|
|
World music CD DVD shop and Classic distribution
|
|
|
|
|
ID: MSVCD92017 CDs: 1 Type: CD |
Collection: Instrumental Perhaps the ultimate in Metier's search for unusual repertoire, this CD of solo trombone music from contemporary Japanese composers is truly the ideal purchase for the record collector who "has it all" and indeed for anyone wanting to explore modern music from the East.
tracks:
Tatsuya Hirano:
Alone
Hiroshi Nakamura:
Angelus Novus
Kunihiko Goto:
Inquisition/cloister - Nowaki no Mon
Masato Kouchi:
Sociological Japan
Katsuji Maeda:
Intermezzo
Katsumi Yokoyama:
Traces II
Takashi Fujii:
Dancing Bones |
| 12.00 eur Buy |
|
ID: MSVCD92084 CDs: 1 Type: CD |
Collection: Chamber Music The Light Garden Trilogy is a highly significant modern work, inspired by 16th century Afghan culture, by British composer Sadie Harrison. Accompanied here by four traditional Afghan pieces. The CD also contains a host of multimedia extra features - including commentary by the composer, artist profiles, video, photographs and other extras!
tracks:THE LIGHT GARDEN TRILOGY:The Light GardenThe Tate EnsembleThe Fourteenth TerraceAndrew Sparling (clarinet), Lontano, conducted by Odaline de la MartinezBavad Khair BaqiPeter Sheppard Skærved (violin)TRADITIONAL AFGHAN MUSIC:Naghma-ye kashâl Birami Bibi Gol Afruz (Dhining Flower Lady)Allah Hu (This is God) Siah Chesm-e Kumari (Captivating Black Eyes) Ensemble Bakhtar |
| 12.00 eur Buy |
|
ID: MW36001 CDs: 1 Type: CD |
Collection: World Music Subcollection: Folk MusicThe music on this album is rooted in the music of Herat, Afghanistan, which both Veronica and John studied in the 1970s. Abdul grew up in Herat and has performed this music throughout his career, so he knows it intimately. The music captures an era of peace and normality, seen by many Afghans as a "golden age" before the recent turmoil, upheaval and war. |
| 12.00 eur Buy |
|
ID: ACDHN023-2 CDs: 1 Type: SACD |
Collection: World Music Subcollection: New MusicSACD Hybrid Disc (SACDH) = CD Digital Audio + Super Audio CD
Dor' is Rumanian for nostalgia, gloominess |
| 18.00 eur Buy |
|
ID: ACDBH047-2 CDs: 1 Type: SACD |
Collection: World Music Early Music
In order to illustrate their borderless talents, Fortuna follows Ciconia and Dufay on this recording on their journey through the Flemish and Italian musical landscape of the late medieval times: Early Music in Context.
Chansons
Just as Dutch painters in the Golden Age were attracted by the Italian light and went to work in Rome, many composers from the Low Countries also made their way over the Alps in search of inspiration. This Italian dream resulted in the creation of brilliant music by two such pioneers, Johannes Ciconia and Guillaume Dufay. Their ability to seemingly effortlessly meld the achievements of Flemish, French, English and Italian music into a new style created a new musical language whose sound crossed over many geographic borders.
Ciconia was educated in Luik, which had a rich musical culture in the late Middle Ages; and he worked in Padua from around 1402 until his death. By that time, he had become a real Italian composer, despite his Northern roots and education: in his elegant ballade Gli atti col dançar, one can hear clearly how Ciconia had mastered the melodic souplesse of the Italian Trecento composers such as Landini. His dramatic Ligiadra donna - with a contratenor line composed by his colleague composer Matteo da Perugia - is written in the typical Northern Italian style of the giustiniana. But nowhere in his work does Ciconia merely follow stylistic trends; on the contrary, his unique and characteristic style inspired a generation of composers who followed him - among them Dufay.
No single 15th Century composer has left such an extensive and varied oeuvre as Guillaume Dufay, who was considered to be the greatest composer of his time, even in his own lifetime. He was educated in Kamerijk (Cambrai). While he was still young, he began travelling extensively for his work, to the Council of Constance for example, and he began working for various Italian patrons. These facts give Dufay's career and work a decidedly "international" allure, but the musical influences of his birthplace are still very recognizable in some of his works. The typically Northern drinking and New Year's songs such as Cheulz qui volent from MS Leiden 2720 or Die mey so lieflic by Thomas Fabri, clearly inspired Dufay to create rondeaux such as Adieu ces bons vins en Ce jour de l'an. While the original songs don't aspire to be much more than a drinking song or a round dance, Dufay manages with his songs to lift the genre to a much higher artistic level, without losing the playfulness and spontaneity of the original forms. His unorthodox application of existing material and traditional compositional techniques make him one of the most inventive composers of the 15th Century - Dufay wrote music that his contemporaries wouldn't have dared to dream of. |
| 18.00 eur Buy |
|
|