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ID: MELCD1001860
CDs: 5
Type: CD
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Collection:
Great Performers
Subcollection: Piano and CelloThe International Tchaikovsky Competition symbolises the prestige of world class art and is a true apotheosis of Russian culture. These are the Competition’s first-ever releases featuring the gold winners in each of the four disciplines. Listeners will appreciate exquisite performances by genius musicians.
CD 1 - V. Cliburn, piano / CD 2 - J. Marsh, soprano / CD 3 - V. Atlantov, tenor / CD 4 - V. Klimov, violin / CD 5 - N. Shakhovskaya, cello /
Beethoven - Piano Sonata No. 23 in F minor, Op. 57 'Appassionata' (Rec.1958) - Van Cliburn (piano)
Bizet - La fleur que tu m'avais jetée (from Carmen) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Borodin -Medlenno den ugasal (Slowly the day has faded) (from Prince Igor) (Rec.1966) -Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Brahms -Cello Sonata No. 1 In E Minor, Op. 38 -(Rec.1982) -Natalia Shakhovskaya (cello), A Amentaeva (piano)
A. Gurilyov - Monotonously Rings the Little Bell -(Rec.1973)- Vladimir Atlantov (tenor) / State Academic Bolshoi Theatre Sextet
Haydn - Cello Concerto No. 1 in C major, Hob. VIIb:1 -(Rec.1969) -Natalia Shakhovskaya (cello) /
Moscow Philharmonic Orchestra, Maxim Shostakovich
Leoncavallo - Recitar!...Vesti la giubba (from I Pagliacci) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Liszt- Liebestraum, S541 No. 3 (Nocturne in A flat major) - (Rec.1958) - Van Cliburn (piano)
Mendelssohn - Violin Concerto in E minor, Op. 64 -(Rec.1967) -Valery Klimov (violin) / USSR State Symphony Orchestra, Maxim Shostakovich
Mozart - Ach, ich fühl's (from Die Zauberflöte, K620) -(Rec.1966) -Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Nápravník - I tak, vse koncheno, sud'boy neumolimoy (So, everything, is over) (from Dubrovsky, Op. 58) - (Rec.1966) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
Puccini - Tu che di gel sei cinta (from Turandot) - (Rec.1966) - Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Puccini - E lucevan le stelle (from Tosca) - (Rec.1973) - Vladimir Atlantov (tenor) / Bolshoi Theater Orchestra, Mark Ermler
A. Sheremetiev - Ya vas ljubil (I Loved You) -(Rec.1973) -Vladimir Atlantov (tenor) / State Academic Bolshoi Theatre Sextet
Tchaikovsky - Piano Concerto No. 1 in B flat minor, Op. 23 -(Rec.1958) - Van Cliburn (piano) / Moscow Philharmonic Orchestra, Kirill Kondrashin
Tchaikovsky - Violin Concerto in D major, Op. 35 - (Rec.1977) -Valery Klimov (violin) / Moscow Philharmonic Orchestra, Dmitri Kitayenko
Tchaikovsky - Zabït tak skoro (So soon forgotten) - (Rec.1966) - Jane Marsh (soprano), L Farr (piano)
Tchaikovsky - Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) -(Rec.1966) - Jane Marsh (soprano) / USSR State Symphony Orchestra, Boris Haikin
Tchaikovsky - Den' li tsarit? (Does the day reign?), Op. 47 No. 6 - (Rec.1972) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - None but the lonely heart, Op. 6 No. 6 - (Rec.1972) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1 -(Rec.1971) -Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Zakatilos solntse (The sun has set), Op. 73 No. 4 - (Rec.1971) - Vladimir Atlantov (tenor), Farida Khalilova (piano)
Tchaikovsky - Forgive me, loveliest of creatures (from Pique Dame) - (Rec.1966) - Vladimir Atlantov (tenor) /Bolshoi Theater Orchestra, Mark Ermler
Tchaikovsky - Chto nasha zhizn’? Igra! (The Queen of Spades) - (Rec.1966) -Vladimir Atlantov (tenor) /
Bolshoi Theater Orchestra, Mark Ermler
Tchaikovsky - Forgive me, loveliest of creatures (from Pique Dame) - (Rec.1966) -Vladimir Atlantov (tenor) / USSR State Symphony Orchestra, Boris Haikin
Verdi - Mia madre aveva...Piangea cantando...Ave Maria (from Otello) - (Rec.1966) -Jane Marsh (soprano) / Bolshoi Theatre Orchestra, Mark Ermler
Verdi - Giá nella notte densa (from Otello) - (Rec.1966) - Vladimir Atlantov (tenor), Jane Marsh (soprano) / USSR State Symphony Orchestra, Boris Haikin
Verdi - Se quel guerrier io fossi!…Celeste Aida (from Aida) - (Rec.1966) - Vladimir Atlantov (tenor) /
Bolshoi Theater Orchestra, Mark Ermler / USSR State Symphony Orchestra, Boris Haikin
Total time: 277.57 |
| 51.00 eur Buy |
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ID: MELCD1001931
CDs: 5
Type: CD
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Collection:
Violin Concerto
Subcollection: Violin and Orchestra"On stage, Oistrakh produces an impression of a colossus. He firmly stands on the ground, he holds his violin proudly, and he creates music that finds expression in an endless stream of beauty and grace", wrote the great violin player Isaac Stern. Among the numerous famous performers the 20th century gave to the world, David Oistrakh ranks especially high. "… one of the really great violinists of our time. Oistrakh is great not because he is a virtuoso, but because he is a genuine, inspired musician," wrote the press during his first coming to the United States in 1955. Oistrakh had to play the very first concert of that tour on the same day with performances of Nathan Milstein and Mischa Elman (Joseph Szigeti played on the same day at another venue in New York). Fritz Kreisler who was in the house expressed his admiration for Oistrakh after the concert. Firma Melodiya presents a set of recordings by the great musician of this country. Oistrakh recorded violin concertos by Bach, Mozart, Viotti, Beethoven, Tchaikovsky, Brahms, Dvorak, and Taneyev in the 1950s and 1960s in the prime of his performing career jointly with some of the best conductors of the previous century such as Nikolai Malko, Herbert von Karajan, Alexander Gauk, Kirill Kondrashin and Gennady Rozhdestvensky. The performances of Brahms's and Franck's sonatas by David Oistrakh and Sviatoslav Richter also featured in this set once was unanimously recognized by domestic and foreign audiences as one of the best achievements of the 20th century in the field of chamber music.
CD 1
David Oistrakh, violin
Moscow Philarmonic Orchestra - Gennadi Rozhdestvensky
London Philharmonic Orchestra - Nikolai Malko, conductor
Total time: 77:08
CD 2
David Oistrakh, violin
Moscow Radio Symphony Orchestra / USSR State Symphony Orchestra - Kirill Kondrashin, conductor
Total time: 70:59
CD 3
David Oistrakh, violin and Sviatoslav Richter, piano
Total time: 72:24
CD 4
David Oistrakh, violin
USSR State Symphony Orchestra - Kirill Kondrashin, conductor
Moscow Radio Symphony Orchestra - Alexander Gauk, conductor
Total time: 72:44
CD 5
David Oistrakh, violin
Philadelphia Orchestra - Eugene Ormandy
London Philharmonic Orchestra - David Oistrakh, conductor
USSR State Symphony Orchestra - Kirill Kondrashin, conductor
Total time: 69:21 |
| 51.00 eur Temporarily out of stock |
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ID: MELCD1002164
CDs: 5
Type: CD
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Collection:
Opera and Ballet
Subcollection: Voices and OrchestraSoloists: Galina Vishnevskaya, Irina Arkhipova, Elena Obraztsova, Tamara Sinyavskaya, Sergey Lemeshev, Ivan Kozlovsky, Vladimir Atlantov, Alexander Pirogov, Mark Reizen, Evgeny Nesterenko
Nikolai Golovanov, Samuil Samosud, Alexander Melik-Pashayev, Evgeny Svetlanov, Gennady Rozhdestvensky, Yuri Fayer, Mark Ermler, Alexander Lazarev
Firma Melodiya presents a unique set of recordings by soloists of the USSR Bolshoi Theatre - outstanding singers who performed on the main stage of this country during 1945 to 1990.
They call it the golden age of the Bolshoi not for nothing.
The first music theatre of the country attracted undiverted attention of not just millions of spectators and listeners (getting a ticket to the Bolshoi was almost an impracticable task for a “common Soviet citizen”). The supreme leadership of the Soviet Union watched the life of the theatre as closely as real music lovers did. Nearly all the premieres took place under the sign of “special responsibility”. The theatre recruited the best artistic forces from all over the country, and in the post-war period there still were those who got their education and started their careers even before the revolution keeping the continuity of the old tradition of the Imperial Bolshoi Theatre.
Galina Vishnevskaya, Irina Arkhipova, Elena Obraztsova, Tamara Sinyavskaya, Sergey Lemeshev, Ivan Kozlovsky, Vladimir Atlantov, Alexander Pirogov, Mark Reizen, Evgeny Nesterenko are just some of 30 soloists featured in this set. They are accompanied by the Bolshoi Orchestra lead by various conductors such as Nikolai Golovanov, Samuil Samosud, Alexander Melik-Pashayev, Evgeny Svetlanov, Gennady Rozhdestvensky, Yuri Fayer, Mark Ermler, Alexander Lazarev and others. Each of them made a valuable contribution to the treasury of Russian music culture of the 20th century.
The set includes fragments from Russian classical opera and ballet repertoire of the 19th and 20th centuries, and some of the most popular foreign operas and ballets staged at the Bolshoi |
| 51.00 eur Temporarily out of stock |
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ID: MELCD1002265
CDs: 1
Type: CD
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Collection:
Sacred Music
Subcollection: OrganVladimir Spivakov, 1st violin
Anatoly Sheinyuk, 2nd violin
Yuli Turovsky, cello
Sergey Dizhur, organ
Firma Melodiya presents an album of Wolfgang Amadeus Mozart’s Church Sonatas.
Vladimir Spivakov is known for his Mozart interpretations as a soloist, chamber ensemble member and conductor. In his renditions, Mozart’s concertos, violin sonatas, ensembles, divertimentos, symphonies and masses preserve the combination of lightness and inner depth, youthful naivety and philosophic wisdom which were so characteristic of the great Salzburger.
From the first years of his artistic career, Spivakov showed interest in Mozart’s heritage composed in different genres.
Mozart wrote his Church Sonatas in the period of his service for the Prince-Archbishop of Salzburg in 1767 to 1779. Appointed as organist, he already
was a skillful violinist as well. Although his onemovement “sonatas” (in fact, these are ensembles for three string instruments and organ) were intended for divine services, they sound rather secular and buoyant.
Mozart’s fourteen Church Sonatas were recorded in 1974 by a constellation of brilliant musicians such as Vladimir Spivakov, violinist Anatoly Sheinyuk (now a professor of the Detroit Conservatory), Yuli Turovsky, a cellist and future
founder of the I Musici de Montréal Chamber Orchestra, and Sergei Dizhur, one of the best Soviet organists. |
| 16.00 eur Buy |
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ID: MELCD1002270
CDs: 50
Type: CD
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Collection:
Piano Concerto
Subcollection: PianoFor the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its
arguably biggest project in its semicentennial history.
The name of Sviatoslav Richter is inscribed in gold in the history of music.
He was not just “more than a pianist,” he was even more than a musician. An owner
of composing, conducting, artistic, directing and acting gifts, a connoisseur of literature,
arts and philosophy, with a will of iron he made all his gifts serve the art of
pianism. An “artist of planetary scale,” as of the critics put it, Richter was like that in
everything - in his unbounded repertoire that he never stopped replenishing until
his last years, in his priestly frenzy of hours-long rehearsals, in the geography and
number of performances, - over 3 500 concerts in 770 places of the world for 55
years of his musical career! (“He was somewhat fathomless, Richter,” said one of his
famous colleagues). However, after he conquered the world (almost literally), he remained
indifferent to ovation and eulogies of the press, painfully experienced each
of the “defects” he noticed in his performance, and at the end of his way confessed
before the journalist Bruno Monsaingeon: “I don’t like myself.”
Of course we inherited numerous recordings from Sviatoslav Richter, live
and studio ones (although he preferred the former to the latter). Hundreds of records
and CDs have been released on domestic and foreign labels (the first of them,
gramophone ones, appeared in the 1940’s while some others became available as
late as in this century). However, even the existing body of recordings captures
neither his complete repertoire nor the entire essence of Richter’s
pieces could sound differently over the years, or even over a day!
And now, Firma Melodiya that recently marked its 50th birthday makes a
unique present for both sophisticated experts and a broad circle of music lovers -
a 50-CD set of Sviatoslav Richter’s concert recordings!
It has to be understood that this collection is far from the complete phonographic
legacy of the great musician. Nevertheless, the set includes plenty of
exclusive, previously unreleased recordings that will make the hearts of even
most erudite connoisseurs and collectors rejoice.
Most of the featured recordings are broadcasts from the concerts played in
Moscow in 1962 to 1983. However, the exceptions are of special interest. These are:
• one of the first Sviatoslav Richter’s extant concert programmes -
Schubert’s last sonata and Mussorgsky’s Pictures at an Exhibition (1949);
• recording of the concert with Nina Dorliak in Bucharest, in 1958;
• recordings of “home” rehearsals with Nina Dorliak.
Alexander Scriabin’s Prometheus, on which he plays a “modest” piano
part in an orchestra, is evidence of Richter’s extremely broad musical interests, or
the recordings of J.S. Bach’s ensemble concertos together with students of the
Moscow Conservatory.
Perhaps the listeners will find a number of “repetitive” tracks surprising.
Richter played (and recorded) many works time and again. Some of them allow us
to track the evolution of the pianist’s art, testify to his constant creative search
and dissatisfaction with himself (the interpretations of Berg’s concertos with different
performers, different versions of Schubert’s Sonata No. 6, Beethoven’s Third
Concerto and Mussorgsky’s Pictures at an Exhibition at an interval of ten and twenty
years, respectively). Some other recordings were played in a shorter stretch of
time (Beethoven’s Sonata No. 1, Prokofiev’s Sonata No. 2), or in succession - from
the mid 1970’s. Considering the growing interest of the public, Richter frequently,
fully or partly, repeated his programmes. So, at an interval of one day he played
Mozart’s Concerto No. 18 and Rachmaninoff’s Etudes-tableaux. In those unique
phonographic documents, a keen ear will detect barely perceptible “atmospheric”
changes that captured an inner aura of a certain concert as each of them was a new
test for the pianist in terms uncompromising strictness to himself, a new step on
the way to Absolute Music.
Berg:
Chamber Concerto for Piano and Violin with 13 Wind Instruments
Brahms:
Piano Concerto No. 2 in B flat major, Op. 83
Rhapsody in G minor, Op. 79 No. 2
Violin Sonata No. 2 in A major, Op. 100
Violin Sonata No. 3 in D minor, Op. 108
Violin Sonata No. 1 in G major, Op. 78
Britten:
Piano Concerto, Op. 13
Debussy:
Préludes - Book 2 (12, complete)
Cloches à travers les feuilles (No. 1 from Images pour piano - Book 2)
Dvorak:
Piano Concerto in G minor, Op. 33
Franck, C:
Piano Quintet in F minor, Op. 14
Violin Sonata in A major
Liszt:
Erlkönig (No. 4 from Zwölf Lieder von Franz Schubert, S558)
Concerto pathétique for Piano and Orchestra, S365a
Mendelssohn:
Variations sérieuses in D minor Op. 54
Mozart:
Piano Concerto No. 22 in E flat major, K482
Piano Concerto No. 27 in B flat major, K595
Mussorgsky:
Pictures at an Exhibition (piano version)
Prokofiev:
Piano Sonata No. 2 in D minor, Op. 14
Piano Sonata No. 4 in C minor, Op. 29
Piano Sonata No. 6 in A major, Op. 82
Violin Sonata No. 1 in F minor, Op. 80
Piano Concerto No. 5 in G major, Op. 55
Ravel:
Valses nobles et sentimentales
Piano Trio in A minor
Schubert:
Piano Sonata No. 21 in B flat major, D960
Piano Sonata No. 6 in E minor, D566
Piano Sonata No. 13 in A major, D664
Piano Sonata No. 11 in F minor, D625
Klavierstücke (3), D946
Schumann:
Faschingsschwank aus Wien, Op. 26
Piano Concerto in A minor, Op. 54
Scriabin:
Piano Sonata No. 7, Op. 64 'White Mass'
Prometheus (The Poem of Fire), Op. 60
Shostakovich:
Violin Sonata, Op. 134
Viola Sonata, Op. 147
Wagner:
Elegy in A flat |
| 400.00 eur Temporarily out of stock |
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ID: MELCD1002300
CDs: 5
Type: CD
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Collection:
Violin Concerto
Subcollection: Violin and OrchestraRecorded: 1970-1989
Release: 2015
CD 1
Pyotr Tchaikovsky
Mélodie, Op. 42 No. 3
Rodion Shchedrin
Imitating Albeniz
Pablo de Sarasate
Caprice Basque, Op. 24
Pyotr Tchaikovsky
Violin Concerto in D major, Op. 35
Jean Sibelius
Violin Concerto in D minor, Op. 47
Total time: 79.42
CD 2
Rodion Shchedrin
Music for the Town of Kothen
Georges Bizet-Rodion Shchedrin
Carmen Suite
Total time: 66.53
CD 3
Wolfgang Amadeus Mozart
Symphony No. 28 in C major, K. 200
Mass in C major, Coronation, K. 317
Total time: 47.09
CD 4
Pietro Antonio Locatelli
Sonata da camera in G minor for Violin
and Piano, Op. 2 No. 6
Niccolò Paganini
Le Streghe, Op. 8
César Franck
Violin Sonata in A major (1886)
Béla Bartók
Violin Rhapsody No. 1, Sz. 87
Sergey Prokofiev
Five Mélodies for Violin and Piano, Op. 35
Total time: 74.41
CD 5
Franz Schubert
Violin Sonata (Sonatina No. 2) in A minor,
D. 385, Op. 137/2
Camille Saint-Saëns
Havanaise, Op. 83
Claude Debussy
Pieces
Maurice Ravel
Valses nobles et sentimentales, M. 61
Darius Milhaud
Corcovado from Saudades do Brasil, Op. 67
Henri Wieniawski
Polonaise de Concert in D major, Op. 4
Béla Bartók
Romanian Folk Dances, Sz. 56
Ernest Bloch
Baal Shem for Violin and Orchestra (1939)
George Gershwin
Prelude No. 2 in c sharp minor
Fragments from the opera Porgy and Bess
Total time: 72.05
Firma Melodiya presents an anniversary set dedicated to Vladimir Spivakov’s 70th birthday.
This outstanding musician is well-known and loved across the world. A violinist, educator, conductor, founder and permanent leader of the chamber orchestra Moscow Virtuosi and the National Symphony Orchestra of Russia, an organizer of the charity trust that supports talented children, a director of international music festivals both in Russia and overseas, a jury member of a number of violin competitions, and the president of the Moscow International House of Music. Maestro Spivakov’s artistic and social activities only broaden through the years - he performs all over the world, renews his violin and conducting repertoire playing with some of the best soloists and conductors.
The 5-CD set features Vladimir Spivakov as both a violinist and conductor on recordings made in 1970s to 1990s. That period of performing activity and creation of the Moscow Virtuosi was a bright phase in the maestro’s career leaving an unforgettable trace in performing arts of this country and the world. The chamber pieces by Schubert, Locatelli, Franck, Debussy, Ravel, Milhaud, Bartók and Prokofiev, and virtuosic numbers by Paganini, Wieniawski and Saint-Saëns were recorded with remarkable pianists such as Viktoria Postnikova and Boris Bekhterev; one of the CDs is dedicated to Mozart (Symphony No. 28 and the Coronation Mass) while another is dedicated to Rodion Shchedrin (Carmen Suite and also Music for the Town of Köthen written especially for Spivakov).
Spivakov’s earlier unreleased concert recordings at the 4th International Tchaikovsky Competition in 1970 are of particular interest. The violinist was awarded the second prize and a silver medal at the competition for his performance of Sibelius’s and Tchaikovsky’s violin concertos, and Tchaikovsky’s, Sarasate’s and Shchedrin’s pieces. |
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ID: MELCD1002312
CDs: 6
Type:
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Collection:
Instrumental
Subcollection: Pianoplus:
Disc 6 (DVD)
“Geniuses: Vladimir Sofronitsky,”
a film by Andrei Konchalovsky (2007, 44 min.)
Screenplay by Andrei Konchalovsky
Directed by Andrei Konchalovsky
Directors of photography: Igor Ryabtsev, Dmitri Koval, Igor Skromny
Firma Melodiya and the Andrei Konchalovsky Foundation present a unique set dedicated to the outstanding Russian pianist of the 20th century Vladimir Sofronitsky. Sofronitsky who tolerated no clichés strongly objected to the reputation of a Scriabinist although he found his own inimitable key to Scriabin's music at an early age. Those who had a chance to hear the composer play said that only Sofronitsky was congenial to Scriabin's interpretations. With a hostile attitude to studio work, the pianist felt truly free only in concert. He was able to perform the same piece differently even just a few days later. Every time Sofronitsky played, he re-experienced music, let it through himself as if he confessed before the audience. Perhaps that was the main secret of his magical impact. Many of the remaining concert recordings still preserve that sensation. Five of six discs include recordings made at Vladimir Sofronitsky's recitals in 1951 to 1960, including works of Scriabin, Schumann, Chopin, Schubert, Liszt, Mozart, Rachmaninoff, Lyadov, Debussy, Prokofiev and Shostakovich. The sixth disc of the set includes a documentary on Vladimir Sofronitsky filmed by the outstanding contemporary director Andrei Konchalovsky.
Recording information: The Scriabin Memorial Museum (01/08/1960/02/02/1960); The Small Hall of the Moscow Conservatory (01/08/1960/02/02/1960); The Scriabin Memorial Museum (05/13/1960); The Small Hall of the Moscow Conservatory (05/13/1960); The Scriabin Memorial Museum (06/08/1958); The Small Hall of the Moscow Conservatory (06/08/1958); The Scriabin Memorial Museum (11/18/1959); The Small Hall of the Moscow Conservatory (11/18/1959); The Scriabin Memorial Museum (11/26/1951); The Small Hall of the Moscow Conservatory (11/26/1951); The Scriabin Memorial Museum (1955); The Small Hall of the Moscow Conservatory (1955). |
| 46.00 eur Temporarily out of stock |
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ID: MELCD1002355
CDs: 1
Type: CD
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Collection:
Bassoon Collection
Subcollection: Piano et BassonMelodiya presents an album of works for bassoon by West European composers performed by Sergei Krasavin.
An Honoured Artist of Russia, professor of the Gnessins Russian Academy of Music and prize-winner of the international competitions in Prague, Budapest and Munich, Sergei Krasavin is a reputable representative of the Russian performing school. After graduation from the Leningrad Conservatory where he studied bassoon under professor Dmitri Yeryomin, he was a soloist of the orchestra of the Leningrad Kirov State Academic Theatre of Opera and Ballet (now the Mariinsky Theatre), then a soloist of the USSR State Academic Symphony Orchestra, the country’s best one. In 1992 to 2006, he played in the French National Orchestra. The bassoonist has also regularly performed as a solo and ensemble musician. A virtuosic technique, expressed emotionality, the sound of rare beauty and an innate sense of form and style are virtues that can be used to describe the musician’s artistic gift.
Sergei Krasavin performs concertos for bassoon and orchestra by Antonio Vivaldi (he was the first composer to “discover” the bassoon as a virtuosic concerto instrument), a rare piece of Mozart - the Sonata for bassoon and cello, and the Sonata for bassoon and piano by Camille Saint-Saëns, the great French master’s last work.
Pianist Alexei Nasedkin and cellist Yuri Loyevsky, two of the leading representatives of Soviet performing art, took part in the recording along with Sergei Krasavin. The Ensemble of Soloists of the USSR State Symphony Orchestra is conducted by maestro Yuri Temirkanov. |
| 16.00 eur Buy |
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ID: MELCD1002357
CDs: 1
Type: CD
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Collection:
Children’s Choir
Subcollection: Christmas MusicAnastasia Leonova, soprano (5, 10) Eleanor Gvozdkova, viola (4, 9, 10) Aglatova Anna, soprano (14, 16) Maxim Paster, tenor (13, 20) Maria Krushevskaya, harp (1-12) Margarita Petrosian, piano (13-22) The Children's Choir of the Bolshoi Theatre Artistic director - Julia Molchanova |
| 16.00 eur Buy |
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ID: MELCD1002407
CDs: 1
Type: CD
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Collection:
Chamber Music
Subcollection: QuartetThe New Russian Quartet:
Julia Igonina, violin
Elena Kharitonova, violin
Alexey Steblev, viola
Mikhail Rudoy, cello |
| 16.00 eur Buy |
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