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World music CD DVD shop and Classic distribution
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ID: RES10153 (EAN: 5060262790571) | 1 CD | DDD Publi: 2015
- LABEL:
- Resonus Classics
- Collection:
- Vocal Collection
- Subcollection:
- Vocal and Piano
- Compositeurs:
- GALLAY, Jacques Francois
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Interprètes:
- CROWE, Lucy (soprano) | DEVINE, Steven (piano) | SCOTT, Anneke
- Pour plus amples dtails:
Anneke Scott (natural horn), Lucy Crowe (soprano) & Steven Devine (piano)
The third installment in Anneke Scott’s series of works by the French natural horn player and composer Jacques-François Gallay presents a thrilling programme of operatic fantasias & songs.
These fascinating and unique works mix incredibly virtuosic music with beautifully lyrical melodies deeply influenced by Gallay’s position as solo horn of the Parisian Théâtre Italien. For this final volume in the series, Scott is joined by the celebrated pianist Steven Devine and renowned soprano Lucy Crowe.
In this recording, Anneke Scott performs on a natural horn (cor solo) by Marcel-Auguste Raoux dating from 1823 (Loaned with kind permission by the Bate Collection, University of Oxford), while plays a grand piano by Érard, from 1851. (Loaned with kind permission by the University of Birmingham).
| GALLAY, Jacques Francois (1795-1864) | | | 1. | Fantaisie brillante sur l'opéra 'Les Martyrs' de Donizetti (Op. 49) | 10:37 | | | 2. | Fantaisie sur une cavatine de 'Belisario' de Donizetti (Op. 42) | 9:08 | | | 3. | 'Fuis, laisse-moi' de 'Roberto Devereux' de Donizetti | 4:22 | | | 4. | Fantasia sopra un motivo dell'opera 'Bianca e Fernando' di Bellini (Op. 47/2) | 6:08 | | | 5. | Troisi?me Mélodie sur une cavatine de 'La Sonnambula' de Bellini (Op. 28) | 6:16 | | | 6. | 'Une Larme Furtive' de 'L'Elisir d'amore' de Donizetti | 3:47 | | | 7. | Fantaisie sur l'opéra 'L'Elisir d'amore' de Donizetti (Op. 46) | 12:03 | | | 8. | Fantaisie brillante sur un motif de 'Norma' de Bellini (Op. 40) | 10:42 | | | 9. | 'L'Appel du Chasseur' des 'Soirées Italiennes' de Mercadante | 3:38 | | '[Anneke Scott] produces some wonderfully plangent tone colours [...] Her playing, and that of Stephen Devine, has a natural musicality that is particularly noticeable in the way they both apply an easy flexibility to the flow of the music. Soprano Lucy Crowe’s three contributions are similarly noteworthy.'
Early Music Review
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