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ID: GD316 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra The names of a number of young composers have won recognition during the last years of the 20th century. Their works bring a new trend to contemporary Bulgarian music. They introduce new ideas, interesting creative concepts and a variety of expressive means. A musician that is prominent for that period is Krassimir Taskov. He is a composer, a brilliant piano performer and a pedagogue (since 2002 he has been a professor at the Prof. Pancho Vladigerov State Music Academy in Sofia).
He concertized extensively as a student and received prizes at international piano competitions in Moscow (Tchaikovsky, 1978) and Spain (Santander, 1978). After completing degrees in piano (1981) and composition (1984), he participated in a series of international seminars for composers organized by UNESCO in Bulgaria and Holland and attended the composition classes of Ton de Leeuw and Theo Loevendie (Holland), Anatol Vieru (Romania), Andrei Eshpai (Russia), Marin Goleminov and Dimiter Hristov (Bulgaria).
His ongoing performance activity includes collaborations with chamber ensembles and distinguished Bulgarian musicians as Lydia Oshavkova, Anatoli Krastev, Lyubomir Dinolov, Dimiter Tsanev, Ani Atanassova, etc. His musical partnership of over fifteen years with pianist Velislava Georgieva has been especially intensive.
Along with his performing and teaching activity, Krassimir Taskov has also composed a large number of works: for symphonic orchestra, chamber music, concertos for different instruments, piano pieces, works for two pianos, various vocal and choral works, an opera-musical. A great number of his works have won awards at prestigious international and national competitions and are being performed in Germany, Japan, France, Italy, Russia, the USA, etc. The great Bulgarian composer and conductor Vassil Kazandjiev refers to his music as being "particularly expressive and strongly impacting".
Krassimir Taskov, piano
Dimiter Tsanev, piano
Lyudmila Gerova, soprano
Eolina Quartet
Ani Atanassova, violoncello
Stoyan Bozhkov, violoncello
Stanislav Ushev
Bulgarian National Radio Symphony Orchestra |
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ID: NMCD009 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra Antony Pay, London Sinfonietta, Oliver Knussen - Harrison Birtwistle: Ritual Fragment
This disc couples two major works composed in the 1970s, Melencolia I and Meridian, a setting of love poetry, with Ritual Fragment, written in 1989. The works display Birtwistle's distinctive and forceful voice and range in mood from austere introspective journeying to moments of unbearable intensity. |
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ID: GD331 CDs: 1 Type: CD |
Collection: Opera & Vocal Collection Subcollection: Voices and Orchestra The Bulgarian opera school is well-known throughout the world. Many Bulgarian opera singers perform at the most renowned opera stages and impress with their performance. One of them is the bass Pavel Gerdjikov. What makes him different from other famous Bulgarian singers is that he builds his career mainly in Bulgaria along with his numerous guest-performances which have made him world-famous.
Pavel Gerdjikov has taken an interest in music ever since his early childhood: he had violin and piano lessons, played in orchestras, sang in choirs, conducted… He studied at the Sofia Academy of Music under Prof. Anna Todorova and Prof. Ilia Yosifov and as he admits himself, many of his teachers in theoretical subjects left a lasting influence upon him: Prof. Stoyan Djudjev, Lyubomir Pipkov, Dragan Kardjiev. His first appointment was in the Berlin Comische Oper. In 1962 he was enlisted with the Sofia Opera and since then he has participated in all its productions. He has performed with the greatest opera names in Bulgaria: Lyubomir Bodurov, Dimitar Uzunov, Nikolai Ghiaurov, Nikola Nikolov, Alexandrina Milcheva, Raina Kabaivanska, Valeri Popova, Dimitar Petkov, Assen Selimsky, Milkana Nikolova, Liliana Bareva … He has worked with renowned conductors and directors in many countries world-wide: in almost all big European opera theatres and stages, in Japan, Australia, America. In one of his interviews Pavel Gerdjikiv mentions some of his participations: Don Juan - the performances in Salzburg with the Mozarteum Orchestra, The Queen of Spades in Gleinborn, some of his concerts in Melbourne and Sydney, the Tchaikovsky recital at the Richter Festival in Moscow. In the Mozart Sal in Vienna he sang in Shostakovich’s 14th Symphony, which was a premiere of the work outside the then USSR.
His repertoire includes all famous traditional bass parts. But besides them, he participates as a soloist in Bulgarian opera and cantata-oratorial works. He is deeply convinced that “it is impossible for a person to become a complete actor, singer or musician if he lacks in his own national musical culture… When I started studying at the Academy, I sang songs by Dobri Hristov, Pancho Vladigerov, Lyubomir Pipkov, Goleminov. After that I started singing the Fourth Symphony and The Boyana Master by Konstantin Iliev, The Apology of Socrates by Simeon Pironkov, Pentagram for bass and orchestra by Ivan Marinov. Still later I turned to the songs cycle “Foreign Poets” by Lyubomir Pipkov, and then I began to get interested in Shostakovich, his 13th and 14th Symphony… Thanks to the Bulgarian music, I began to get interested in Honegger, Bartok, Britten, Shostakovich (also the songs). Bulgarian music provoked me and opened my mind to the foreign contemporary music.
Pavel Gerdjikov is also an opera director. His preferences in this field are connected not only with the classical opera repertoire, but also with contemporary Bulgarian and foreign music. Besides developing his career as a singer and a director, Pavel Gerdjikov devotes a lot of time to his teaching activity. In 1970 he started teaching at the Academy of Music in Sofia and he is still one of the most loved teachers among the students. This is not surprising, having in mind that he is a great actor and a highly-accomplished person, with an affinity to the refined style of speaking. His students have the opportunity to know a really encyclopaedic personality, who reveals to them the vast world of art.
With the participation of: Milkana Nikolova, Liliana Bareva, Mincho Popov, Assen Selimsky
Chamber Orchestra, Bulgarian National Radio Symphony Orchestra
Conductors: Pasquale Rispoli, Alexander Vladigerov, Vassil Stefanov, Mihail Angelov |
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ID: NMCD014 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra The enigmatic and intensely charged music of Bill Hopkins reflects the avant-garde sound-world of the 1960s with characteristic immediacy and quiet energy; Nine or Ten Osannas, by Anthony Gilbert - a close friend and ally - completes the disc. |
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ID: NMCD030 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra Three recordings from 1941, publicly available for the first time following transfer from the original 78rpm discs and lengthy subsequent treatment: the centrepiece is an off-air recording of the American premiere of Les Illuminations with Peter Pears. |
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ID: NMCD070 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra Hugh Wood's Symphony is his most ambitious work to date: its four movements refer to musical sources as diverse as Mozart, Wagner and Janacek while never detracting from its coherence and power. It is coupled with Wood's dramatic setting of Milton's poem, the story of a wanderer lost in an enchanted wood. |
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ID: NMCD081 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra Buller's dramatic score Proença sets the lyrics of Troubadour songs for orchestra and two soloists: mezzo-soprano and electric guitar; while The Theatre of Memory takes its inspiration from ancient Greek drama.
Originally released on Unicorn-Kanchana in 1985.
Reissued with funding from Arts Council England. |
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ID: NMCD093 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra This introduction to the music of Rupert Bawden features his chamber opera The Sailor's Tale - a counterpart to Stravinsky's Soldier's Tale and written for the same forces - setting Kevin Crossley-Holland's libretto on the life and loves of Horatio Nelson. Also on the disc are the panoramic Two Studies for Orchestra, based on the Tristan legend, and the energetic ensemble work The Donkey Dances. |
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ID: NMCD084 CDs: 1 Type: CD |
Collection: Vocal Collection Subcollection: Voices and Orchestra Cantiga sets the tragic, bloodthirsty story of the 14th-century Spanish noblewoman Inês de Castro; Matthews Symphony No.4 subverts its classical model with plainsong and a tango.
These recordings were originally released on Unicorn-Kanchana in 1993.
Reissued with funding from Arts Council England. |
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