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Instrumental, page 15

   Found CDs: 881
 

Johannes Brahms - Three Intermezzos, Op. 117, Six piano pieces, Op. 118, Four piano pieces, Op. 119 - Boris Kraljević, piano

Johannes Brahms - Three Intermezzos, Op. 117, Six piano pieces, Op. 118, Four piano pieces, Op. 119 -  Boris Kraljević, piano
ID: KNSA018
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Piano

15.00 eur Buy

B. Tishchenko - Complete Works for Piano - D. Mazitova. Vol. 2

B. Tishchenko - Complete Works for Piano - D. Mazitova. Vol. 2
ID: NFPMA99110
CDs: 1
Type: CD
Collection: St. Petersburg Musical Archive

15.00 eur Buy

Ahmed Dickinson Plays Nico Rojas

Ahmed Dickinson Plays Nico Rojas
ID: FLORCD7
CDs: 1
Type: CD
Subcollection: Guitar

15.00 eur Buy

Frederic Chopin - 5 Polonaises - Sergey Rachmaninov - 5 Etudes-Tableaux - Joanna Trzeciak, piano

Frederic Chopin - 5 Polonaises - Sergey Rachmaninov - 5 Etudes-Tableaux  - Joanna Trzeciak, piano
ID: KNSA014
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Piano

15.00 eur Buy

Rudy Wiedoeft - "Kreisler of the saxaphone"

Rudy Wiedoeft - "Kreisler of the saxaphone"
ID: CC0018
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Saxophone

Famous Solos from the 20s. Works and arrangements for saxophone by Rudy Wiedoeft
Programme includes: Many compositions and arrangement by Rudy Wiedoeft; Nevin Narcissus; Rosebrook Saxophone Fantasie; Gabriel-Marie Serenade Badine; Beethoven Minuet in G.

Following the overwhelming public response to the publication of Marcel Mule - ‘Le Patron of the Saxophone’, Clarinet Classics now presents a programme from an even earlier period, and from the other side of the Atlantic.
In his short life, Rudy Wiedoeft recorded over 300 record sides for all the major labels - many being his own compositions - and imparted his own unique style to everything he did, influencing generations of saxophonists after him.
Rudy Wiedoefts’ legacy to the musical world was not just a collection of compelling compositions and recordings, but the distinction of having introduced the saxophone as a serious voice in a truly innovative way and gaining for it a tremendous following.
15.00 eur Buy

Kristina Fialová, viola - Introduction

Kristina Fialová, viola - Introduction
ID: UP0174
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Viola

15.00 eur Buy

Max Reger - Sonatine op.89 - Humoresques op. 20 - Bach Variations op.81 - WOLFRAM LORENZEN, piano

Max Reger - Sonatine op.89 - Humoresques op. 20 - Bach Variations op.81 - WOLFRAM LORENZEN, piano
ID: TRO-CD01438
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Piano

Recordings Sonatinas Op.89 No.1 and No.3: SAARLÄNDISCHER RUNDFUNK Saarbrücken 1992 Five Humoresques Op.20, Bach-Variations Op.81: SCHWEIZER RADIO DRS Zürich CD-Mastering Christoph Stickel, msm-studios Munich

Booklet Booklet notes: Christoph Schlüren English, German 32 pages
15.00 eur Buy

Satoshi Tanaka Works for piano - Satoko Inoue, piano

Satoshi Tanaka Works for piano -  Satoko Inoue,  piano
ID: E112
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Piano

15.00 eur Temporarily out of stock

Xavier Lefèvre - A REVOLUTIONARY TUTOR - Clarinet Sonatas, Vol.1 - Colin Lawson, clarinet - Claire Thirion, cello

Xavier Lefèvre - A REVOLUTIONARY TUTOR - Clarinet Sonatas, Vol.1 - Colin Lawson, clarinet - Claire Thirion, cello
ID: CC0055
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Clarinet

15.00 eur Buy

Fleur de Lys - The Solo Suite Before Bach - Charles Medlam

Fleur de Lys - The Solo Suite Before Bach - Charles Medlam
ID: CC1028
CDs: 1
Type: CD
Collection: Instrumental
Subcollection: Viola

The Solo Suite before Bach - French Bass Viol Suites from 1660-1700

Buisson: Suite in D minor
Demachi: Suite No. 4 in G
Hotman: Suite in D minor
Marais, M: Tombeau pour Monsieur de Sainte-Colombe
Sainte Colombe the elder: Suite in D minor

Charles Medlam (bass viol)


Exploring the 50 years of French music that influenced J.S Bach’s Six Cello Suites

Four suites for solo bass viol performed on an instrument of the period

Bach’s Six Suites for Unaccompanied Cello are the most popular and well known solo cello works ever written. They have become some of the most inspirational and influential compositions written for the instrument.

But where did Bach take his inspiration from? In the half a century before the Cello Suites the European musical world was dominated by the Italian and French styles. It was in France (1650 to 1700) that the form for these Suites was being honed to perfection by composers writing for the bass viol. Le Sieur Dubuisson and Monsieur de Sainte-Colombe were two of the most prolific composers writing for the viol in the 17th Century. Sainte-Colombe was taught by Nicolas Hotman who, in turn, taught Marin Marais. Sainte-Colombe was a celebrated master of the instrument and is the composer of no less than 67 concerts à deux violles and 170 pieces for solo seven string viol. Nicolas Hotman and Le Sieur De Machy studied the viol together and in their own ways had a major influence on the development and stabilisation of the dance suite for solo bass instrument during the latter part of the 17th Century.

However, it was Marin Marais who bridged the gap between the late 17th century and the early 18th century up to and during the writing of Bach’s masterpieces. Marais, an incomparable French gambist whose works are known in all of Europe, left us one of the most important and influential bodies of music for the instrument.

CHARLES MEDLAM studied the cello in London, Paris, Vienna and Salzburg before becoming interested in the bass viol and early performing styles. After a year lecturing and playing in the resident string quartet at the Chinese University of Hong Kong he returned to Europe and studied with Maurice Gendron at the Paris Conservatoire, Wolfang Herzer in Vienna and subsequently cello with Heidi Litschauer and performance practice with Nikolaus Harnoncourt in Salzburg. After graduating with distinction from the Mozarteum he pursued his interest in the viol on frequent courses with Wieland Kuijken. He founded London Baroque with Ingrid Seifert in 1978.

Charles plays baroque music on a Perugian cello made by Finnocchi circa 1720 and later music on a Lorenzo Ventapane made in Naples in 1806. His bass viol is an English instrument from around 1680, possibly by Barak Norman, which has had a seventh string added for the French repertoire.

Fleur de Lys is a fascinating exploration of beautiful and rarely-heard repertoire.

This recording is an important historical document charting the evolution of the classical suite.
15.00 eur Buy
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