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World music CD DVD shop and Classic distribution
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Compositeur: KHACHATURIAN, Aram Il'yich ((1903-1978)) |
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Khachaturian was an Armenian; the son of a poor family living in Georgia.
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ID: AQVR369-2
CDs: 1
Type: CD
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Collection:
Songs and Romances
Subcollection: Voice, Piano and Orchestra L. Alemasova, soprano (23)
Folk Orchestra of All-Union Radio, conductor - P. Alekseyev (11, 12)
The chorus and orchestra of the Bolshoi Theatre, conductor - S. Samosud (13)
Chorus master: I. Yukhov, All-Union Radio Symphony Orchestra, conductor - A. Orlov (14, 15)
Chorus master: A. Krynkin, National Symphony Orchestra, conductor - S Sakharov (22, 23)
Piano - S. Stuchevsky (1, 4, 5), A. Mosolov (9, 10), G. Bergholz (2, 3, 6-8, 16-21)
Recorded in: 1936 (3, 11, 12), 1937 (7, 8, 13), 1938 (14-21), 1939 (2, 6, 9, 10), 1940 (22-24), 1946 (1) 1948 (4, 5) |
| 16.00 eur Buy |
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ID: BR0014
CDs: 1
Type: CD
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Collection:
Great Performers
Subcollection: PianoAlbum Notes:
Includes work(s) by various composers. Soloist: Felicja Blumental. |
| 15.00 eur Buy |
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ID: CC0010
CDs: 1
Type: CD
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Subcollection: Music for ClarinetIn the second volume of the well-received series of historical clarinet recordings there are some rare and some well-known gems.
Full listing
La Garde Republicaine: Weber - Concertino
Frederick Thurston: Philip Browne - A Truro Maggot; Charles Lloyd - Gigue; Boldassare Galuppi arr Harold Craxton - Sonata in A minor Op.1 No.3 Largo; Sonata in C major Op.1 No.1 Allegro-Giocoso
Reginald Kell: Schubert - Der Hirt auf dem Felsen
Philip Dreisbach: Spohr - Concerto No.2 Adagio; Mozart - Clarinet Concerto KV622 Adagio
Rene Verney: Graffeuil - Fignolette
Louis Cahuzac: Magani - Mazurka-Caprice
Benny Goodman: Debussy - Premiere Rapsodie
Phil Cardew: Khachaturian - Trio (1st Movt)
Auguste Perier: Bournonville - Fantasie-Impromptu
Prof. Cicotti: Donizetti - Concerto-Maria Padilla
Paolo del Pistoia: Mozart - Quintet KV581 Larghetto
Charles Draper: Brahms - Quintet Op.115 Allegro & Adagio-piu lento. Payne/Bishop: Variations on Home Sweet Home.
Reginald Kell, Benny Goodman, Charles Draper etc. (all clarinet) |
| 15.00 eur Buy |
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ID: E137
CDs: 1
Type: CD
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Collection:
Instrumental
Subcollection: Guitar |
| 15.00 eur Temporarily out of stock |
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ID: GD254
CDs: 1
Type: CD
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Collection:
Orchestral Works
Subcollection: OrchestreWhile 19th century Western Europe music includes different styles and schools, there is no such division among Russian composers. During that time Russia marks a period of real national upsurge in enhancing the Russian nation. For this reason, the Russian composers turn back to the traditional village folklore and consider it basic for the future development of Russian musical culture. Glinka was the first to look back to the Russian musical heritage. His works provide a basis for the Russian classical music school. The realistic traditions in his music are followed also by the next generation of composers.
At the end of the 50s and the beginning of the 60s a group of composers (Balakirev, Borodin, Mussorgsky, Rimsky-Korsakov, Cui) created the group “The Five”, dedicated to the production of a specifically Russian brand of music and truthful representation of real life. They follow the path of Glinka and Dargomizhsky in creating works which are closely connected to folk art. However, they also stand out with their brilliant artistic talent and the innovations they made in opera, symphonic and chamber music. Tchaikovsky also shares their outlook. He often uses Russian folklore, but is interested mainly in the inner life of man, and not in large-scale historical dramas. In this sense, his music is more closely related to everyday romance, than to the traditional folklore. Tchaikovsky also creates a new type of ballet music. Music had mainly accompaniment functions before him. He makes it stand on its own in the whole performance. By employing the expressive means of symphonic music, the composer reveals the dramatic content of the work.
20th century composers are also influenced by their predecessors. They develop the folk traditions and enrich them with the expressive means of their time. |
| 15.00 eur Buy |
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ID: IFO00026
CDs: 1
Type: CD
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Collection:
The Great Composers
Subcollection: Dance MusicBearbeitungen berühmter und heiterer Werke aus Konzert und
Oper:
Saint-Saens: Bacchanale aus "Samson und Dalila; Le Cygne
aus "Karneval der Tiere"
Bizet: Einleitung aus "Carmen"
Tschaikowsky: Tanz der Zuckermandelfee aus
"Nußknacker-Suite"
Grieg: Anitras Tanz aus "Peer-Gynt-Suite" Nr. 1
Pascagni: Intermezzo sinfonico aus "Cavalleria rusticana"
Rossini: Die diebische Elster-Ouvertüre
Mozart: Alla Turca
Schubert: Marche Militaire
Falla: Danse rituelle du feu
Ketelbey: Auf einem persischen Markt
Rimsky-Korsakoff: Der Hummelflug
Elliot: Love song "A toi"
A. Khachaturian: Säbeltanz
Joplin: The Strenuous life (Ragtime); Bethena
(Concert-Waltz)
J. Strauss: Tritsch-Tratsch-Polka
Hans Uwe Hielscher / Orgel der Marktkirche Wiesbaden |
| 18.00 eur Buy |
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ID: MELCD1000649
CDs: 1
Type: CD
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Collection:
Ballet Music
Subcollection: Orchestre |
| 16.00 eur Temporarily out of stock |
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ID: MELCD1001000
CDs: 5
Type: CD
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Collection:
Instrumental
Subcollection: ViolinRecorded 1958-1983
Bach, J S:
Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029
Partita for solo violin No. 1 in B minor, BWV1002
Partita for solo violin No. 2 in D minor, BWV1004
Partita for solo violin No. 3 in E major, BWV1006
Khachaturian:
Sonata-monologue for violin solo
Levitin:
Variations, Op. 45
Mostras:
Caprice
Paganini:
Caprices for solo violin, Op. 1 Nos. 1-24 (complete)
Variations on 'God save the King', Op. 9
Variations on "Pria ch’io l’impegno"
Introduction & Variations on 'Non piu mesta' from Rossini's 'La Cenerentola'
Weinberg (VAINBERG, Moisei):
Sonata for Solo Violin No. 3, Op. 126 |
| 51.00 eur Temporarily out of stock |
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ID: MELCD1001006
CDs: 1
Type: CD
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Collection:
Piano Concerto
Subcollection: Piano and OrchestraIn Khachaturian’s first masterpiece, the outstahding Piano Concerto in D flat major, composed in 1936, his own personal style is organically intertwined with the groundwork of the genre’s history. A priority for the composer was the romantic model of the piano concerto. The key, the sound image and the textural aspect of the concerto’s initial theme are close to the theme of the introduction of Tchaikovsky’s First Piano Concerto, whereas the general principles of the dialogue between the piano and the orchestra are similar to Rachmaninov’s Piano Concertos. That for Khachaturian the main sense for utilizing sonata form is, first of all, in establishing the contrast between the themes-images, we are convinced by the first movement of the Concerto Allegro ma non troppo e maestoso, in D flat major. The monumental romantic main theme, endowed with a flavor of Eastern exoticism, is stated in the first movement three times: at the beginning of the exposition, at the beginning of the recapitulation and after a spacious cadenza, in the place of the coda. Its middle section presents itself as a concentration of piano virtuosity. |
| 16.00 eur Temporarily out of stock |
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