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W.A. Mozart - The A-Z of Mozart Opera -The Orchestra of Classical Opera - I. Page, conductor

 
W.A. Mozart - The A-Z of Mozart Opera -The Orchestra of Classical Opera - I. Page, conductor-Voices and Orchestra-Opera Collection
ID: SIGCD373 (EAN: 635212037324)  | 1 CD | DDD - 24 b
Publi: 2014
LABEL:
Signum Records
Collection:
Opera Collection
Subcollection:
Voices and Orchestra
Compositeurs:
MOZART, Wolfgang Amadeus
Chef d'orchestre:
PAGE, Ian
Pour plus amples dtails:

Mozart:
Natus cadit (from Apollo et Hyacinthus)
Amoretti, che ascosi qui siete (from La Finta Semplice)
Diggi, daggi, schurry, murry (from Bastien und Bastienne)
Se viver non degg’io (original version) (from Mitridate, Re di Ponto)
Fra i pensier più funesti (from Lucio Silla)
Geme la tortorella (from La finta giardiniera)
Viva l’invitto Duce (from Il Re Pastore)
Ruhe sanft, mein holdes Leben (from Zaïde)
Andrò ramingo e solo (from Idomeneo)
Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail)
Bravo, signor padrone…Se vuol ballare (from Le nozze di Figaro)
Deh! vieni alla finestra (from Don Giovanni)
Di scrivermi ogni giorno (from Così fan tutte)
Ah perdona al primo affetto (from La Clemenza di Tito)
Hm! hm! hm! hm! (from Die Zauberflöte)

Rebecca Bottone, Klara Ek, Martene Grimson, Susan Gritton, Anna Leese (soprano), Cora Burggraaf (mezzo), Allan Clayton, Andrew Staples (tenor), Mark Stone (baritone), Matthew Rose (bass)

Classical Opera Company, Ian Page



Featuring Rebecca Bottone, Cora Burggraaf, Allan Clayton, Klara Ek, Martene Grimson, Jennifer Johnston, Susan Gritton, Anna Leese, Matthew Rose, Andrew Staples & Mark Stone

Signum are proud to reissue Classical Opera’s debut CD, ‘The A-Z of Mozart Opera’, selected for Gramophone magazine’s annual Critic’s Choice in 2007. Based on the coincidence that Mozart’s first opera (Apollo et Hyacinthus) begins with ‘A’ and his last (Die Zauberflo?te) with ‘Z’, this disc takes the listener on a chronological journey through Mozart’s operatic canon, featuring an aria or ensemble from fifteen of his operas.

“My personal pick for giving this year is the Classical Opera Company’s glorious The A-Z of Mozart Opera, which is fresh, diverse, insightful and illuminating (everything that such recital anthologies usually fail to be). ... “... uniformly superb interpretations... an auspicious de?but recording of intelligence, finesse and quality.” Gramophone

 

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