation of Squarepusher’s Port Rhombus" Tom Service, Guardian
This is the first time leading Danish group Esbjerg Ensemble has recorded for a UK label. Morgan Hayes’ delicate yet manic Violin Concerto forms the centrepiece to this debut release on NMC showcasing his instrumental and ensemble music. Included are his transcription of Squarepusher's Port Rhombus, commissioned for the South Bank Centre's 2003 Ether Festival, which captures the beauty and fragility of this experimental drum'n'bass work from 1996; Lucky Speech for solo violin, inspired by a character from Beckett’s Waiting for Godot; a collection of piano miniatures Strides Book I & II; and the dramatic solo piano work Puppet Theatre, which refers to the title of the painting by Paul Klee, featured on the front cover of this CD. |
22.00 eur Buy |
|
ID: NMCD180 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Quartet Asked to sum up how he would characterize his two String Quartets - written in a neoclassical style and influenced by the sound world of Bruckner and Schoenberg - Michael Finnissy answered, ‘rich and chewy’!
In 2011 Michael Finnissy created a daring new interpretation of Mozart's Requiem. To influence his completion of the parts left missing after the 18th century composer’s death he said "I imagined Mozart in the present day, working to complete the Requiem, looking back across the centuries which have passed since his death. I asked myself what composers, musical genres and historical events would have influenced him since 1791- this helped to shape my work.”
Composer Judith Weir says she regards Finnissy as the most important living British composer.
Despite having no score (the piece is a series of parts, each prefaced by the instruction that it is 'intended that parts should drift slightly apart')
Michael Finnissy's Second Quartet is 'based on a compact Haydn model' - originally intended to be the 'Lark', Op.64, No.5 - and traces of its antecedent can be discerned within it. By contrast, the Third Quartet incorporates actual birdsong, both transcribed and recorded, in the composer's response to the natural world and man's place in it: the instruments gradually fade out, to leave only the sound of birds. |
22.00 eur Buy |
|
|