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World music CD DVD shop and Classic distribution
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Compositeur: FONTANA, Giovanni Battista ((1571-1631)) |
| Son musique:
The posthumous volume: "Sonate a 1.2.3. per il violino, o cornetto, fagotto, chitarone, violoncino o simile altro istromento" (Venice, 1641), contains all of his known works.
Son vie:
Brescian violinist and composer who worked in Venice, Rome, and Padua.
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ID: CLAVES509407
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: OrganDivision Flute: 'A Division to a Ground'
The Division Flute: Readings Ground
Carr, R: Divisions upon an Italian Ground
Chédeville, N: Sonata for musette & continuo in G minor (attrib. To Vivaldi Op. 13/6)
Cima: Sonata in D minor
Fontana, G B: Sonata 6 from Sonata 1, 2, 3 Op. post.
Hume, T: A Souldiers Resolution
Locke: Suite No.3 in D minor-major - For Several Friends, suites (12) for trumpet, viol (or violin), bass viol & continuo
Piccinini: Toccata VI
Rognoni: Divisions on Vestiva I Colli
Sammartini, G: Sonata for Recorder and Continuo in G major, Op. 13, No. 4
Scarlatti, D: Keyboard Sonata K87 in B minor |
| 16.00 eur Buy |
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ID: SIGCD237
CDs: 2
Type: CD
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Collection:
Sacred Music
Subcollection: ChoirThis disc represents a new orchestra partnership for Signum Records with The Orchestra of the Age of the Englightenment, one of London and the world’s leading period-instrument ensembles. Led by Robert Howarth, the recording was made at Kings Place following the orchestras successful 2010 tour of the work.
On the Vespers, Robert Howarth writes: "For me, Monteverdi’s music enhances the text beautifully. It doesn’t matter whether one is religious or not, this music touches the human soul and reflects, sincerely and passionately the true meaning of the texts in the psalms and motets … You don’t need to know what’s being sung to hear that this is a masterpiece. However, it was Monteverdi’s intention to show you his thoughts on the texts and I think it is that intention that drives this music." |
| 26.00 eur Buy |
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ID: STR33881
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: ViolinThese works for violin, basso continuo and solo harp, taken from the 17th century Italian repertoire are experimental and innovative, exploring the possibilities on the new solo instrument of the time: the violin. At the end of the 16th century the violin emerges as a solo instrument with its own documented repertoire. 'Sonata' and 'Canzona' were sometimes used with added descriptive titles like Marco Uccellini’s La Ebrea Marinata or Biagio Marini’s Sonata Per Sonar con due corde and Sonata variata, or with dedications like Giovanni Antonio Pandolfi-Mealli’s Sonata Quarta La Biancuccia to fellowmusician il Signor Biancucci. The ensemble ARPARLA takes its inspiration from a desire to speak through music ('parla' in Italian to 'speak'), using the soft and refined sonorities of the harp and the expressive range of colours of the violin, both instruments played with historical awareness. |
| 18.00 eur Temporarily out of stock |
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