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World music CD DVD shop and Classic distribution
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ID: NMCD162 (EAN: 5023363016223) | 1 CD | DDD Publi: 2010
- LABEL:
- NMC
- Collection:
- Orchestral Works
- Subcollection:
- Orchestre
- Compositeurs:
- AYRES, Richard
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Interprètes:
- BLAUUW, Marco (trumpet) | TIMMERMANS, Wim (horn)
- Orchestre
- Asko Ensemble | Frankfurt Radio Symphony Orchestra | Musik Fabrik
- Chef d'orchestre:
- MATEI, Alexandro
- Pour plus amples dtails:
This colourful disc showcases Richard Ayres’s melodic, eclectic and theatrical style, which owes as much to the exuberance of Janacek as Kagel’s experiments: Ayres explains “I want to use consonance, dissonance, melody, texture, elephants, clouds, snowballs, anything, from any time and whenever it is needed.”
1 - 4 Frankfurt Radio Symphony Orchestra / Roland Kluttig, conductor
5 - 17 Wim Timmermans, horn / ASKO Ensemble / Roland Kluttig, conductor
18 - 20 Marco Blauuw, trumpet / Musik Fabrik / Roland Kluttig, conductor
| AYRES, Richard ( b.1965) | | | 1. | No. 37b for Orchestra: I Alfred Wallis (in paradise) | 7:34 | | | 2. | No. 37b for Orchestra: II Sjonnie Kurzak (a broken soul) | 4:08 | | | 3. | No. 37b for Orchestra: III … but when Gippy Dixon opened his eyes … | 4:08 | | | 4. | No. 37b for Orchestra: IV Exit | 7:10 | | | 5. | No. 36: NONcerto for Horn: Valentine Tregashian dreams … of the Swiss Girl | 6:02 | | | 6. | No. 36: NONcerto for Horn: Valentine Tregashian dreams … of Jan Snaegl | 5:36 | | | 7. | No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 1 | 1:32 | | | 8. | No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 2 | 3:24 | | | 9. | No. 36: NONcerto for Horn: Anna Filipiova goes on a journey - 3 | 0:21 | | GRAMOPHONE EDITOR'S CHOICE
'There’s an exuberance, a craziness but also a real sense of an emotional rather than purely intellectual engagement that makes it such a terrific listen.' James Jolly, Gramophone
'Some of the wackiest music this side of Charles Ives on acid.' NZ Herald
'There's no doubting that his music demands a response ... It's very strange, very quaint and in its way charmingly engaging.' The Guardian
'Would that all musical postmodernism were as intriguing and provocative as this!' Gramophone
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