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ID: ART275
CDs: 1
Type: CD
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Subcollection: Orchestra
(1-24) Academic orchestra of Russian folk instruments of All-Russian state TV and radio company - N. Nekrasov, conductor
(19-23) Academic Chorus of Russian song of All-Russian state music centere of radio and TV. - N.Kutuzov, art director
(1) Tatiana Grindenko - violin (2-7) Denis Korolyov - tenor Soloists - N.Suponin, I.Akcharova (19-21) Anna Litvinenko (22-23) |
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ID: RK2403
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Orchestra
Dietrich Buxtehudes Kantatenzyklus Membra Jesu Nostri (BuxWV 75) ist eines der außerordentlichsten Musikwerke des 17. Jahrhunderts. Anhand einer mittelalterlichen mystischen Textvorlage entwickelte der Lübecker Organist eine siebenteilige Passionsmeditation, die sich deutlich von der protestantischen Tradition der Betrachtung der Passion Christi abhebt. Jesu Membra Nostri ist eine Sammlung lateinischer Hymnen, die sich jeweils an ein Körperteil des am Kreuz hängenden Christus wenden, indem sie es stets mit einem Salve (gegrüßet) anreden. Ursprünglich wurden nur die fünf biblisch überlieferten Wunden angesprochen - Füße, Knie, Hände, Seit und das Antlitz - , später wurde die Sammlung um die separat entstandenen Strophen an die Brust und das Herz erweitert.
In der Einspielung der Lautten Compagney und der Capella Angelica ist der Kantatenzyklus umrahmt von Buxtehudes geistlichen Konzerten Herr, wenn ich nur dich hab (BuxWV 38) und Jesu, meines Lebens Leben (BuxWV 62), die ganz der verinnerlichten Geisteshaltung der „Membra Jesu Nostri“ entsprechen. |
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ID: VVCD-00154
CDs: 1
Type: CD
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Collection: Orchestral Works
Subcollection: Orchestra
Recorded: 1951 (5-7), 1952 (1-4), 25.11.1959 (8-11)
State Symphony Orchestra of the USSR (1-8); State Tele&Radio Committee Grand Symphony Orchestra (9-11) - Leo Ginsburg, conductor Soloist: Boris Goldstein, violin (9-11) |
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ID: NMCD215
CDs: 1
Type: CD
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Subcollection: Orchestra
Barry, G: The One-Armed Pianist
Guy: Mr Babbage is coming to dinner
Mayo: Supermarine
Molitor, C: 2TwoLO
Musgrave: Power Play
Sawer: Coachman Chronos
Aurora Orchestra, Nicholas Collon
Objects at an Exhibition is a landmark commissioning project by NMC Recordings, in partnership with Aurora Orchestra and the Science Museum 'The most headline-grabbing of a series of recent announcements by NMC [that] aims to increase the audience for contemporary music ... this is an imaginative step on that worthwhile mission' Gramophone
Re-imagining Mussorgsky's Pictures at an Exhibition for the twenty-first century, these six new works, commissioned by NMC Recordings, are inspired by an object or space in London's world-renowned Science Museum. Each composer had free rein to pick an exhibit.
Thea Musgrave was attracted to the impressive Energy Hall with its C18th- C19th steam engines; the result is a playful work for woodwind, brass and strings that conveys the inner workings of the vast machines.
Christopher Mayo's piece for cello, double bass and four samplers is inspired by a slate statue of RJ Mitchell (the designer of the Spitfire) in the Flight Gallery. Samples of aeroplane engines grow from distant drone to hypnotic and cachophonous noise.
The enormous but 'melancholic' quality of 2LO (the first BBC transmitter) was what first caught Claudia Molitor's eye, and after doing some research she discovered that initially the transmission of music was prohibited and only speech was deemed acceptable. She uses BBC Sound Archive recordings from 2LO broadcasts in her piece.
David Sawer's work, with percussion - like strings, woodwind and fl ugel horn, conjures up vivid images of the 1830 York Mail Coach (displayed in the 'Making of the Modern World' gallery) speeding through the streets.
Gerald Barry chose an artificial arm with fingers stretched to play only octaves as inspiration - the prosthetic limb belonged to an unidentified female pianist and Barry's haunting, hypnotic composition continually repeats a two-note phrase which gradually evolves into octaves.
The graphic score hand-drawn and partially coloured by Barry Guy is a work of art in itself. Charles Babbage's Difference Engine and his drawings influenced Guy's piece which unsurprisingly, for a composer/bassist who has worked in free improv groups with Derek Bailey and Evan Parker, calls on spontaneity and improvisation from the 13 musicians of the Aurora Orchestra. |
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ID: SIGCD402
CDs: 1
Type: CD
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Collection: World Premiere Recording
Subcollection: Orchestra
Anacréon[50'16]
Synopsis
1. Scene 1 No 1: Ritournelle[1'14]Français English
2. Scene 1 No 2, Air accompagné: Mirthes fleuris, naissant feuillage (Anacréon)[2'26]Français English
Matthew Brook (bass)
3. Scene 2, Récitatif: Vous nous cachez l'objet (Chloé/Anacréon)[4'49]Français English
Anna Dennis (soprano), Matthew Brook (bass)
4. Scene 3, Air accompagné: Tendre amour! (Chloé)[3'03]Français English
Anna Dennis (soprano)
5. Scene 4 No 1, Récitatif, Ariette & Récitatif: Ciel, c'est Batile … Hélas! - Des zéphyrs, que Flore rappelle - Dieux! vous pleurez! (Chloé/Batile)[3'42]Français English
Anna Dennis (soprano), Agustin Prunell-Friend (tenor)
6. Scene 4 No 2, Air accompagné & Récitatif: Mille fleurs parfument les airs - Dieux! ces chants ne sont pas pour moi (Chloé/Batile)[2'33]Français English
Anna Dennis (soprano), Agustin Prunell-Friend (tenor)
7. Scene 5 No 1, Air accompagné avec chœur: Régnez (Anacréon/Jeunes Théoniens et Théoniennes)[0'46]Français English
Matthew Brook (bass), The Choir of the Enlightenment
8. Scene 5 No 2: Airs vifs I et II pour les jeunes Théoniens et Théoniennes[2'47]Français English
9. Scene 5 No 3, Air accompagné: Des caprices du sort (Anacréon)[1'37]Français English
Matthew Brook (bass)
10. Scene 5 No 4: Air pour les jeunes Théoniennes[3'01]FrançaisEnglish
11. Scene 5 No 5, Récitatif: C'est lorsque vous chantez (Anacréon/Chloé/Batile)[2'37]Français English
Matthew Brook (bass), Anna Dennis (soprano), Agustin Prunell-Friend (tenor)
12. Scene 5 No 6, Ariette: Qu'Anacréon dans ce séjour (Batile)[1'13]Français English
Agustin Prunell-Friend (tenor)
13. Scene 6 No 1: Air pour les Bacchantes[2'11]Français English
14. Scene 6 No 2: Gavottes I et II pour les Égipans et les Bacchantes[2'25]
15. Scene 6 No 3, Ariette: Quand l'amour enflamme nos cœurs (Chloé)[2'23]Français English
Anna Dennis (soprano)
16. Scene 6 No 4: Pantomime pour Silène et deux Bacchantes[1'46]
17. Scene 6 No 5: Airs I et II pour Silène et deux Bacchantes[1'30]
18. Scene 6 No 6, Ariette: L'amour, riant et sans bandeau (Chloé)[3'28]Français English
Anna Dennis (soprano)
19. Scene 6 No 7: Tambourins I et II[2'00]FrançaisEnglish
20. Scene 6 No 8, Trio: Chantons Bacchus (Chloé/Batile/Anacréon)[1'00]Français English
Anna Dennis (soprano), Agustin Prunell-Friend (tenor), Matthew Brook (bass)
21. Scene 6 No 9, Chœur: Chantons Bacchus (Chloé/Batile/Anacréon/Égipans/Bacchantes)[1'34]Français English
Anna Dennis (soprano), Agustin Prunell-Friend (tenor), Matthew Brook (bass), The Choir of the Enlightenment
22. Scene 6 No 10: Contredanse[2'11]Français English |
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ID: SIGCD434
CDs: 1
Type: CD
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Subcollection: Orchestra
Symphony No 59 in A major 'The fire' Hob I:59[20'28]
1. Presto[6'06]
2. Andante o più tosto allegretto[7'02]
3. Menuet e trio[3'26]
4. Finale: Allegro[3'54]
Symphony No 52 in C minor Hob I:52[22'40]
5. Allegro assai con brio[9'10]
6. Andante[6'30]
7. Menuetto e trio - Allegretto[3'15]
8. Finale: Presto[3'45]
Symphony No 53 in D major 'L'impériale' Hob I:53[26'45]
9. Movement 1: Largo maestoso - Vivace[6'51]
10. Movement 2: Andante[6'42]
11. Movement 3: Menuetto e trio[4'05]
12. Movement 4. Version I: Finale: Capriccio (Moderato)[4'47]
13. Movement 4. Version II: Finale: Presto[4'20] |
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ID: SIGCD431
CDs: 1
Type: CD
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Subcollection: Orchestra
Live at the Salzburg Festival
Philharmonia Orchestra, Christoph von Dohnányi
Recorded in 2014 at the beginning of a series marking his 85th birthday season, Christoph von Dohnányi leads the Philharmonia Orchestra in a rousing live performance of Bruckner’s monumental Ninth Symphony, which stands alongside the other epoch-defining Ninth symphonies of Beethoven and Mahler. |
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ID: IDIS6644
CDs: 1
Type: CD
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Subcollection: Violin
These studio recordings are taken from the period 1941-1961 and feature Jascha Heifitz performing with the Music Art Quartet (Chausson Concerto for violin, piano and String Quartet), the RCA Symphony Orchestra conducted by Itzler Soloman (Chausson Poëme for violin and orchestra) and his own quartet performing Cesar Franck’s Quintet in F minor.
Chausson:
Concerto in D major for piano, violin and string quartet, Op. 21
studio recording, 1941
Music Art Quartet
Poème for Violin & Orchestra, Op. 25
studio recording, 1952
RCA Symphony Orchestra, Itzler Soloman
Franck, C:
Piano Quintet in F minor, Op. 14
studio recording, 1961
Jascha Heifetz Quintet |
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ID: MELCD6002158
CDs: 1
Type: CD
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Collection: Jazz
Subcollection: Orchestra
Dear jazz friends, This new CD made up of pieces which not specifically composed for this recording sessions. It is collection of compositions that we play live on stage and that we now wish to share with a broader jazz audience. The recordings include compositions by Oleg Lundstrem, several arrangements by the one and only Vitaly Dolgov. The CD also features some pieces that were composed by me at diffirent times in the past and arranged by me and Nick Levinovsky, an old friend of mine and a brilliant musician. The soloists' line-up includes Ivan Volkov, Oleg Grymov, Denis Prushinsky, Roman Sekachev, Maxim Piganov, Igor Ulanov and Vladimir Zhurkin. Some solos you can hear performed by one of the best trumpet players of the country - Victor «Arzu» Guseynov. Follow us and explore the subtle corners of the magnificent world of jazz where sounds, human hearts and souls merge in a precious melodious fusion... Boris Frumkin, Music Director and Conductor of «Oleg Lundstrem Jazz Orchestra» |
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